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Taken 2 (2012)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre, Vincent Tabaillon

Starring | Liam Neeson, Famke Janssen, Maggie Grace, Leland Orser

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Cameras

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Revenge of the Dead (1983)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Pupi Avati | Cinematography by | Franco Delli Colli | Editing by | Amedeo Salfa

Starring | Gabriele Lavia, Anne Canovas, Paola Tanziani, Cesare Barbetti

Cameras | Technovision Cameras

Lenses | Technovision Lenses

Faut que ça danse! (2007)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Emmanuelle Castro

Starring | Jean-Pierre Marielle, Valeria Bruni Tedeschi, Sabine Azéma, Bulle Ogier

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Days of Glory (2006)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 120 Minutes

Directed by | Rachid Bouchareb | Cinematography by | Patrick Blossier | Editing by | Yannick Kergoat

Starring | Samy Naceri, Roschdy Zem, Sami Bouajila, Jamel Debbouze

Lenses | Hawk Anamorphic Lenses

Le Mozart des pickpockets (2006)

Short Film | 2D | Color | 1.85:1 | 31 Minutes

Directed by | Philippe Pollet-Villard | Cinematography by | Philippe Piffeteau | Editing by | Cyril Nakache

Starring | Matteo Razzouki-Safardi, Philippe Pollet-Villard, Richard Morgiève, Samir Guesmi

Cameras | ARRI ARRIFLEX Series Cameras

Brazil (1985)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 132 Minutes

Directed by | Terry Gilliam | Cinematography by | Roger Pratt | Editing by | Julian Doyle

Starring | Jonathan Pryce, Kim Greist, Robert De Niro, Katherine Helmond

Cameras | J-D-C Camera

Lenses | Kinoptik Lenses, Zeiss Lenses

The Man Who Loved Women (1977)

Motion Picture | 2D | Black & White, Color | 1.66:1 | 120 Minutes

Directed by | François Truffaut | Cinematography by | Néstor Almendros | Editing by | Martine Barraqué

Starring | Charles Denner, Brigitte Fossey, Nelly Borgeaud, Geneviève Fontanel

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

Amadeus (1984)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 160 Minutes

Directed by | Milos Forman | Cinematography by | Miroslav Ondrícek | Editing by | Michael Chandler, T.M. Christopher, Nena Danevic

Starring | F. Murray Abraham, Tom Hulce, Elizabeth Berridge, Roy Dotrice

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Crimson Tide (1995)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon

Starring | Gene Hackman, Denzel Washington, Matt Craven, George Dzundza

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Big Fish (2003)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 125 Minutes

Directed by | Tim Burton | Cinematography by | Philippe Rousselot | Editing by | Chris Lebenzon

Starring | Ewan McGregor, Albert Finney, Billy Crudup, Jessica Lange

Cameras | Panavision Cameras

Lenses | Panavision Lenses

A Soldier’s Daughter Never Cries (1998)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | James Ivory | Cinematography by | Jean-Marc Fabre | Editing by | Noëlle Boisson

Starring | Leelee Sobieski, Kris Kristofferson, Barbara Hershey, Jane Birkin

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Bourne Ultimatum (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse

Starring | Matt Damon, Edgar Ramírez, Joan Allen, Julia Stiles

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Marie Antoinette (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 123 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Kirsten Dunst, Jason Schwartzman, Rip Torn, Judy Davis

Cameras | Aaton 35-III Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

La délicatesse (2011)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | David Foenkinos, Stéphane Foenkinos | Cinematography by | Rémy Chevrin | Editing by | Virginie Bruant

Starring | Audrey Tautou, François Damiens, Bruno Todeschini, Mélanie Bernier

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Clink of Ice (2010)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Marion Monestier

Starring | Jean Dujardin, Albert Dupontel, Anne Alvaro, Myriam Boyer

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Samsara (2001)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Pan Nalin | Cinematography by | Rali Raltschev | Editing by | Isabel Meier

Starring | Shawn Ku, Christy Chung, Neelesha Barthel, Lhakpa Tsering

Cameras | Fricke 65mm Time-Lapse Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera

Lenses | Schneider Variogon Lenses

The French Connection (1971)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 104 Minutes

Directed by | William Friedkin | Cinematography by | Owen Roizman | Editing by | Gerald B. Greenberg

Starring | Gene Hackman, Roy Scheider, Fernando Rey, Tony Lo Bianco

Cameras | ARRIFLEX 35 IIC Camera

Lenses | ARRI / Zeiss Lenses

The Heir Apparent: Largo Winch (2008)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Richard Marizy

Starring | Tomer Sisley, Kristin Scott Thomas, Predrag 'Miki' Manojlovic, Mélanie Thierry

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Mr. Bean’s Holiday (2007)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Steve Bendelack | Cinematography by | Baz Irvine | Editing by | Tony Cranstoun

Starring | Rowan Atkinson, Willem Dafoe, Steve Pemberton, Lily Atkinson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

District 13: Ultimatum (2009)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Patrick Alessandrin | Cinematography by | Jean-François Hensgens | Editing by | Stéphane Garnier, Julien Rey

Starring | Cyril Raffaelli, David Belle, Philippe Torreton, Daniel Duval

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

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