2D | 5452 Titles
Life Itself (2018)
Directed by | Dan Fogelman | Cinematography by | Brett Pawlak | Editing by | Julie Monroe
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses | Cooke Panchro/i Classic Lenses
Kin (2018)
Directed by | Jonathan Baker, Josh Baker | Cinematography by | Larkin Seiple | Editing by | Mark Day
Cameras | ARRI ALEXA Mini Camera
Fifth Story (2024)
Directed by | Maxance Louvety | Cinematography by | Enzo Kristensen | Editing by | Sam Kun
Lenses | Canon EF 100mm f/2.8L Macro Lens, Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 24-70 mm f2.8L II Lens, Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens, KMZ Helio 44-2 58 mm f2 Lens, KMZ Helios 44 58 mm f1.2, Laowa 24 mm f/14 2X Macro Probe Lens, Lensbaby Composer Pro II + Sweet 35 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Sigma 105mm f2.8 EX DG OS HSM Macro Lens, Sigma 35mm f1.4 DG HSM Lens, Sony FE 24mm F1.4 G Master Series Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens
American Animals (2018)
Directed by | Bart Layton | Cinematography by | Ole Bratt Birkeland | Editing by | Luke Dunkley, Nick Fenton, Chris Gill, Julian Hart
The Hate U Give (2018)
Directed by | George Tillman Jr. | Cinematography by | Mihai Malaimare Jr. | Editing by | Alex Blatt, Craig Hayes
Cameras | Panavision Millennium DXL2 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision Primo 70 Lenses, Panavision Ultra Panatar Anamorphic Lenses
Wildlife (2018)
Directed by | Paul Dano | Cinematography by | Diego García | Editing by | Louise Ford, Matthew Hannam
Cameras | ARRI ALEXA XT Camera
In Fabric (2018)
Directed by | Peter Strickland | Cinematography by | Ari Wegner | Editing by | Mátyás Fekete
Cameras | ARRI ALEXA Mini Camera
To All the Boys I’ve Loved Before (2018)
Directed by | Susan Johnson | Cinematography by | Michael Fimognari | Editing by | Phillip J. Bartell, Joe Klotz
Cameras | ARRI ALEXA Mini Camera
Darkest Hour (2017)
Directed by | Joe Wright | Cinematography by | Bruno Delbonnel | Editing by | Valerio Bonelli
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
Eighth Grade (2018)
Directed by | Bo Burnham | Cinematography by | Andrew Wehde | Editing by | Jennifer Lilly
Cameras | Red Helium 8K Camera
The Good Earth (1937) 
Directed by | Sidney Franklin, Victor Fleming, Gustav Machatý, Sam Wood | Cinematography by | Karl Freund | Editing by | Basil Wrangell, Ben Lewis
Cameras | Mitchell Standard Camera
A Midsummer Night’s Dream (1935)
Directed by | William Dieterle, Max Reinhardt | Cinematography by | Hal Mohr | Editing by | Ralph Dawson
La jungle est mon jardin (2022)
Directed by | Enrico Alexander Giordano
Cameras | Canon EOS-1D C Camera
Lenses | Cineovision Lenses, Leica R Series Lenses
Only the Brave (2017)
Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Billy Fox
Cameras | Sony CineAlta F65 Camera
Ingrid Goes West (2017)
Directed by | Matt Spicer | Cinematography by | Bryce Fortner | Editing by | Jack Price
Cameras | ARRI ALEXA Mini Camera
Super Dark Times (2017)
Directed by | Kevin Phillips | Cinematography by | Eli Born | Editing by | Ed Yonaitis
Cameras | Red Epic Dragon Camera
Lenses | Cooke Anamorphic Lenses
The Yearling (1946)
Directed by | Clarence Brown | Cinematography by | Arthur E. Arling, Charles Rosher, Leonard Smith | Editing by | Harold F. Kress
Cameras | Technicolor 3-Strip Camera
The Babysitter (2017)
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Martin Bernfeld, Peter Gvozdas
Cameras | Red Weapon Dragon Camera
Boy Erased (2018)
Directed by | Joel Edgerton | Cinematography by | Eduard Grau | Editing by | Jay Rabinowitz
Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera
Lenses | Zeiss Super Speed Lenses
Three Billboards Outside Ebbing, Missouri (2017)
Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Jon Gregory
Cameras | ARRI ALEXA XT Series Cameras
