France | 227 Titles
Un beau dimanche (2013)
Directed by | Nicole Garcia | Cinematography by | Pierre Milon | Editing by | Simon Jacquet
Cameras | ARRI ALEXA Camera
Dans la cour (2014)
Directed by | Pierre Salvadori | Cinematography by | Gilles Henry | Editing by | Isabelle Devinck
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Camille redouble (2012)
Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Annette Dutertre, Michel Klochendler
Cameras | ARRI ALEXA Plus Camera
Cornouaille (2012)
Le grand soir (2012)
Directed by | Benoît Delépine, Gustave Kervern | Cinematography by | Hugues Poulain | Editing by | Stéphane Elmadjian
Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
10 jours en or (2012)
Directed by | Nicolas Brossette | Cinematography by | Benoît Chamaillard | Editing by | Jean-François Elie
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Astérix and Obélix: God Save Britannia (2012)
Directed by | Laurent Tirard | Cinematography by | Catherine Pujol, Denis Rouden | Editing by | Valérie Deseine
Cameras | ARRI ALEXA Camera
Populaire (2012)
Directed by | Régis Roinsard | Cinematography by | Guillaume Schiffman | Editing by | Laure Gardette, Sophie Reine
Let My People Go! (2011)
Directed by | Mikael Buch | Cinematography by | Céline Bozon | Editing by | Simon Jacquet
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens
Les aventures de Philibert, capitaine puceau (2011)
Requiem pour une tueuse (2011)
Une nuit (2012)
Directed by | Philippe Lefebvre | Cinematography by | Jérôme Alméras | Editing by | Pascale Fenouillet
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses
Je n’ai rien oublié (2010)
Directed by | Bruno Chiche | Cinematography by | Thomas Hardmeier | Editing by | Marion Monnier
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Cooke S4 Lenses
La brindille (2011)
Directed by | Emmanuelle Millet | Cinematography by | Antoine Héberlé | Editing by | Emmanuelle Castro, Anny Danché
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Standard Speed Prime Lenses
Les hommes libres (2011)
Directed by | Ismaël Ferroukhi | Cinematography by | Jérôme Alméras | Editing by | Annette Dutertre
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Un baiser papillon (2011)
Directed by | Karine Silla | Cinematography by | Thomas Hardmeier | Editing by | Anny Danché
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses
La fille du puisatier (2011)
Skate or Die (2008)
Directed by | Miguel Courtois
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Le fils à Jo (2011)
Directed by | Philippe Guillard | Cinematography by | Ludovic Colbeau-Justin | Editing by | Elodie Codaccioni, Sandro Lavezzi
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Braquo (2009)
| Cinematography by | Michel Amathieu, Denis Rouden, Jean-Pierre Sauvaire, Laurent Barès, Vincent Muller, Jean-Marc Fabre, Laurent Tangy | Editing by | Christophe Pinel, Stratos Gabrielidis, Raphaele Urtin, Sébastien Prangère, Joël Jacovella, Guillaume Houssais, Katya Chelli, Dominique Mazzoléni, Pauline Pallier, Stéphanie Mahet, Basile Belkhiri
Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
