Unit Production Manager: Additional Photography
Nyad (2023)
Cinematography by: Claudio Miranda
Edited by: Christopher Tellefsen
Lenses: Fujinon Lenses, Zeiss Master Prime Lenses
Second Assistant Director
The Hate U Give (2018)
Directed by: George Tillman Jr.
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Millennium DXL2 Camera
Second Assistant Director
The Fault in Our Stars (2014)
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Second Assistant Director: Second Unit/additional Photography
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Second Assistant Director: Manila
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Second Assistant Director
End of Watch (2012)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: Dody Dorn
Second Assistant Director
The Dilemma (2011)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Second Assistant Director
The Other Guys (2010)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Second Assistant Director
Frost/Nixon (2008)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Editing System: Avid Editing System
Second Assistant Director: Second Unit
Twilight (2008)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Second Assistant Director
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Second Assistant Director
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
Second Second Assistant Director
Monster House (2006)
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Second Assistant Director
For Your Consideration (2006)
Directed by: Christopher Guest
Cinematography by: Roberto Schaefer
Edited by: Robert Leighton
Cameras: Aaton XTR Prod Camera, Ultracam 35 Camera
Second Second Assistant Director
Spanglish (2004)
Directed by: James L. Brooks
Cinematography by: John Seale
Second Second Assistant Director
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Second Second Assistant Director
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Second Assistant Director
The Country Bears (2002)
Directed by: Peter Hastings
Cinematography by: Mitchell Amundsen
Assistant Director: Second Unit
The Animal (2001)
Directed by: Luke Greenfield
Cinematography by: Peter Lyons Collister
Assistant Director
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Second Second Assistant Director
The Love Letter (1999)
Directed by: Peter Ho-Sun Chan
Cinematography by: Tami Reiker
Edited by: Jacqueline Cambas
Second Second Assistant Director
Girl, Interrupted (1999)
Directed by: James Mangold
Cinematography by: Jack N. Green
Edited by: Kevin Tent
Second Assistant Director
Body Shots (1999)
Directed by: Michael Cristofer
Cinematography by: Rodrigo García
Edited by: Eric A. Sears
Production Assistant
As Good as It Gets (1997)
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Key Set Production Assistant
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Key Production Assistant
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Additional Second Assistant Director
Operation Dumbo Drop (1995)
Directed by: Simon Wincer
Cinematography by: Russell Boyd
Edited by: O. Nicholas Brown
Key Set Production Assistant
Serial Mom (1994)
Directed by: John Waters
Cinematography by: Robert M. Stevens
Set Production Assistant: Seattle
Little Buddha (1993)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Pietro Scalia
