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Louisiana | 74 Titles

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Fletch Lives (1989)

Motion Picture | Color | 95 Minutes

Directed by | Michael Ritchie | Cinematography by | John McPherson | Editing by | Richard A. Harris

Starring | Chevy Chase, Hal Holbrook, Julianne Phillips, R. Lee Ermey

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Battle Los Angeles (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jonathan Liebesman | Cinematography by | Lukas Ettlin | Editing by | Christian Wagner

Starring | Aaron Eckhart, Michelle Rodriguez, Bridget Moynahan, Ramón Rodríguez

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Local Color (2006)

Motion Picture | 2D | Color | 107 Minutes

Directed by | George Gallo | Cinematography by | Michael Negrin | Editing by | Malcolm Campbell

Starring | Armin Mueller-Stahl, Trevor Morgan, Ray Liotta, Charles Durning

Cameras | Panavision Cameras

Lenses | Angenieux Optimo Zoom Lenses

Shark Night 3D (2011)

Motion Picture | 3D | Color | 1.85:1 | 90 Minutes

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Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Dennis Virkler

Starring | Sara Paxton, Dustin Milligan, Chris Carmack, Katharine McPhee

Cameras | Sony CineAlta F35 Camera

Lenses | Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens

A Little Bit of Heaven (2011)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Nicole Kassell | Cinematography by | Russell Carpenter | Editing by | Stephen A. Rotter

Starring | Kate Hudson, Gael García Bernal, Kathy Bates, Peter Dinklage

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Primary Colors (1998)

Motion Picture | 2D | Color | 2.39:1 | 143 Minutes

Directed by | Mike Nichols | Cinematography by | Michael Ballhaus | Editing by | Arthur Schmidt

Starring | John Travolta, Emma Thompson, Kathy Bates, Larry Hagman

Cameras | ARRIFLEX Camera

12 Rounds (2009)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Renny Harlin | Cinematography by | David Boyd | Editing by | Brian Berdan

Starring | John Cena, Ashley Scott, Aidan Gillen, Steve Harris

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Super (2010)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 96 Minutes

Directed by | James Gunn | Cinematography by | Steve Gainer | Editing by | Cara Silverman

Starring | Rainn Wilson, Ellen Page, Liv Tyler, Kevin Bacon

Cameras | Red One Camera

Battleship (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 131 Minutes

Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Billy Rich, Paul Rubell

Starring | Alexander Skarsgård, Brooklyn Decker, Liam Neeson, Rihanna

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Interview with the Vampire: The Vampire Chronicles (1994)

Motion Picture | 2D | Color | 1.85:1 | 123 Minutes

Directed by | Neil Jordan | Cinematography by | Philippe Rousselot | Editing by | Mick Audsley, Joke van Wijk

Starring | Brad Pitt, Tom Cruise, Antonio Banderas, Kirsten Dunst

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Straw Dogs (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Rod Lurie | Cinematography by | Alik Sakharov | Editing by | Sarah Boyd

Starring | James Marsden, Kate Bosworth, Alexander Skarsgård, James Woods

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

The Baytown Outlaws (2012)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Barry Battles | Cinematography by | David McFarland | Editing by | Sean Valla

Starring | Billy Bob Thornton, Eva Longoria, Thomas Brodie-Sangster, Clayne Crawford

Cameras | Red One Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens

The Loss of a Teardrop Diamond (2008)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Jodie Markell | Cinematography by | Giles Nuttgens | Editing by | Susan E. Morse, Jeremy Workman

Starring | Bryce Dallas Howard, Chris Evans, Will Patton, Ann-Margret

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses

The Apostle (1997)

Motion Picture | 2D | Color | 1.85:1 | 134 Minutes

Directed by | Robert Duvall | Cinematography by | Barry Markowitz | Editing by | Stephen Mack

Starring | Robert Duvall, Todd Allen, Paul Bagget, Lenore Banks

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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