2D | 5452 Titles
Post Mortem (2022)
Directed by | Luca Larsen | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema Camera 6K Pro
Lenses | Zeiss Compact Prime CP.2 Lenses
Fanny and Alexander (1983)
| Cinematography by | Sven Nykvist | Editing by | Sylvia Ingemarsson
Cameras | ARRIFLEX 35 BL Camera
Cinema Bandi (2021)
Directed by | Praveen Kandregula | Cinematography by | Apoorva Shaligram, Sagar Yvv | Editing by | Ravi Teja Girijala, Dharmendra Kakarala
Cameras | Red Gemini Camera
Lenses | Zeiss Lenses
You Were Never Really Here (2017)
Directed by | Lynne Ramsay | Cinematography by | Thomas Townend | Editing by | Joe Bini
Cameras | ARRI ALEXA XT Series Cameras
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Ghost in the Shell (2017)
Directed by | Rupert Sanders | Cinematography by | Jess Hall | Editing by | Billy Rich, Neil Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens
Twin Peaks (1990)
| Cinematography by | Frank Byers, Ronald Víctor García | Editing by | Jonathan P. Shaw, Paul Trejo, Toni Morgan, Duwayne Dunham, Mary Sweeney
Lenses | Panavision Lenses
The Celebration (1998)
Directed by | Thomas Vinterberg | Cinematography by | Anthony Dod Mantle | Editing by | Valdís Óskarsdóttir
Cameras | Sony DCR-PC3 Camera
She Wore a Yellow Ribbon (1949)
Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray
Cameras | Mitchell BNC Camera
Raw Deal (1986)
Directed by | John Irvin | Cinematography by | Alex Thomson | Editing by | Anne V. Coates
Cameras | ARRIFLEX 35 BL3 Camera
Lenses | Cooke Xtal Express Lenses
Romeo and Juliet (1968)
Directed by | Franco Zeffirelli | Cinematography by | Pasqualino De Santis | Editing by | Reginald Mills
Cameras | Mitchell BNCR Camera
Flamin’ Hot (2023)
Directed by | Eva Longoria | Cinematography by | Federico Cantini | Editing by | Kayla Emter, Liza D. Espinas
Cameras | Sony CineAlta VENICE Camera
Lenses | Canon K35 Prime Lenses, Cooke Xtal Express Lenses, Laowa Lenses, Panavision Panaspeed Series Lenses, Panavision Primo Anamorphic Lenses
Victoria & Abdul (2017)
Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Melanie Oliver
Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera
Lenses | Angenieux Lenses, Zeiss Master Prime Lenses
Phantom of the Opera (1943)
Directed by | Arthur Lubin | Cinematography by | W. Howard Greene, Hal Mohr | Editing by | Russell F. Schoengarth
I Don’t Feel at Home in This World Anymore (2017)
Directed by | Macon Blair | Cinematography by | Larkin Seiple | Editing by | Tomas Vengris
Cameras | ARRI ALEXA Mini Camera
With Byrd at the South Pole (1930)
Cinematography by | Joseph T. Rucker, Willard Van der VeerEditing by | Emanuel Cohen
Cameras | Akeley 35mm Ciné Camera
White Shadows in the South Seas (1928)
Directed by | W.S. Van Dyke, Robert J. Flaherty | Cinematography by | Clyde De Vinna, George Gordon Nogle, Bob Roberts | Editing by | Ben Lewis
Cameras | Mitchell Standard Camera
The Great Waltz (1938)
Directed by | Julien Duvivier, Victor Fleming, Josef von Sternberg | Cinematography by | Joseph Ruttenberg | Editing by | Tom Held
Cameras | Mitchell Standard Camera
Beauty and the Beast (2017)
Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Leitz Summilux-C Series Lenses
Love, Simon (2018)
Directed by | Greg Berlanti | Cinematography by | John Guleserian | Editing by | Harry Jierjian
Cameras | ARRI ALEXA XT Camera
The Other Side of the Wind (2018)
Directed by | Orson Welles | Cinematography by | Gary Graver | Editing by | Bob Murawski, Orson Welles
Cameras | Éclair NPR Camera
