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New York | 379 Titles

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A Shock to the System (1990)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Jan Egleson | Cinematography by | Paul Goldsmith | Editing by | William M. Anderson, Peter C. Frank

Starring | Michael Caine, Elizabeth McGovern, Peter Riegert, Swoosie Kurtz

Cameras | Panavision Cameras

Lenses | Panavision Lenses

A.I. Artificial Intelligence (2001)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Haley Joel Osment, Jude Law, Frances O'Connor, Sam Robards

Cameras | Panavision Cameras

Lenses | ARRI / Zeiss Lenses

A Bronx Tale (1993)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Robert De Niro | Cinematography by | Reynaldo Villalobos | Editing by | Robert Q. Lovett, David Ray

Starring | Robert De Niro, Chazz Palminteri, Lillo Brancato, Francis Capra

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Little Children (2006)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 136 Minutes

Directed by | Todd Field | Cinematography by | Antonio Calvache | Editing by | Leo Trombetta

Starring | Kate Winslet, Jennifer Connelly, Patrick Wilson, Jackie Earle Haley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Talented Mr. Ripley (1999)

Motion Picture | 2D | Color | 1.85:1 | 139 Minutes

Directed by | Anthony Minghella | Cinematography by | John Seale | Editing by | Walter Murch

Starring | Matt Damon, Gwyneth Paltrow, Jude Law, Cate Blanchett

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Margin Call (2011)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 107 Minutes

Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco | Editing by | Pete Beaudreau

Starring | Zachary Quinto, Stanley Tucci, Kevin Spacey, Paul Bettany

Cameras | ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Red One MX Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Standard Speed Prime Lenses

Michael Clayton (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 119 Minutes

Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | George Clooney, Tilda Swinton, Tom Wilkinson, Michael O'Keefe

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Place Beyond the Pines (2012)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane

Starring | Ryan Gosling, Bradley Cooper, Eva Mendes, Craig Van Hook

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4/i Lenses

Anything Else (2003)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter

Starring | Woody Allen, Jason Biggs, Christina Ricci, Danny DeVito

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

*batteries not included (1987)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Matthew Robbins | Cinematography by | John McPherson | Editing by | Cynthia Scheider

Starring | Hume Cronyn, Jessica Tandy, Frank McRae, Elizabeth Peña

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Bourne Ultimatum (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse

Starring | Matt Damon, Edgar Ramírez, Joan Allen, Julia Stiles

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Ali (2001)

Motion Picture | 2D | Color | 2.39:1 | 157 Minutes

Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Starring | Will Smith, Jamie Foxx, Jon Voight, Mario Van Peebles

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses | Panavision Primo Primes Spherical Lenses

A Crime (2006)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Manuel Pradal | Cinematography by | Giorgos Arvanitis | Editing by | Jennifer Augé

Starring | Harvey Keitel, Emmanuelle Béart, Norman Reedus, Joe Grifasi

Cameras | ARRI Cameras

Lenses | Zeiss Lenses

Annie Hall (1977)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.85:1 | 93 Minutes

Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Wendy Greene Bricmont, Ralph Rosenblum

Starring | Woody Allen, Diane Keaton, Tony Roberts, Carol Kane

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Dog Day Afternoon (1975)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Sidney Lumet | Cinematography by | Victor J. Kemper | Editing by | Dede Allen

Starring | Al Pacino, John Cazale, Penelope Allen, Sully Boyar

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Terms of Endearment (1983)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 132 Minutes

Directed by | James L. Brooks | Cinematography by | Andrzej Bartkowiak | Editing by | Richard Marks

Starring | Shirley MacLaine, Debra Winger, Jack Nicholson, Danny DeVito

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

The French Connection (1971)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 104 Minutes

Directed by | William Friedkin | Cinematography by | Owen Roizman | Editing by | Gerald B. Greenberg

Starring | Gene Hackman, Roy Scheider, Fernando Rey, Tony Lo Bianco

Cameras | ARRIFLEX 35 IIC Camera

Lenses | ARRI / Zeiss Lenses

Loverboy (2005)

Motion Picture | 2D | Color | 1.85:1 | 84 Minutes

Directed by | Kevin Bacon | Cinematography by | Nancy Schreiber | Editing by | David Ray

Starring | Kyra Sedgwick, Dominic Scott Kay, Campbell Scott, Kevin Bacon

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

5 Star Day (2010)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Danny Buday | Cinematography by | Jason Oldak | Editing by | Curtis Pierce

Starring | Cam Gigandet, Guy Herbert, Will Yun Lee, Derek Shipp

Cameras | Moviecam Compact Camera

Lenses | Panavision Primo Primes Spherical Lenses

Wanted (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Timur Bekmambetov | Cinematography by | Mitchell Amundsen | Editing by | David Brenner

Starring | Angelina Jolie, James McAvoy, Morgan Freeman, Terence Stamp

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Lenses | Panavision Primo Primes Spherical Lenses

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