Foreman
Baywatch (2017)
Directed by: Seth Gordon
Cinematography by: Eric Steelberg
Edited by: Peter S. Elliot
Cameras: ARRI ALEXA XT Plus Camera
Transportation
'Castle' Mr. & Mrs. Castle (2015)
Directed by: Jeff Bleckner
Cinematography by: Bill Roe
Edited by: Amy McGrath
Transportation
'Castle' Montreal (2014)
Directed by: Alrick Riley
Cinematography by: Bill Roe
Edited by: Neil Felder
Construction Foreman
22 Jump Street (2014)
Cinematography by: Barry Peterson
Cameras: ARRI ALEXA XT Camera
General Labor Foreman
Divergent (2014)
Directed by: Neil Burger
Cinematography by: Alwin H. Küchler
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Construction Foreman
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Construction
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Driver
Don't Look Up (2009)
Directed by: Fruit Chan
Cinematography by: Hang-Sang Poon
Edited by: Chris Wright
Transportation - 2 Episodes, 2014-2015
Castle (2009)
Directed by: Rob Bowman, John Terlesky, Bill Roe, Bryan Spicer, Paul Holahan, Thomas J. Wright, Jeff Bleckner, David Barrett, Kate Woods, Larry Shaw, Holly Dale, Jeannot Szwarc, Jonathan Frakes, Kevin Hooks, Hanelle M. Culpepper, Ron Underwood, Alrick Riley, Jessica Yu, Jamie Babbit, Karen Gaviola, Dwight H. Little, Helen Shaver, Dean White, Félix Enríquez Alcalá, Rosemary Rodriguez, Bethany Rooney, Steve Boyum, Emile B. Levisetti, Millicent Shelton, Chuck Bowman, Rob Hardy, Milan Cheylov, Steve Robin, Jann Turner
Cinematography by: Bill Roe, Daryn Okada, James L. Carter, Stephen Collins, Dave Perkal, Steve Mason, Roger Simonsz, Michael Slovis
Foreman
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Foreman
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Labor Foreman
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Models And Scenery
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Foreman
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Construction Foreman
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Laborer
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
