Dan Platt

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Maleficent | ShotOnWhat?

Senior Facial Model Lead

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

G.I. Joe: Retaliation | ShotOnWhat?

Visual Effects Artist

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

X: First Class | ShotOnWhat?

Character Modeling Lead

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Fright Night | ShotOnWhat?

Modeling Artist

Fright Night (2011)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

TRON | ShotOnWhat?

Facial Model Lead: Digital Domain

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Bolt | ShotOnWhat?

Modeler

Bolt (2008)

Directed by: Byron Howard, Chris Williams

Cinematography by: Scott Beattie

Edited by: Tim Mertens

I, Robot | ShotOnWhat?

Digital Modeler: Patrick Tatopoulos Designs, Inc.

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Escape from L.A. | ShotOnWhat?

Sculptor

Escape from L.A. (1996)

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Edward A. Warschilka

Andersonville | ShotOnWhat?

Sculptor

Andersonville (1996)

Television Movie

Directed by: John Frankenheimer

Cinematography by: Ric Waite

Edited by: Paul Rubell

True Lies | ShotOnWhat?

Model Sculptor

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Attack of the 50 Ft. Woman | ShotOnWhat?

Sculptor

Attack of the 50 Ft. Woman (1993)

Television Movie

Directed by: Christopher Guest

Cinematography by: Russell Carpenter

Edited by: Harry Keramidas

Cliffhanger | ShotOnWhat?

Sculptor

Cliffhanger (1993)

Directed by: Renny Harlin

Cinematography by: Alex Thomson

Edited by: Frank J. Urioste

Cameras: Panavision Cameras

Army of Darkness | ShotOnWhat?

Sculptor

Army of Darkness (1992)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski, Sam Raimi

Honey I Blew Up the Kid | ShotOnWhat?

Model Maker

Honey, I Blew Up the Kid (1992)

Directed by: Randal Kleiser

Cinematography by: John Hora

Edited by: Harry Hitner, Michael A. Stevenson

Cameras: Moviecam SuperAmerica Camera, VistaVision Cameras

Lenses: Canon K35 Prime Lenses

Batman Returns | ShotOnWhat?

Sculptor

Batman Returns (1992)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Bob Badami, Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Harley Davidson and the Marlboro Man | ShotOnWhat?

Sculptor

Harley Davidson and the Marlboro Man (1991)

Directed by: Simon Wincer

Cinematography by: David Eggby

Edited by: Corky Ehlers

Cameras: Panavision Cameras

Terminator 2: Judgment Day | ShotOnWhat?

Sculptor: Make Up Effects Unlimited

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Hook | ShotOnWhat?

Sculptor

Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

The Addams Family | ShotOnWhat?

Sculptor

The Addams Family (1991)

Directed by: Barry Sonnenfeld

Cinematography by: Owen Roizman

Edited by: Dede Allen, Jim Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Gremlins 2: The New Batch | ShotOnWhat?

Creature Crew: Rick Baker's Cinovation Studio, Crew Member

Gremlins 2: The New Batch (1990)

Directed by: Joe Dante

Cinematography by: John Hora

Edited by: Kent Beyda

Cameras: ARRIFLEX 35 III Camera, Moviecam SuperAmerica Camera

Lenses: Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses

Warlock | ShotOnWhat?

Special Makeup Effects Artist

Warlock (1989)

Directed by: Steve Miner

Cinematography by: David Eggby

Edited by: David Finfer

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

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