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North America | 1782 Titles

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The Big Red One (1980)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 113 Minutes

Directed by | Samuel Fuller | Cinematography by | Adam Greenberg | Editing by | Bryan McKenzie, Morton Tubor

Starring | Lee Marvin, Mark Hamill, Robert Carradine

Cameras | ARRIFLEX Camera

Incendies (2010)

Motion Picture | 2D | 2K Project | Color | 131 Minutes

Directed by | Denis Villeneuve | Cinematography by | André Turpin | Editing by | Monique Dartonne

Starring | Lubna Azabal, Mélissa Désormeaux-Poulin, Maxim Gaudette, Mustafa Kamel

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Master Prime Lenses

Austin Powers: The Spy Who Shagged Me (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 95 Minutes

Directed by | Jay Roach | Cinematography by | Ueli Steiger | Editing by | Debra Neil-Fisher, Jon Poll

Starring | Mike Myers, Heather Graham, Michael York, Robert Wagner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Cats (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver

Starring | Jennifer Hudson, Judi Dench, Taylor Swift, Robbie Fairchild

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses, Tokina Vista Cinema Prime Lenses

The Day After Tomorrow (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner

Starring | Dennis Quaid, Jake Gyllenhaal, Emmy Rossum

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

1 Out of 7 (2011)

Movie | 2D | Film Project | Color | 90 Minutes

Directed by | York Alec Shackleton | Cinematography by | Adam Silver | Editing by | Thomas K. Nash, York Alec Shackleton, D.W. Thomas

Starring | Laura Ramsey, Toby Hemingway, Vivica A. Fox

Cameras | ARRIFLEX 235 Camera

Snakes on a Train (2006)

Direct to Video | 2D | HD Project | Color | 91 Minutes

Directed by | Peter Mervis | Cinematography by | Mark Atkins | Editing by | Peter Mervis

Starring | A.J. Castro, Julia Ruiz, Giovanni Bejarano, Al Galvez

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Home Alone 2: Lost in New York (1992)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell

Starring | Macaulay Culkin, Joe Pesci, Daniel Stern, Catherine O'Hara

Cameras | Panavision Panaflex Platinum Camera

Talladega Nights: The Ballad of Ricky Bobby (2006)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White

Starring | Will Ferrell, John C. Reilly, Sacha Baron Cohen, Gary Cole

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Double Indemnity (1944)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 107 Minutes

Directed by | Billy Wilder | Cinematography by | John F. Seitz

Starring | Fred MacMurray, Barbara Stanwyck, Edward G. Robinson

Cameras | Mitchell BNC Camera

Mean Girls (2004)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Wendy Greene Bricmont

Starring | Lindsay Lohan, Jonathan Bennett, Rachel McAdams, Tina Fey

Cameras | Panavision Cameras

Elemental (2023)

Motion Picture | 3D | Color | 1.85:1 | 101 Minutes

Directed by | Peter Sohn | Cinematography by | David Juan Bianchi, Jean-Claude Kalache | Editing by | Stephen Schaffer

Starring | Leah Lewis, Mamoudou Athie, Ronnie Del Carmen

To Leslie (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 119 Minutes

Directed by | Michael Morris | Cinematography by | Larkin Seiple | Editing by | Chris McCaleb

Starring | Andrea Riseborough, Drew Youngblood, Tom Virtue

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Maltese Falcon (1941)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 100 Minutes

Directed by | John Huston | Cinematography by | Arthur Edeson | Editing by | Thomas Richards

Starring | Humphrey Bogart, Mary Astor, Gladys George

Cameras | Mitchell BNC Camera

Fay Grim (2006)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 118 Minutes

Directed by | Hal Hartley | Cinematography by | Sarah Cawley | Editing by | Hal Hartley

Starring | Parker Posey, Jeff Goldblum, Liam Aiken

Cameras | Sony HDW-F900 Camera

Lenses | Zeiss DigiPrime Lenses

Guillermo del Toro’s Pinocchio (2022)

Movie | 2D | Color | 1.85:1 | 117 Minutes

Directed by | Guillermo del Toro, Mark Gustafson | Cinematography by | Frank Passingham | Editing by | Holly Klein, Ken Schretzmann

Starring | Ewan McGregor, David Bradley, Gregory Mann

Cameras | Canon EOS-1D Mark IV Camera

The Fabelmans (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 151 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Michelle Williams, Gabriel LaBelle, Paul Dano

Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Turning Red (2022)

Motion Picture | 3D | 4K Project | Color | 1.85:1 | 100 Minutes

Directed by | Domee Shi | Cinematography by | Mahyar Abousaeedi, Jonathan Pytko | Editing by | Steve Bloom, Nicholas C. Smith

Starring | Rosalie Chiang, Sandra Oh, Ava Morse

Everything Everywhere All at Once (2022)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1, 2.0:1, 2.39:1 | 139 Minutes

Directed by | Daniel Kwan, Daniel Scheinert | Cinematography by | Larkin Seiple | Editing by | Paul Rogers

Starring | Michelle Yeoh, Stephanie Hsu, Jamie Lee Curtis

Cameras | ARRI ALEXA Mini Camera

Lenses | Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses

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