Anne C. Ford

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Escape Room | ShotOnWhat?

Financial Controller

Escape Room (2019)

Directed by: Adam Robitel

Cinematography by: Marc Spicer

Edited by: Steve Mirkovich

Cameras: ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Production Controller

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Catching Fire | ShotOnWhat?

Production Controller

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Five-Year Engagement | ShotOnWhat?

Production Accountant

The Five-Year Engagement (2012)

Directed by: Nicholas Stoller

Cinematography by: Javier Aguirresarobe

Edited by: William Kerr, Peck Prior

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Anonymous | ShotOnWhat?

Production Accountant

Anonymous (2011)

Directed by: Roland Emmerich

Cinematography by: Anna Foerster

Edited by: Peter R. Adam

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Inglourious Basterds | ShotOnWhat?

Production Controller

Inglourious Basterds (2009)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

21 | ShotOnWhat?

Production Accountant

21 (2008)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Elliot Graham

Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Talladega Nights: The Ballad of Ricky Bobby | ShotOnWhat?

Production Accountant

Talladega Nights: The Ballad of Ricky Bobby (2006)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Flight of the Phoenix | ShotOnWhat?

Production Accountant

Flight of the Phoenix (2004)

Directed by: John Moore

Cinematography by: Brendan Galvin

Edited by: Don Zimmerman

Bad Boys II | ShotOnWhat?

Production Accountant

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

3000 Miles to Graceland | ShotOnWhat?

Production Accountant

3000 Miles to Graceland (2001)

Directed by: Demian Lichtenstein

Cinematography by: David Franco

Edited by: Michael J. Duthie, Miklos Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Ali | ShotOnWhat?

Production Accountant

Ali (2001)

Directed by: Michael Mann

Cinematography by: Emmanuel Lubezki

Edited by: William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Brokedown Palace | ShotOnWhat?

Production Accountant

Brokedown Palace (1999)

Directed by: Jonathan Kaplan

Cinematography by: Newton Thomas Sigel

Edited by: Curtiss Clayton, Don Zimmerman

Anna and the King | ShotOnWhat?

Accountant

Anna and the King (1999)

Directed by: Andy Tennant

Cinematography by: Caleb Deschanel

Edited by: Roger Bondelli

Cameras: Panavision Cameras

Lenses: Panavision E Series Anamorphic Lenses

Red Corner | ShotOnWhat?

Location Accountant

Red Corner (1997)

Directed by: Jon Avnet

Cinematography by: Karl Walter Lindenlaub

Edited by: Peter E. Berger

Trial and Error | ShotOnWhat?

Production Accountant

Trial and Error (1997)

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Tony Lombardo

Cameras: ARRIFLEX 535 Camera

The Ghost and the Darkness | ShotOnWhat?

First Assistant Accountant

The Ghost and the Darkness (1996)

Directed by: Stephen Hopkins

Cinematography by: Vilmos Zsigmond

Edited by: Roger Bondelli, Robert Brown, Steve Mirkovich, Bert Lovitt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Devil in a Blue Dress | ShotOnWhat?

Assistant Accountant

Devil in a Blue Dress (1995)

Directed by: Carl Franklin

Cinematography by: Tak Fujimoto

Edited by: Carole Kravetz Aykanian

Money Train | ShotOnWhat?

Key Assistant Accountant

Money Train (1995)

Directed by: Joseph Ruben

Cinematography by: John Lindley

Edited by: George Bowers, Bill Pankow

Wyatt Earp | ShotOnWhat?

Assistant Production Accountant

Wyatt Earp (1994)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Carol Littleton

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision Primo Anamorphic Lenses

This Boy's Life | ShotOnWhat?

Assistant Accountant

This Boy's Life (1993)

Directed by: Michael Caton-Jones

Cinematography by: David Watkin

Edited by: Jim Clark

Last Action Hero | ShotOnWhat?

Assistant Accountant

Last Action Hero (1993)

Directed by: John McTiernan

Cinematography by: Dean Semler

Edited by: Richard A. Harris, John Wright

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Hook | ShotOnWhat?

Payroll Accountant

Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

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