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France | 227 Titles

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Frau Ella (2013)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Simon Gstöttmayr

Starring | Matthias Schweighöfer, Ruth-Maria Kubitschek, August Diehl, Anna Bederke

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Les salauds (2013)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Annette Dutertre

Starring | Vincent Lindon, Chiara Mastroianni, Julie Bataille, Michel Subor

Cameras | Red Epic Camera

Lenses | Angenieux HEC Zoom Lenses, Angenieux Optimo 28-76 mm T2.6 Lens

Le capital (2012)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Costa-Gavras | Cinematography by | Eric Gautier | Editing by | Yannick Kergoat, Yorgos Lamprinos

Starring | Gad Elmaleh, Gabriel Byrne, Liya Kebede, Natacha Régnier

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Ultra Prime Lenses

The Family (2013)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 111 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Julien Rey

Starring | Robert De Niro, Michelle Pfeiffer, Dianna Agron, John D'Leo

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Je vais te manquer (2009)

Motion Picture | 2D | Color | 1.85:1 |

Directed by | Amanda Sthers | Cinematography by | Régis Blondeau | Editing by | Elise Fievet

Starring | Carole Bouquet, Pierre Arditi, Anne Marivin, Patrick Mille

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Verrückt nach Paris (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Pago Bahlke, Eike Besuden | Cinematography by | Piotr Lenar | Editing by | Margot Neubert-Maric

Starring | Paula Kleine, Wolfgang Goettsch, Frank Grabski, Dominique Horwitz

Cameras | ARRIFLEX 16SR3 Advanced Camera, Sony HDW-F900 Camera

Lenses | Fujinon E Series Lenses, Zeiss Lenses

Accomplices (2009)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Frédéric Mermoud | Cinematography by | Thomas Hardmeier | Editing by | Sarah Anderson

Starring | Gilbert Melki, Emmanuelle Devos, Cyril Descours, Nina Meurisse

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Cinéman (2009)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 90 Minutes

Directed by | Yann Moix | Cinematography by | Jérôme Alméras, Rémy Chevrin | Editing by | André Billaud, Philippe Bourgueil, Marco Cavé, Christine Lucas Navarro

Starring | Franck Dubosc, Lucy Gordon, Pierre-François Martin-Laval, Pierre Richard

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Cooke Speed Panchro Lenses

Le séminaire Caméra Café (2009)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Charles Nemes | Cinematography by | Étienne Fauduet | Editing by | Kako Kelber

Starring | Bruno Solo, Yvan Le Bolloc'h, Armelle, Alain Bouzigues

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens

Espion(s) (2009)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Nicolas Saada | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling

Starring | Guillaume Canet, Géraldine Pailhas, Stephen Rea, Hippolyte Girardot

Cameras | Aaton Cameras, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Le dernier vol (2009)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Karim Dridi | Cinematography by | Antoine Monod | Editing by | Lise Beaulieu

Starring | Marion Cotillard, Guillaume Canet, Guillaume Marquet, Fred Epaud

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Ángela (2005)

Motion Picture | 2D | Black & White | 2.39:1 | 3 Minutes

Directed by | Gustavo Macri | Cinematography by | Iván Gierasinchuk | Editing by | Gustavo Macri

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Les deux mondes (2007)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Daniel Cohen | Cinematography by | Laurent Dailland | Editing by | Catherine Kelber

Starring | Benoît Poelvoorde, Natacha Lindinger, Michel Duchaussoy, Daniel Cohen

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Chrysalis (2007)

Motion Picture | 2D | Color | 2.39:1 | 94 Minutes

Directed by | Julien Leclercq | Cinematography by | Thomas Hardmeier | Editing by | Thierry Hoss

Starring | Albert Dupontel, Marie Guillard, Marthe Keller, Mélanie Thierry

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Chacun son cinéma ou Ce petit coup au coeur quand la lumière s’éteint et que le film commence (2007)

Motion Picture | 2D | Black & White, Color | 100 Minutes

Directed by | Theodoros Angelopoulos, Olivier Assayas, Bille August, Jane Campion, Youssef Chahine, Kaige Chen, Michael Cimino, Ethan Coen, Joel Coen, David Cronenberg, Jean-Pierre Dardenne, Luc Dardenne, Manoel de Oliveira, Raymond Depardon, Atom Egoyan, Amos Gitai, Hsiao-Hsien Hou, Alejandro G. Iñárritu, Aki Kaurismäki, Abbas Kiarostami, Takeshi Kitano, Andrey Konchalovskiy, Claude Lelouch, Ken Loach, David Lynch, Nanni Moretti, Roman Polanski, Raoul Ruiz, Walter Salles, Elia Suleiman, Ming-liang Tsai, Gus Van Sant, Lars von Trier, Wim Wenders, Kar-Wai Wong, Yimou Zhang | Cinematography by | Marc-André Batigne, Jacques Bouquin, Inti Briones, Dirk Brüel, Nicholas de Pencier, Eric Alan Edwards, Greig Fraser, Francis Grumman, Pung-Leung Kwan, Steven Lubensky, Emmanuel Lubezki, Alain Marcoen, Ramses Marzouk, Francisco Oliveira, Alessandro Pesci, Mauro Pinheiro Jr., Andreas Sinanos, Masha Solovyova, Shinzi Suzuki, Alberto Venzago, Xiaoding Zhao, Xiaoshi Zhao | Editing by | Luc Barnier, William Chang, Long Cheng, Alexandre de Franceschi, Marie-Hélène Dozo, Olga Grinshpun, François Gédigier, Takeshi Kitano, Bodil Kjærhauge, Véronique Lange, Giuseppe Leonetti, Valérie Loiseleux, Stephen Mirrione, Gabriel Reed, Susan Shipton, Yannis Tsitsopoulos

Starring | Isabelle Adjani, Pegah Ahangarani, Anouk Aimée, Leonid Alexeenko

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens

Le passé (2013)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | Asghar Farhadi | Cinematography by | Mahmoud Kalari | Editing by | Juliette Welfling

Starring | Bérénice Bejo, Tahar Rahim, Ali Mosaffa, Pauline Burlet

Cameras | ARRI ALEXA Camera

Blue Is the Warmest Color (2013)

Motion Picture | 2D | Color | 1.85:1, 2.39:1 | 180 Minutes

Directed by | Abdellatif Kechiche | Cinematography by | Sofian El Fani | Editing by | Sophie Brunet, Ghalia Lacroix, Albertine Lastera, Jean-Marie Lengelle, Camille Toubkis

Starring | Léa Seydoux, Adèle Exarchopoulos, Salim Kechiouche, Aurélien Recoing

Cameras | Canon EOS-C300 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens

Les chevaliers du ciel (2005)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Gérard Pirès | Cinematography by | Pascal Lebègue | Editing by | Véronique Lange

Starring | Benoît Magimel, Clovis Cornillac, Géraldine Pailhas, Alice Taglioni

Lenses | Angenieux Optimo Zoom Lenses

Trance (2013)

Motion Picture | 2D | Color, Black and White | 2.40:1 | 101 Minutes

Trance | ShotOnWhat?

Directed by | Danny Boyle | Cinematography by | Anthony Dod Mantle | Editing by | Jon Harris

Starring | James McAvoy, Rosario Dawson, Vincent Cassel, Danny Sapani

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera

Lenses | ARRI / Fujinon Lenses, Canon Lenses, Hawk V-Lite Lenses, Zeiss Ultra Prime Lenses

Les Misérables (2012)

Motion Picture | 2D | Color | 1.85:1 | 158 Minutes

Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Chris Dickens, Melanie Oliver

Starring | Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

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