Sound Editor
The Spy Who Dumped Me (2018)
Directed by: Susanna Fogel
Cinematography by: Barry Peterson
Edited by: Jonathan Schwartz
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Sound Effects Editor
Papillon (2017)
Directed by: Michael Noer
Cinematography by: Hagen Bogdanski
Lenses: Zeiss Ultra Prime Lenses
Sound Effects Editor
Why Him? (2016)
Directed by: John Hamburg
Cinematography by: Kris Kachikis
Edited by: William Kerr
Sound Effects Editor
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Sound Editor
The Big Short (2015)
Directed by: Adam McKay
Cinematography by: Barry Ackroyd
Edited by: Hank Corwin
Sound Effects Editor
Spy (2015)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Sound Effects Editor
Dumb and Dumber To (2014)
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
Sound Effects Editor
Horrible Bosses 2 (2014)
Directed by: Sean Anders
Cinematography by: Julio Macat
Edited by: Eric Kissack
Cameras: ARRI ALEXA XT Camera
Lenses: Leitz Summilux-C Series Lenses
Sound Effects Editor
Tammy (2014)
Directed by: Ben Falcone
Cinematography by: Russ T. Alsobrook
Edited by: Michael L. Sale
Sound Effects Editor
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Co-supervising Sound Editor
The Heat (2013)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Editing System: Avid Editing System
Supervising Sound Editor - Segment "The Catch"
Movie 43 (2013)
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Co-supervising Sound Editor
The Dictator (2012)
Directed by: Larry Charles
Cinematography by: Lawrence Sher
Sound Effects Editor
Safe House (2012)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Edited by: Richard Pearson
Sound Effects Editor
Jayne Mansfield's Car (2012)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Lauren Zuckerman
Supervising Sound Effects Editor
Larry Crowne (2011)
Directed by: Tom Hanks
Cinematography by: Philippe Rousselot
Edited by: Alan Cody
Supervising Sound Effects Editor
Hall Pass (2011)
Cinematography by: Matthew F. Leonetti
Edited by: Sam Seig
Sound Effects Editor
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Supervising Sound Effects Editor
Cedar Rapids (2011)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Edited by: Eric Kissack
Supervising Sound Effects Editor
A Nightmare on Elm Street (2010)
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
Supervising Sound Effects Editor
When in Rome (2010)
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
Supervising Sound Effects Editor
She's Out of My League (2010)
Directed by: Jim Field Smith
Cinematography by: Jim Denault
Edited by: Dan Schalk
Sound Designer
The Spy Next Door (2010)
Directed by: Brian Levant
Cinematography by: Dean Cundey
Edited by: Lawrence Jordan
Supervising Sound Effects Editor
The Rocker (2008)
Directed by: Peter Cattaneo
Cinematography by: Anthony B. Richmond
Supervising Sound Effects Editor
Role Models (2008)
Directed by: David Wain
Cinematography by: Russ T. Alsobrook
Edited by: Eric Kissack
Cameras: Panavision Cameras
Supervising Sound Effects Editor
Sex Drive (2008)
Directed by: Sean Anders
Cinematography by: Tim Orr
Sound Effects Editor
Grand Canyon Adventure: River at Risk (2008)
Directed by: Greg MacGillivray
Edited by: Stephen Judson
Supervising Sound Effects Editor
Breach (2007)
Directed by: Billy Ray
Cinematography by: Tak Fujimoto
Edited by: Jeffrey Ford
Cameras: Panavision Cameras
Supervising Sound Effects Editor
The Pink Panther (2006)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Sound Effects Editor
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
Directed by: Larry Charles
Cameras: Panasonic AJ-HDC27 Varicam Camera
Sound Effects Editor
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Sound Effects Editor
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Sound Editor
Collateral (2004)
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Sound Effects Editor
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Supervising Sound Editor
Basic (2003)
Directed by: John McTiernan
Cinematography by: Steve Mason
Edited by: George Folsey Jr.
Cameras: Panavision Panaflex Camera
Sound Effects Editor
Hollywood Homicide (2003)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Sound Effects Editor
The Shape of Things (2003)
Directed by: Neil LaBute
Cinematography by: James L. Carter
Edited by: Joel Plotch
Sound Effects Editor
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Sound Effects Editor
The Banger Sisters (2002)
Directed by: Bob Dolman
Cinematography by: Karl Walter Lindenlaub
Edited by: Aram Nigoghossian
Sound Effects Editor
Phone Booth (2002)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Supervising Sound Editor
The Dangerous Lives of Altar Boys (2002)
Directed by: Peter Care
Cinematography by: Lance Acord
Edited by: Chris Peppe
Sound Designer / Sound Effects Supervisor
One Hour Photo (2002)
Directed by: Mark Romanek
Cinematography by: Jeff Cronenweth
Edited by: Jeffrey Ford
Sound Designer
The Sum of All Fears (2002)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Additional Sound Design: Director's Cut / Sound Designer
Donnie Darko (2001)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Supervising Sound Editor
Attraction (2000)
Directed by: Russell DeGrazier
Cinematography by: Michael A. Price
Edited by: Glenn Garland
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Adr Supervisor
Bats (1999)
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Supervising Sound Editor
My Stepson, My Lover (1997)
Directed by: Mary Lambert
Cinematography by: Brian Capener
Edited by: Sharyn L. Ross
Sound Editor
What Love Sees (1996)
Directed by: Michael Switzer
Cinematography by: Robert Draper
Edited by: Mark W. Rosenbaum
Sound Editor
Deadly Outbreak (1995)
Directed by: Rick Avery
Cinematography by: Avi Koren
Edited by: Alain Jakubowicz
Additional Sound Supervisor
Babylon 5: The Gathering (1993)
Directed by: Richard Compton
Cinematography by: Billy Dickson
Edited by: Robert L. Sinise
Sound Editor
Love, Lies & Lullabies (1993)
Directed by: Rod Hardy
Cinematography by: David Connell
Edited by: James Mitchell
Sound Editor
Amityville: A New Generation (1993)
Directed by: John Murlowski
Cinematography by: Wally Pfister
Edited by: Rick Finney
Sound Editor
Maniac Cop 3: Badge of Silence (1993)
Directed by: William Lustig
Cinematography by: Jacques Haitkin
Sound Editor
Aces: Iron Eagle III (1992)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: Bernard Gribble
Sound Supervisor
Daughters of the Dust (1991)
Directed by: Julie Dash
Cinematography by: Arthur Jafa
Cameras: ARRI Cameras
Editing System: K.E.M. Editing System, Steenbeck Editing System
Sound Editor
Everybody's Baby: The Rescue of Jessica McClure (1989)
Directed by: Mel Damski
Cinematography by: Shelly Johnson
Edited by: Ron Binkowski
Cameras: Panavision Cameras
