Americas | 1901 Titles
Behind Me (2013)
Directed by | Rebecca Pugh | Cinematography by | Joseph Walker | Editing by | Joseph Walker
Cameras | Red Epic Camera
Terminal (2007)
Directed by | Fernando Beltran y Puga | Cinematography by | Angel Barroeta | Editing by | Jason Cross
Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras
Godzilla (2014)
Directed by | Gareth Edwards | Cinematography by | Seamus McGarvey | Editing by | Bob Ducsay
Cameras | ARRI ALEXA Plus Camera, Phantom Flex Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses
Summoned (2013)
Directed by | Peter Sullivan | Cinematography by | Roberto Schein | Editing by | Randy Carter
Cameras | Sony Cameras, Sony PMW-F3 Camera
Lenses | Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision Ultra Speed MKII Lenses
Misdirection (2011)
Directed by | Al Stoffel | Cinematography by | Ronn Kilby | Editing by | Ronn Kilby
Cameras | Sony PMW-EX1R Camera
Mission to Lars (2012)
Directed by | James Moore, William Spicer | Editing by | Mags Arnold, Tom Herington, Ben Luria, James Moore
Cameras | Sony PMW-EX3 Camera
Don’t Speak at Funerals (2012)
Directed by | Montserrat Gomez | Cinematography by | Salman Sajun | Editing by | Trevor Lareau, Zakim Nuraney
Cameras | Sony PMW-F3 Camera
Lenses | Zeiss DigiPrime Lenses
Last Shift (2014)
Directed by | Anthony DiBlasi | Cinematography by | Austin F. Schmidt | Editing by | Anthony DiBlasi
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lenses
Bikini Beach Race (1992)
Directed by | Eric Louzil | Editing by | Ric Boyden, Joe G. Lenders
Cameras | ARRIFLEX 16BL Camera
Lenses | Angenieux Lenses
Always Something Better (1997)
Directed by | Stephen Kinsella | Cinematography by | Jorge Diaz-Amador | Editing by | Kristin M. Frascione
Cameras | ARRIFLEX 16SR2 Camera
Twenty Million People (2013)
Directed by | Michael Ferrell | Cinematography by | Paul Rondeau | Editing by | Chris Prine
Cameras | Red Scarlet Camera
Lenses | Zeiss Lenses
Chacun son cinéma ou Ce petit coup au coeur quand la lumière s’éteint et que le film commence (2007)
Directed by | Theodoros Angelopoulos, Olivier Assayas, Bille August, Jane Campion, Youssef Chahine, Kaige Chen, Michael Cimino, Ethan Coen, Joel Coen, David Cronenberg, Jean-Pierre Dardenne, Luc Dardenne, Manoel de Oliveira, Raymond Depardon, Atom Egoyan, Amos Gitai, Hsiao-Hsien Hou, Alejandro G. Iñárritu, Aki Kaurismäki, Abbas Kiarostami, Takeshi Kitano, Andrey Konchalovskiy, Claude Lelouch, Ken Loach, David Lynch, Nanni Moretti, Roman Polanski, Raoul Ruiz, Walter Salles, Elia Suleiman, Ming-liang Tsai, Gus Van Sant, Lars von Trier, Wim Wenders, Kar-Wai Wong, Yimou Zhang | Cinematography by | Marc-André Batigne, Jacques Bouquin, Inti Briones, Dirk Brüel, Nicholas de Pencier, Eric Alan Edwards, Greig Fraser, Francis Grumman, Pung-Leung Kwan, Steven Lubensky, Emmanuel Lubezki, Alain Marcoen, Ramses Marzouk, Francisco Oliveira, Alessandro Pesci, Mauro Pinheiro Jr., Andreas Sinanos, Masha Solovyova, Shinzi Suzuki, Alberto Venzago, Xiaoding Zhao, Xiaoshi Zhao | Editing by | Luc Barnier, William Chang, Long Cheng, Alexandre de Franceschi, Marie-Hélène Dozo, Olga Grinshpun, François Gédigier, Takeshi Kitano, Bodil Kjærhauge, Véronique Lange, Giuseppe Leonetti, Valérie Loiseleux, Stephen Mirrione, Gabriel Reed, Susan Shipton, Yannis Tsitsopoulos
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens
Inside Llewyn Davis (2013)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Bruno Delbonnel | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera
12 Years a Slave (2013) 
Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Molly’s Theory of Relativity (2013)
Directed by | Jeff Lipsky | Cinematography by | Jendra Jarnagin | Editing by | Patricfia Burgess, Patricia Burgess
Cameras | Red One MX Camera
Gimme the Loot (2012)
Directed by | Adam Leon | Cinematography by | Jonathan Miller | Editing by | Morgan Faust
Cameras | Sony Cameras, Sony HDW-F900R Camera
Lenses | Canon Lenses
The Color of Magic (2008)
| Cinematography by | Gavin Finney | Editing by | Joe McNally, Liz Webber
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
On the Ropes (1999)
Directed by | Nanette Burstein, Brett Morgen | Cinematography by | Brett Morgen | Editing by | Nancy Baker, Nanette Burstein
The Woman (2013)
| Cinematography by | Ryan Atkins | Editing by | Ryan Atkins
Cameras | Canon Cameras, Canon EOS-7D Camera
Lenses | Canon Lenses
