Americas | 1901 Titles
Workaholics (2011)
| Cinematography by | Grant Smith | Editing by | Christian Hoffman, Cortney Carrillo, Dane R. Naimy, David L. Bertman, Kenneth LaMere, Lane Farnham, Adam Lichtenstein, Richard LaBrie, Adam Burr, Evan Ahlgren
Cameras | Canon EOS-C300 Camera
Minding the Gap (2018)
Requiem for a Dream (2000)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz
Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Law & Order (1990)
| Cinematography by | Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Craig DiBona, Geoffrey Erb, Alec Hirschfeld | Editing by | Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Philip Carr Neel, Arthur W. Forney, Devon Greene, Douglas Ibold, Jim Stewart, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, John A. Keris
Lenses | Angenieux Optimo Zoom Lenses, Panavision Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Zeiss Ultra Prime Lenses
Under the Silver Lake (2018)
Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio C. Perez IV
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses
2 Broke Girls (2011)
| Cinematography by | Chris La Fountaine, Gary Baum, Joseph W. Calloway | Editing by | Darryl Bates, Ben Bosse, Chris Poulos, Stephen Prime, Peter Chakos, Paul Coneys
Cameras | Sony HDW-F900 Camera
Lenses | Panavision Primo Anamorphic Lenses
Seeking Justice (2011)
Directed by | Roger Donaldson | Cinematography by | David Tattersall | Editing by | Jay Cassidy
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
True Detective (2014)
| Cinematography by | Nigel Bluck, Adam Arkapaw, Germain McMicking, Florian Hoffmeister | Editing by | Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
A Beautiful Day in the Neighborhood (2019)
Grey’s Anatomy (2005)
| Cinematography by | Herbert Davis, Alicia Robbins, Steven G. Fracol, Byron Shah, Tim Suhrstedt, Jeanne Tyson, Carlos González, Ross Riege, Robert LaBonge, Christian Sebaldt, Adam Kane, Walt Fraser, Oliver Bokelberg, Daryn Okada, Jeffrey Jur, Mark Jackson, John Simmons | Editing by | Susan Vaill, Joe Mitacek, Edward Ornelas, David Greenspan, Chad Mochrie, Jason Joseph, Meghan Robertson, Vanessa Delgado, Dan Rovetto, Justin Chinn, Briana London, Kathleen Latlip, Gregory Cusumano, Matthew Ramsey, Brandi Bradburn, Bjørn T. Myrholt, Victor Du Bois, Katherine Skjerping, Roger Nygard, Sarah Boyd, Stacy Katzman, Julia Grove, Heidi Scharfe, Philip Fowler, Karoliina Tuovinen, Tom Costain, Kyle Bond, Dino DeLorenzo, Aimee Jennings, Juan Soto
Leap: Rise of the Beast (2011)
Directed by | Chris Tempel | Cinematography by | Chris Tempel | Editing by | Chris Tempel
Cameras | Canon EOS Rebel T2i Camera
Lenses | Canon EF-S 18-55mm f4 Lens
One True Thing (1998)
Directed by | Carl Franklin | Cinematography by | Declan Quinn | Editing by | Carole Kravetz Aykanian
Cameras | Moviecam Compact Camera, Panavision Cameras
Lenses | Panavision Lenses
My Best Friend’s Wedding (1997)
Directed by | P.J. Hogan | Cinematography by | László Kovács | Editing by | Garth Craven, Lisa Fruchtman
Cameras | Panavision Panaflex Camera
What Dreams May Come (1998)
Directed by | Vincent Ward | Cinematography by | Eduardo Serra | Editing by | David Brenner, Maysie Hoy
Barely Legal (2011)
Directed by | Jose Montesinos | Cinematography by | Ben Demaree | Editing by | Rob Pallatina
Cameras | Red One MX Camera
Flipped (2010)
Directed by | Rob Reiner | Cinematography by | Thomas Del Ruth | Editing by | Robert Leighton
Cameras | Panavision Panaflex Millennium Camera
Lay the Favorite (2012)
Directed by | Stephen Frears | Cinematography by | Michael McDonough | Editing by | Mick Audsley
Cameras | Sony CineAlta F35 Camera
As Good as It Gets (1997)
Directed by | James L. Brooks | Cinematography by | John Bailey | Editing by | Richard Marks
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Big Miracle (2012)
Directed by | Ken Kwapis | Cinematography by | John Bailey | Editing by | Cara Silverman
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Beautiful Creatures (2013)
Directed by | Richard LaGravenese | Cinematography by | Philippe Rousselot | Editing by | David Moritz
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
