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2D | 5452 Titles

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Girls Trip (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Malcolm D. Lee | Cinematography by | Greg Gardiner | Editing by | Paul Millspaugh

Starring | Regina Hall, Queen Latifah, Jada Pinkett Smith

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

It (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Andy Muschietti | Cinematography by | Chung-hoon Chung | Editing by | Jason Ballantine

Starring | Bill Skarsgård, Jaeden Martell, Finn Wolfhard

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Coco (2017)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 105 Minutes

Directed by | Lee Unkrich, Adrian Molina | Editing by | Steve Bloom, Lee Unkrich

Starring | Anthony Gonzalez, Gael García Bernal, Benjamin Bratt

Suburbicon (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 105 Minutes

Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione

Starring | Matt Damon, Julianne Moore, Oscar Isaac

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Sorry to Bother You (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | Boots Riley | Cinematography by | Doug Emmett | Editing by | Terel Gibson

Starring | LaKeith Stanfield, Tessa Thompson, Jermaine Fowler

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke Anamorphic/i Prime Lenses

Totem (2017)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 89 Minutes

Directed by | Marcel Sarmiento | Cinematography by | Harry Lipnick | Editing by | Phillip Blackford

Starring | Kerris Dorsey, Ahna O'Reilly, James Tupper

The Edge of Seventeen (2016)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Kelly Fremon Craig | Cinematography by | Doug Emmett | Editing by | Tracey Wadmore-Smith

Starring | Hailee Steinfeld, Haley Lu Richardson, Blake Jenner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Love Witch (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 120 Minutes

Directed by | Anna Biller | Cinematography by | M. David Mullen | Editing by | Anna Biller

Starring | Samantha Robinson, Jeffrey Vincent Parise, Laura Waddell, Gian Keys

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Chasing Amy (1997)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 113 Minutes

Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith

Starring | Ben Affleck, Joey Lauren Adams, Ethan Suplee, Scott Mosier

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Zeiss Super Speed Lenses

The Tenant (1976)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 126 Minutes

Directed by | Roman Polanski | Cinematography by | Sven Nykvist | Editing by | Françoise Bonnot

Starring | Roman Polanski, Isabelle Adjani, Melvyn Douglas, Jo Van Fleet

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Free Solo (2018)

Documentary | 2D | 2K Project | Color | 1.85:1 | 100 Minutes

Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Jimmy Chin, Clair Popkin, Mikey Schaefer | Editing by | Bob Eisenhardt

Starring | Alex Honnold, Tommy Caldwell, Jimmy Chin, Cheyne Lempe

Cameras | Blackmagic URSA Mini Camera, Canon EOS-1Ds Mark II Camera, Canon EOS-C300 Mark II Camera

Lenses | Canon CINE-SERVO 50-1000mm T5.0 Lens

The Awful Truth (1937)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 90 Minutes

Directed by | Leo McCarey | Cinematography by | Joseph Walker | Editing by | Al Clark

Starring | Irene Dunne, Cary Grant, Ralph Bellamy

Causeway (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 94 Minutes

Directed by | Lila Neugebauer | Cinematography by | Diego García | Editing by | Robert Frazen, Lucian Johnston

Starring | Jennifer Lawrence, Brian Tyree Henry, Linda Emond

Cameras | ARRI ALEXA LF Camera

Lenses | Panavision H Series Lenses

Swiss Army Man (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 97 Minutes

Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Matthew Hannam

Starring | Paul Dano, Daniel Radcliffe, Mary Elizabeth Winstead

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Phantom Flex4K Camera, Red Epic Dragon Camera, Sony PMW-EX3 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Anamorphic Lenses, Cooke S4/i Lenses, Cooke Xtal Express Lenses, Zeiss Super Speed Lenses

Mr. Deeds Goes to Town (1936)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 115 Minutes

Directed by | Frank Capra | Cinematography by | Joseph Walker | Editing by | Gene Havlick

Starring | Gary Cooper, Jean Arthur, George Bancroft

Cameras | Mitchell Standard Camera

Anthony Adverse (1936)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 141 Minutes

Directed by | Mervyn LeRoy, Michael Curtiz | Cinematography by | Tony Gaudio | Editing by | Ralph Dawson

Starring | Fredric March, Olivia de Havilland, Donald Woods

All the Money in the World (2017)

Movie | 2D | 2K Project | Black & White, Color | 2.39:1 | 132 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson

Starring | Michelle Williams, Christopher Plummer, Mark Wahlberg

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision Super Speed Lenses

Free Fire (2016)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

Directed by | Ben Wheatley | Cinematography by | Laurie Rose | Editing by | Amy Jump, Ben Wheatley

Starring | Sharlto Copley, Brie Larson, Armie Hammer

The Divine Lady (1928)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 99 Minutes

Directed by | Frank Lloyd | Cinematography by | John F. Seitz | Editing by | Hugh Bennett

Starring | Corinne Griffith, Victor Varconi, H.B. Warner

7th Heaven (1927)

Motion Picture | 2D | Film Project | Black & White | 1.20:1 | 110 Minutes

Directed by | Frank Borzage | Cinematography by | Ernest Palmer, Joseph A. Valentine | Editing by | Barney Wolf

Starring | Janet Gaynor, Charles Farrell, Ben Bard

Cameras | Mitchell Standard Camera

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