Jennifer Salada

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Vice | ShotOnWhat?

First Assistant Accountant

Vice (2018)

Directed by: Adam McKay

Cinematography by: Greig Fraser

Edited by: Hank Corwin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses: Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

Bright | ShotOnWhat?

Fist Assistant Accountant

Bright (2017)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras

Lenses: Panavision Lenses

Hail, Caesar! | ShotOnWhat?

First Assistant Accountant

Hail, Caesar! (2016)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Adobe Premiere Editing System

Transformers: Age of Extinction | ShotOnWhat?

Second Assistant Accountant

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Guardians of the Galaxy | ShotOnWhat?

First Assistant Accountant: Additional Photography

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Co-first Assistant Accountant

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

Just Go with It | ShotOnWhat?

Additional First Assistant Accountant

Just Go with It (2011)

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: ARRIFLEX 435 ES Camera, Sony CineAlta F35 Camera

Lenses: Panavision Primo Anamorphic Lenses

Secretariat | ShotOnWhat?

First Assistant Accountant: Kentucky

Secretariat (2010)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Eagle Eye | ShotOnWhat?

Co-first Assistant Accountant

Eagle Eye (2008)

Directed by: D.J. Caruso

Cinematography by: Dariusz Wolski

Edited by: Jim Page

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Evan Almighty | ShotOnWhat?

Second Assistant Accountant

Evan Almighty (2007)

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Walk Hard: The Dewey Cox Story | ShotOnWhat?

Second Assistant Accountant

Walk Hard: The Dewey Cox Story (2007)

Directed by: Jake Kasdan

Cinematography by: Uta Briesewitz

Edited by: Tara Timpone, Steve Welch

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Talladega Nights: The Ballad of Ricky Bobby | ShotOnWhat?

Second Assistant Accountant

Talladega Nights: The Ballad of Ricky Bobby (2006)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: Panavision Cameras

Lenses: Panavision Lenses

American Dreamz | ShotOnWhat?

Second Assistant Accountant

American Dreamz (2006)

Directed by: Paul Weitz

Cinematography by: Robert Elswit

Edited by: Myron Kerstein

The Island | ShotOnWhat?

Second Assistant Accountant

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Sideways | ShotOnWhat?

Key Second Assistant Accountant

Sideways (2004)

Directed by: Alexander Payne

Cinematography by: Phedon Papamichael

Edited by: Kevin Tent

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

X2 | ShotOnWhat?

Second Assistant Accountant: Re-shoots

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

A Man Apart | ShotOnWhat?

Accounting Clerk

A Man Apart (2003)

Directed by: F. Gary Gray

Cinematography by: Jack N. Green

Edited by: Robert Brown, William Hoy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Terminator 3: Rise of the Machines | ShotOnWhat?

Second Assistant Accountant

Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Men in Black II | ShotOnWhat?

Second Assistant Accountant

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

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