Colin Mutch

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The Beekeeper | ShotOnWhat?

Property Master

The Beekeeper (2024)

Directed by: David Ayer

Cinematography by: Gabriel Beristain

Edited by: Geoffrey O'Brien

Cameras: ARRI Alexa 35 Camera

6 Underground | ShotOnWhat?

Assistant Lead Man

6 Underground (2019)

Directed by: Michael Bay

Cinematography by: Bojan Bazelli

Edited by: Roger Barton, William Goldenberg, Calvin Wimmer

Cameras: Apple iPhone Camera, ARRIFLEX 35 IIC Camera, GoPro HD Hero Camera, Red Epic Helium Camera, Red Monstro 8K Camera, Red Raven Camera, Sony CineAlta VENICE Camera

Lenses: Panavision T Series Anamorphic Lenses

"Luther" Episode #5.1 | ShotOnWhat?

Property Master

'Luther' Episode #5.1 (2019)

Television Episode

Directed by: Jamie Payne

Cinematography by: John Pardue

Edited by: Jamie Trevill

"Luther" Episode #5.4 | ShotOnWhat?

Property Master

'Luther' Episode #5.4 (2019)

Television Episode

Directed by: Jamie Payne

Cinematography by: John Pardue

Edited by: Jamie Trevill

"Luther" Episode #5.3 | ShotOnWhat?

Property Master

'Luther' Episode #5.3 (2019)

Television Episode

Directed by: Jamie Payne

Cinematography by: John Pardue

Edited by: Joel Skinner

"Luther" Episode #5.2 | ShotOnWhat?

Property Master

'Luther' Episode #5.2 (2019)

Television Episode

Directed by: Jamie Payne

Cinematography by: John Pardue

Edited by: Jamie Trevill

Ready Player One | ShotOnWhat?

Chargehand Dressing Prop

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

The Man from U.N.C.L.E. | ShotOnWhat?

Assistant Property Master

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Jack Ryan: Shadow Recruit | ShotOnWhat?

Chargehand Dressing Prop

Jack Ryan: Shadow Recruit (2014)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

World War Z | ShotOnWhat?

Props

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

A Good Day to Die Hard | ShotOnWhat?

Hand Prop Buyer

A Good Day to Die Hard (2013)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Blitz | ShotOnWhat?

Property Master: Additional Shoot Unit

Blitz (2011)

Directed by: Elliott Lester

Cinematography by: Rob Hardy

Edited by: John Gilbert

Luther | ShotOnWhat?

Property Master - 4 Episodes, 2019

Luther (2010)

Television Series

Directed by: Sam Miller, Jamie Payne, Brian Kirk, Stefan Schwartz, Farren Blackburn

Cinematography by: Julian Court, Giulio Biccari, John Conroy, John Pardue, Tim Fleming, Stephan Pehrsson

Edited by: Katie Weiland, Tania Reddin, Jamie Trevill, Victoria Boydell, Sam Williams, Elen Pierce Lewis, Joel Skinner

Cameras: ARRIFLEX D-21 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Looking for Eric | ShotOnWhat?

Property Master

Looking for Eric (2009)

Directed by: Ken Loach

Cinematography by: Barry Ackroyd

Edited by: Jonathan Morris

Nowhere Boy | ShotOnWhat?

Property Master

Nowhere Boy (2009)

Directed by: Sam Taylor-Johnson

Cinematography by: Seamus McGarvey

Edited by: Lisa Gunning

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Death Defying Acts | ShotOnWhat?

Stand-by Props

Death Defying Acts (2007)

Directed by: Gillian Armstrong

Cinematography by: Haris Zambarloukos

Edited by: Nicholas Beauman

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Hylén System Lens

The Bourne Ultimatum | ShotOnWhat?

Dressing Props

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

The Da Vinci Code | ShotOnWhat?

Stand-by Prop

The Da Vinci Code (2006)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Miss Potter | ShotOnWhat?

Dressing Props: Isle Of Man

Miss Potter (2006)

Directed by: Chris Noonan

Cinematography by: Andrew Dunn

Edited by: Robin Sales

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Alexander | ShotOnWhat?

Stand-by Props: Second Unit

Alexander (2004)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: Yann Hervé, Gladys Joujou, Alex Marquez, Thomas J. Nordberg

To Kill a King | ShotOnWhat?

Stand-by Prop

To Kill a King (2003)

Directed by: Mike Barker

Cinematography by: Eigil Bryld

Edited by: Guy Bensley

Cameras: Panavision Cameras

The Affair of the Necklace | ShotOnWhat?

Stand-by Props

The Affair of the Necklace (2001)

Directed by: Charles Shyer

Cinematography by: Ashley Rowe

Edited by: David Moritz

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux HR Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Ultra Prime Lenses

Gangster No. 1 | ShotOnWhat?

Stand-by Chargehand

Gangster No. 1 (2000)

Directed by: Paul McGuigan

Cinematography by: Peter Sova

Edited by: Andrew Hulme

Cameras: Aaton Cameras, Panavision Cameras

Shakespeare in Love | ShotOnWhat?

Chargehand Standby Propsman

Shakespeare in Love (1998)

Directed by: John Madden

Cinematography by: Richard Greatrex

Edited by: David Gamble

Cameras: ARRIFLEX 535 B Camera

Lenses: Zeiss Variable Prime Lenses

Hilary and Jackie | ShotOnWhat?

Stand-by Props

Hilary and Jackie (1998)

Directed by: Anand Tucker

Cinematography by: David Johnson

Edited by: Martin Walsh

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