New York | 379 Titles
Oblivion (2013)
Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Richard Francis-Bruce
Cameras | Red Epic Camera, Sony CineAlta F65 Camera
Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
The Corruptor (1999)
Directed by | James Foley | Cinematography by | Juan Ruiz Anchía | Editing by | Howard E. Smith
Cameras | Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Easy Money (1983)
Directed by | James Signorelli | Cinematography by | Fred Schuler | Editing by | Robert M. Reitano, Ronald Roose, Rick Shaine
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
Far from Heaven (2002)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | James Lyons
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Lenses, Cooke Speed Panchro Lenses
Cruising (1980)
Directed by | William Friedkin | Cinematography by | James A. Contner | Editing by | Bud S. Smith, M. Scott Smith
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
In America (2002)
Directed by | Jim Sheridan | Cinematography by | Declan Quinn | Editing by | Naomi Geraghty
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Men in Black (1997)
Bad Timing (1980)
Directed by | Nicolas Roeg | Cinematography by | Anthony B. Richmond | Editing by | Tony Lawson
Cameras | Technovision Cameras
Lenses | Technovision Lenses
Atlantic City (1980)
Directed by | Louis Malle | Cinematography by | Richard Ciupka | Editing by | Suzanne Baron
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
4:44 Last Day on Earth (2011)
Directed by | Abel Ferrara | Cinematography by | Ken Kelsch | Editing by | Anthony Redman
Cameras | Red One MX Camera
Lenses | Cooke S4 Lenses
Friends with Benefits (2011)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Tia Nolan
Cameras | Sony CineAlta F35 Camera, Sony Other Camera
Lenses | Panavision Primo Anamorphic Lenses
In the Loop (2009)
Directed by | Armando Iannucci | Cinematography by | Jamie Cairney | Editing by | Anthony Boys, Billy Sneddon
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
Meet the Parents (2000)
Directed by | Jay Roach | Cinematography by | Peter James | Editing by | Greg Hayden, Jon Poll
Cameras | Panavision Panaflex Platinum Camera
Altered States (1980)
Directed by | Ken Russell | Cinematography by | Jordan Cronenweth | Editing by | Eric Jenkins, Jack Harnish
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Adventures of Power (2008)
Directed by | Ari Gold | Cinematography by | Lisa Wiegand | Editing by | Geraud Brisson
Lenses | Zeiss Super Speed Lenses
Ghostbusters (1984)
Directed by | Ivan Reitman | Cinematography by | László Kovács | Editing by | David E. Blewitt, Sheldon Kahn
Cameras | Panavision Cameras
Lenses | Panavision Lenses
13 Going on 30 (2004)
Directed by | Gary Winick | Cinematography by | Don Burgess | Editing by | Susan Littenberg
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Click (2006)
Directed by | Frank Coraci | Cinematography by | Dean Semler | Editing by | Jeff Gourson
Cameras | Panavision Genesis Camera
The Natural (1984)
Directed by | Barry Levinson | Cinematography by | Caleb Deschanel | Editing by | Stu Linder, Christopher Holmes
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Seabiscuit (2003)
Directed by | Gary Ross | Cinematography by | John Schwartzman | Editing by | William Goldenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera
