Cristiano Sebastianelli

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"Master of None" The Thief | ShotOnWhat?

Production Accountant

'Master of None' The Thief (2017)

Television Episode

Directed by: Aziz Ansari

Cinematography by: Mark Schwartzbard

Edited by: Jennifer Lilly

Ben-Hur | ShotOnWhat?

Head Payroll: Italy

Ben-Hur (2016)

Directed by: Timur Bekmambetov

Cinematography by: Oliver Wood

Edited by: Dody Dorn, Richard Francis-Bruce

Cameras: ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Editing System: Avid Editing System

Avengers: Age of Ultron | ShotOnWhat?

Payroll Accountant: Italy

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

The Man from U.N.C.L.E. | ShotOnWhat?

Payroll Accountant: Italy

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Master of None | ShotOnWhat?

Production Accountant - 1 Episode, 2017

Master of None (2015)

Television Series

Directed by: Aziz Ansari, Eric Wareheim, James Ponsoldt, Lynn Shelton, Melina Matsoukas, Alan Yang

Cinematography by: Mark Schwartzbard

Edited by: Jennifer Lilly, Suzy Elmiger, Daniel Haworth

Cameras: Panasonic VariCam 35

Lenses: Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

The American | ShotOnWhat?

Assistant Production Accountant

The American (2010)

Directed by: Anton Corbijn

Cinematography by: Martin Ruhe

Edited by: Andrew Hulme

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

When in Rome | ShotOnWhat?

First Assistant Production Accountant

When in Rome (2010)

Directed by: Mark Steven Johnson

Cinematography by: John Bailey

Edited by: Ryan Folsey, Andrew Marcus

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Inkheart | ShotOnWhat?

Cashier

Inkheart (2008)

Directed by: Iain Softley

Cinematography by: Roger Pratt

Edited by: Martin Walsh

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Mission: Impossible III | ShotOnWhat?

Payroll

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

The Omen | ShotOnWhat?

Cashier

The Omen (2006)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: Panavision Cameras

The Life Aquatic with Steve Zissou | ShotOnWhat?

Cashier

The Life Aquatic with Steve Zissou (2004)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Cold Mountain | ShotOnWhat?

Payroll Clerk: Rome

Cold Mountain (2003)

Directed by: Anthony Minghella

Cinematography by: John Seale

Edited by: Walter Murch

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

The Order | ShotOnWhat?

Cashier / Payroll

The Order (2003)

Directed by: Brian Helgeland

Cinematography by: Nicola Pecorini

Edited by: Kevin Stitt

Equilibrium | ShotOnWhat?

Payroll Clerk: Italy

Equilibrium (2002)

Directed by: Kurt Wimmer

Cinematography by: Dion Beebe

Edited by: Tom Rolf, William Yeh

Cameras: Panavision Cameras, Panavision Panaflex Lightweight Camera

Lenses: Panavision Lenses

Gangs of New York | ShotOnWhat?

Payroll Clerk

Gangs of New York (2002)

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses: Angenieux Lenses, Cooke Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Lightworks Editing System

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