North America | 1782 Titles
Crimson Peak (2015)
Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Bernat Vilaplana
Cameras | ARRI ALEXA XT Camera
Meadowland (2015)
Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
Tomorrowland (2015)
Directed by | Brad Bird | Cinematography by | Claudio Miranda | Editing by | Walter Murch, Craig Wood
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Annabelle Hooper and the Ghosts of Nantucket (2016)
Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean
Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera
Lenses | Zeiss Compact Prime Lenses
The Intern (2015)
Directed by | Nancy Meyers | Cinematography by | Stephen Goldblatt | Editing by | Robert Leighton
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Sicario (2015)
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker
Lenses | Zeiss Master Prime Lenses
Deadliest Catch (2005)
Cinematography by | Todd Stanley, David Reichert, Shane Moore, Steve Wright, Cameron Glendenning, Breck Warwick, Doug Stanley, Joshua Thomas, Ben Zupo, Matthew Fahey, Kelvon Agee, John Moody, Ben Staley, Travis Tips, Jacob Tawney, Adam Bradley, Eric Lange, Zac McFarlane, Charlie Beck, Bryan Miller, Beth Skabar, Mario Signore, Marc Graham, Peter Kragh, Arom Starr-Paul, Nicholas Bunker, Chris Smith, Thomas Backer, Decker WatsonEditing by | Ben Bulatao, Alexander B. Rubinow, Josh Earl, Alex Durham, Art O'Leary, Christian Skovly, Johnny Bishop, Stuart Brodlieb, Alexandra Moore, Nathen Araiza, Rob Butler, Greg Cornejo, Ed Greene, Ian Olsen, Roman Mykytyn, Amanda Bliss Taylor, Peregrine Beckman, Thomas Henry Durant, Laurens Van Charante, Tim Roche, Jeremy Klavens, Jeremy Parr, Don Pollard, Mark S. Andrew, Isaiah Camp, Joe Mikan, Eric Lange, Sam Fricke, Kevin Nibley, Nino Martinez, Ted Woerner, Sean Zell, Alberto Pérez, Billy Joseph, Jonathan Raimer, Arek Hope, George Valdez, Michelle Kolzow, Ian Olson, Teresa Bauer, Josh Stockero
Cameras | Canon EOS-C300 Camera, Canon XA25 Camera
The Weather Underground (2002)
Directed by | Sam Green, Bill Siegel | Cinematography by | Andrew Black, Federico Salsano | Editing by | Sam Green, Dawn Logsdon
My Architect (2003)
Capturing the Friedmans (2003)
Balseros (2002)
Directed by | Carles Bosch, Josep Maria Domènech | Cinematography by | Josep Maria Domènech | Editing by | Ernest Blasi
Call Me King (2017)
Directed by | R.L. Scott | Cinematography by | R.L. Scott
Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera
Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Southpaw (2015)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua
Cameras | ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Kickstart Theft (2012)
Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe
Cameras | Sony CineAlta F65 Camera
Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens
Johnny Flynton (2002)
Directed by | Lexi Alexander | Cinematography by | Alexander Buono | Editing by | Christopher Klonecke
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses
The Garbage Pail Kids Movie (1987)
Directed by | Rod Amateau | Cinematography by | Harvey Genkins | Editing by | Leon Carrere, M. Edward Salier
Twin Towers (2003)
Directed by | Bill Guttentag, Robert David Port | Cinematography by | Scott Hillier, Jefferson Miller | Editing by | Michael Schweitzer
Spellbound (2002)
Daughter from Danang (2002)
Directed by | Gail Dolgin, Vicente Franco | Cinematography by | Vicente Franco | Editing by | Kim Roberts
