Sound Designer / Re-recording Mixer / Supervising Sound Editor
The Lighthouse (2019)
Directed by: Robert Eggers
Cinematography by: Jarin Blaschke
Edited by: Louise Ford
Lenses: Bausch & Lomb Lenses, Pathé Lenses
Re-recording Mixer / Supervising Sound Editor
A Beautiful Day in the Neighborhood (2019)
Directed by: Marielle Heller
Cinematography by: Jody Lee Lipes
Edited by: Anne McCabe
Re-recording Mixer / Supervising Sound Editor
Can You Ever Forgive Me? (2018)
Directed by: Marielle Heller
Cinematography by: Brandon Trost
Edited by: Anne McCabe
Cameras: Panavision Millennium DXL Camera
Lenses: Panavision Primo 70 Lenses
Sound Effects Editor
'Master of None' Religion (2017)
Directed by: Alan Yang
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Sound Effects Editor
'Master of None' The Dinner Party (2017)
Directed by: Eric Wareheim
Cinematography by: Mark Schwartzbard
Edited by: Daniel Haworth
Re-recording Mixer / Supervising Sound Editor
Mudbound (2017)
Directed by: Dee Rees
Cinematography by: Rachel Morrison
Edited by: Mako Kamitsuna
Cameras: ARRI ALEXA Mini Camera
Sound Effects Editor
'Master of None' The Thief (2017)
Directed by: Aziz Ansari
Cinematography by: Mark Schwartzbard
Edited by: Jennifer Lilly
Sound Effects Editor
'Marco Polo' Heirs (2016)
Directed by: James McTeigue
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Re-recording Mixer / Sound Designer
Little Men (2016)
Directed by: Ira Sachs
Cinematography by: Óscar Durán
Sound Effects Editor
Paterson (2016)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Affonso Gonçalves
Re-recording Mixer / Supervising Sound Editor
Dirty Grandpa (2016)
Directed by: Dan Mazer
Cinematography by: Eric Alan Edwards
Edited by: Anne McCabe
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke S4 Lenses
Effects Editor
The Lost City of Z (2016)
Directed by: James Gray
Cinematography by: Darius Khondji
Sound Effects Editor - 3 Episodes, 2017
Master of None (2015)
Cinematography by: Mark Schwartzbard
Cameras: Panasonic VariCam 35
Re-recording Mixer / Supervising Sound Editor
St. Vincent (2014)
Directed by: Theodore Melfi
Cinematography by: John Lindley
Editing System: Avid Editing System
Sound Effects Editor - 1 Episode, 2016
Marco Polo (2014)
Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue
Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras: Sony PMW-F55 Camera
Re-recording Mixer / Supervising Sound Editor
Breakup at a Wedding (2013)
Directed by: Victor Quinaz
Cinematography by: Giovanni P. Autran
Cameras: Sony PMW-EX1 Camera
Editing System: Final Cut Pro Editing System
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Keep the Lights On (2012)
Directed by: Ira Sachs
Cinematography by: Thimios Bakatakis
Edited by: Affonso Gonçalves
Re-recording Mixer / Sound Supervisor
Margin Call (2011)
Directed by: J.C. Chandor
Cinematography by: Frank G. DeMarco
Edited by: Pete Beaudreau
Sound Effects Editor
The Adjustment Bureau (2011)
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Sound Effects Editor
Drive (2011)
Directed by: Nicolas Winding Refn
Cinematography by: Newton Thomas Sigel
Edited by: Matthew Newman
Re-recording Mixer / Supervising Sound Editor
Winter's Bone (2010)
Directed by: Debra Granik
Cinematography by: Michael McDonough
Edited by: Affonso Gonçalves
Cameras: Red One Camera
Lenses: Zeiss Master Prime Lenses
Sound Effects Editor
Remember Me (2010)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Andrew Mondshein
Sound Fx Editor: Sound One
Dear John (2010)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Kristina Boden
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
The Rebound (2009)
Directed by: Bart Freundlich
Cinematography by: Jonathan Freeman
Edited by: Christopher Tellefsen
Sound Effects Editor
Bandslam (2009)
Directed by: Todd Graff
Cinematography by: Eric Steelberg
Edited by: John Gilbert
Cameras: Panavision Cameras
Sound Effects Editor
Hachi: A Dog's Tale (2009)
Directed by: Lasse Hallström
Cinematography by: Ron Fortunato
Edited by: Kristina Boden
Sound Effects Editor
Cold Souls (2009)
Directed by: Sophie Barthes
Cinematography by: Andrij Parekh
Edited by: Andrew Mondshein
Sound Effects Editor
Whatever Works (2009)
Directed by: Woody Allen
Cinematography by: Harris Savides
Edited by: Alisa Lepselter
Re-recording Mixer / Sound Designer
Adventureland (2009)
Directed by: Greg Mottola
Cinematography by: Terry Stacey
Edited by: Anne McCabe
Re-recording Mixer / Supervising Sound Editor
Gigantic (2008)
Directed by: Matt Aselton
Cinematography by: Peter Donahue
Edited by: Beatrice Sisul
Sound Editor
The Accidental Husband (2008)
Directed by: Griffin Dunne
Cinematography by: William Rexer
Edited by: Suzy Elmiger
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Married Life (2007)
Directed by: Ira Sachs
Cinematography by: Peter Deming
Edited by: Affonso Gonçalves
Effects Editor
Before the Devil Knows You're Dead (2007)
Directed by: Sidney Lumet
Cinematography by: Ron Fortunato
Edited by: Tom Swartwout
Cameras: Panavision Genesis Camera
Adr Recordist
Shortbus (2006)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Brian A. Kates
Sound Effects Editor
The Namesake (2006)
Directed by: Mira Nair
Cinematography by: Frederick Elmes
Edited by: Allyson C. Johnson
Adr Recordist / Foley Recordist
The Squid and the Whale (2005)
Directed by: Noah Baumbach
Cinematography by: Robert D. Yeoman
Edited by: Tim Streeto
Cameras: ARRIFLEX 16SR3 Camera
Lenses: Zeiss Super Speed Lenses
Supervising Sound Editor
Red Betsy (2003)
Directed by: Chris Boebel
Cinematography by: David Tumblety
Edited by: David Leonard
Adr Editor
Wet Hot American Summer (2001)
Directed by: David Wain
Cinematography by: Ben Weinstein
Edited by: Meg Reticker
Sound Designer
The Photographer (2000)
Directed by: Jeremy Stein
Cinematography by: Vanja Cernjul
Edited by: Sylvia Waliga
Supervising Sound Editor
The Young Girl and the Monsoon (1999)
Directed by: James Ryan
Cinematography by: Benjamin Wolf
Edited by: John David Allen
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Super Speed Lenses
Sound Designer
Happiness (1998)
Directed by: Todd Solondz
Cinematography by: Maryse Alberti
Edited by: Alan Oxman
