Frank Hendrick

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Get on Up | ShotOnWhat?

Set Dresser Gang Boss

Get on Up (2014)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Set Dresser

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Oblivion | ShotOnWhat?

Set Dresser

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

Stoker | ShotOnWhat?

Leadman

Stoker (2013)

Directed by: Chan-wook Park

Cinematography by: Chung-hoon Chung

Edited by: Nicolas De Toth

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Looper | ShotOnWhat?

Set Decorator Gangboss

Looper (2012)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Green Lantern | ShotOnWhat?

Set Dressing Gang Boss

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Secretariat | ShotOnWhat?

Set Dresser

Secretariat (2010)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Jonah Hex | ShotOnWhat?

Set Dresser Gangboss

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

"True Blood" Sparks Fly Out | ShotOnWhat?

Leadman: Shreveport

'True Blood' Sparks Fly Out (2008)

Television Episode

Directed by: Daniel Minahan

Cinematography by: Matthew Jensen

Edited by: Michael Ruscio

Soul Men | ShotOnWhat?

Set Dresser

Soul Men (2008)

Directed by: Malcolm D. Lee

Cinematography by: Matthew F. Leonetti

Edited by: William Henry, Paul Millspaugh

"True Blood" Cold Ground | ShotOnWhat?

Leadman: Shreveport

'True Blood' Cold Ground (2008)

Television Episode

Directed by: Nick Gomez

Cinematography by: Amy Vincent

Edited by: Peter B. Ellis

"True Blood" The Fourth Man in the Fire | ShotOnWhat?

Leadman: Shreveport

'True Blood' The Fourth Man in the Fire (2008)

Television Episode

Directed by: Michael Lehmann

Cinematography by: Matthew Jensen

Edited by: Michael Ruscio

Nothing But the Truth | ShotOnWhat?

Leadman

Nothing But the Truth (2008)

Directed by: Rod Lurie

Cinematography by: Alik Sakharov

Edited by: Sarah Boyd

True Blood | ShotOnWhat?

Leadman: Shreveport - 3 Episodes, 2008

True Blood (2008)

Television Series

Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz

Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The Mist | ShotOnWhat?

Leadman

The Mist (2007)

Directed by: Frank Darabont

Cinematography by: Rohn Schmidt

Edited by: Hunter M. Via

Cameras: Panavision Cameras

Lenses: Panavision Lenses

My Blueberry Nights | ShotOnWhat?

Set Dresser

My Blueberry Nights (2007)

Directed by: Kar-Wai Wong

Cinematography by: Darius Khondji, Pung-Leung Kwan

Edited by: William Chang

Mr. Brooks | ShotOnWhat?

Set Dresser

Mr. Brooks (2007)

Directed by: Bruce A. Evans

Cinematography by: John Lindley

Edited by: Miklos Wright

The Reaping | ShotOnWhat?

Set Dresser

The Reaping (2007)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Colby Parker Jr.

All the King's Men | ShotOnWhat?

Set Dresser

All the King's Men (2006)

Directed by: Steven Zaillian

Cinematography by: Pawel Edelman

Edited by: Wayne Wahrman

Walk the Line | ShotOnWhat?

Set Dresser

Walk the Line (2005)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Michael McCusker

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses

The Waterboy | ShotOnWhat?

Set Dresser

The Waterboy (1998)

Directed by: Frank Coraci

Cinematography by: Steven Bernstein

Edited by: Tom Lewis

Cameras: Panavision Cameras

Heaven's Prisoners | ShotOnWhat?

Props

Heaven's Prisoners (1996)

Directed by: Phil Joanou

Cinematography by: Harris Savides

Edited by: William Steinkamp

The Client | ShotOnWhat?

Set Dresser

The Client (1994)

Directed by: Joel Schumacher

Cinematography by: Tony Pierce-Roberts

Edited by: Robert Brown

Interview with the Vampire: The Vampire Chronicles | ShotOnWhat?

Set Dresser

Interview with the Vampire: The Vampire Chronicles (1994)

Directed by: Neil Jordan

Cinematography by: Philippe Rousselot

Edited by: Mick Audsley, Joke van Wijk

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Blue Chips | ShotOnWhat?

Set Dresser / Set Dresser: New Orleans

Blue Chips (1994)

Directed by: William Friedkin

Cinematography by: Tom Priestley Jr.

Edited by: Robert K. Lambert, David Rosenbloom

Exit to Eden | ShotOnWhat?

Swing Gang: New Orleans

Exit to Eden (1994)

Directed by: Garry Marshall

Cinematography by: Theo van de Sande

Edited by: David Finfer

The Firm | ShotOnWhat?

Assistant Art Director / Set Dresser

The Firm (1993)

Directed by: Sydney Pollack

Cinematography by: John Seale

Edited by: Fredric Steinkamp, William Steinkamp

Cameras: Panavision Cameras

Undercover Blues | ShotOnWhat?

Set Dresser

Undercover Blues (1993)

Directed by: Herbert Ross

Cinematography by: Donald E. Thorin

Edited by: Priscilla Nedd-Friendly

The Pelican Brief | ShotOnWhat?

Set Dresser

The Pelican Brief (1993)

Directed by: Alan J. Pakula

Cinematography by: Stephen Goldblatt

Edited by: Tom Rolf, Trudy Ship

Cameras: Moviecam Compact Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Cop & ½ | ShotOnWhat?

Set Dresser

Cop & ½ (1993)

Directed by: Henry Winkler

Cinematography by: Bill Butler

Edited by: Daniel P. Hanley, Carroll Timothy O'Meara, Roger Tweten

JFK | ShotOnWhat?

Set Dressing Lead: New Orleans

JFK (1991)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Joe Hutshing, Pietro Scalia

Cameras: ARRIFLEX 16SR Camera, Panavision Panaflex Gold Camera

Lenses: Panavision E35 35 mm T2.0 Lens

Editing System: K.E.M. Editing System

Loose Cannons | ShotOnWhat?

Set Dresser

Loose Cannons (1990)

Directed by: Bob Clark

Cinematography by: Reginald H. Morris

Edited by: Stan Cole

Psycho IV: The Beginning | ShotOnWhat?

Lead Man

Psycho IV: The Beginning (1990)

Television Movie

Directed by: Mick Garris

Cinematography by: Rodney Charters

Edited by: Charles Bornstein

Johnny Handsome | ShotOnWhat?

Set Dresser

Johnny Handsome (1989)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies

Angel Heart | ShotOnWhat?

Set Dresser

Angel Heart (1987)

Directed by: Alan Parker

Cinematography by: Michael Seresin

Edited by: Gerry Hambling

Cameras: ARRIFLEX 35mm Cameras, Panavision Panaflex Camera

Lenses: Panavision Lenses

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