Austin Cross

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Wonder Woman 1984 | ShotOnWhat?

Lighting Technician

Wonder Woman 1984 (2020)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Richard Pearson

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Captain Phillips | ShotOnWhat?

Rigging Gaffer: Virginia

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Lincoln | ShotOnWhat?

Electrician

Lincoln (2012)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Transformers: Dark of the Moon | ShotOnWhat?

Lighting Technician

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Best Boy/electric

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

My Bloody Valentine | ShotOnWhat?

Second Unit Gaffer

My Bloody Valentine (2009)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Cynthia Ludwig, Patrick Lussier

Cameras: Red One Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

State of Play | ShotOnWhat?

Rigging Electric

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Eagle Eye | ShotOnWhat?

Assistant Chief Lighting Technician: Washington D.C.

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Lake City | ShotOnWhat?

Best Boy Electric

Lake City (2008)

Directed by: Hunter Hill, Perry Moore

Cinematography by: Robert Gantz

Edited by: Jeffrey Wolf

Desperate Escape | ShotOnWhat?

Gaffer

Desperate Escape (2007)

Directed by: Ray Brown

Cinematography by: Jean Guy Bureau

Edited by: Andrew Monument

Evan Almighty | ShotOnWhat?

Generator Operator: Virginia/Washington DC

Evan Almighty (2007)

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Breach | ShotOnWhat?

Electrician: Washington D.C.

Breach (2007)

Directed by: Billy Ray

Cinematography by: Tak Fujimoto

Edited by: Jeffrey Ford

Cameras: Panavision Cameras

Step Up | ShotOnWhat?

Best Boy Electric

Step Up (2006)

Directed by: Anne Fletcher

Cinematography by: Michael Seresin

Edited by: Nancy Richardson

Cameras: ARRICAM Studio (ST) Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

The New World | ShotOnWhat?

Best Boy Electrician

The New World (2005)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

xXx: State of the Union | ShotOnWhat?

Lighting Technician

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

Ladder 49 | ShotOnWhat?

Lighting Technician

Ladder 49 (2004)

Directed by: Jay Russell

Cinematography by: James L. Carter

Edited by: Bud S. Smith, M. Scott Smith

Gods and Generals | ShotOnWhat?

Rigging Electric

Gods and Generals (2003)

Directed by: Ron Maxwell

Cinematography by: Kees Van Oostrum

Edited by: Corky Ehlers

Cameras: Mitchell Cameras, Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Head of State | ShotOnWhat?

Lighting Technician

Head of State (2003)

Directed by: Chris Rock

Cinematography by: Donald E. Thorin

Edited by: Stephen A. Rotter

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