New York | 379 Titles
Ransom (1996)
Directed by | Ron Howard | Cinematography by | Piotr Sobocinski | Editing by | Daniel P. Hanley, Mike Hill
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Fletch Lives (1989)
Directed by | Michael Ritchie | Cinematography by | John McPherson | Editing by | Richard A. Harris
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Across 110th Street (1972)
Directed by | Barry Shear | Cinematography by | Jack Priestley | Editing by | Byron 'Buzz' Brandt, Carl Pingitore
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera
Pieces of April (2003)
Directed by | Peter Hedges | Cinematography by | Tami Reiker | Editing by | Mark Livolsi
Cameras | Sony DSR-PD150 Camera
Jerry Maguire (1996)
Directed by | Cameron Crowe | Cinematography by | Janusz Kaminski | Editing by | Joe Hutshing, David Moritz
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Kramer vs. Kramer (1979)
Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Gerald B. Greenberg
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
The Savages (2007)
Directed by | Tamara Jenkins | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses
Splinterheads (2009)
Directed by | Brant Sersen | Cinematography by | Michael Simmonds | Editing by | Chris Lechler
Cameras | Red One Camera
Pollock (2000)
Sweet and Lowdown (1999)
Directed by | Woody Allen | Cinematography by | Fei Zhao | Editing by | Alisa Lepselter
Cameras | Panavision Cameras
Lenses | Panavision Lenses
W.E. (2011)
Directed by | Madonna | Cinematography by | Hagen Bogdanski | Editing by | Danny Tull
Lenses | Zeiss Ultra Prime Lenses
The Devil Wears Prada (2006)
Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi
Cameras | ARRICAM Studio (ST) Camera
American Gangster (2007)
Directed by | Ridley Scott | Cinematography by | Harris Savides | Editing by | Pietro Scalia
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Crazy People (1990)
Directed by | Tony Bill, Barry L. Young | Cinematography by | Victor J. Kemper | Editing by | Mia Goldman
Lenses | Panavision Ultra Speed MKII Lenses
100 Feet (2008)
Directed by | Eric Red | Cinematography by | Ken Kelsch | Editing by | Janice Hampton, Anthony Redman
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Armageddon (1998)
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Mark Goldblatt, Chris Lebenzon, Glen Scantlebury
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Sherlock Holmes (2009)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Phantom HD Camera, Silicon Imaging SI-2K Camera
Unfaithful (2002)
Directed by | Adrian Lyne | Cinematography by | Peter Biziou | Editing by | Anne V. Coates
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses
15 Till Midnight (2010)
Directed by | Wolfgang Meyer | Cinematography by | Daniel Lipski | Editing by | Michael Gilmore
Cameras | Red One Camera
Lenses | Cooke S4 Lenses
You Can Count on Me (2000)
Directed by | Kenneth Lonergan | Cinematography by | Stephen Kazmierski | Editing by | Anne McCabe
Cameras | Panavision Cameras
Lenses | Panavision Lenses
































































