Music Supervisor
Once Upon a Time in Hollywood (2019)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Editing System: Avid Editing System
Music Supervisor
Assassination Nation (2018)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Edited by: Ron Patane
Cameras: ARRI ALEXA Mini Camera
Music Supervisor
Death Note (2017)
Directed by: Adam Wingard
Cinematography by: David Tattersall
Edited by: Louis Cioffi
Cameras: Panasonic VariCam 35, Panasonic VariCam Camera
Music Supervisor
Spotlight (2015)
Directed by: Tom McCarthy
Cinematography by: Masanobu Takayanagi
Edited by: Tom McArdle
Cameras: ARRI ALEXA XT Camera
Music Supervisor
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Music Supervisor
The Cobbler (2014)
Directed by: Tom McCarthy
Cinematography by: W. Mott Hupfel III
Edited by: Tom McArdle
Cameras: ARRI ALEXA Plus Camera
Music Supervisor
A Walk Among the Tombstones (2014)
Directed by: Scott Frank
Cinematography by: Mihai Malaimare Jr.
Edited by: Jill Savitt
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Music Supervisor
Beautiful Creatures (2013)
Directed by: Richard LaGravenese
Cinematography by: Philippe Rousselot
Edited by: David Moritz
Music Supervisor
Last Vegas (2013)
Directed by: Jon Turteltaub
Cinematography by: David Hennings
Edited by: David Rennie
Cameras: ARRI ALEXA Camera
Music Supervisor
LOL (2012)
Directed by: Lisa Azuelos
Cinematography by: Kieran McGuigan
Edited by: Myron Kerstein
Music Supervisor
Hello I Must Be Going (2012)
Directed by: Todd Louiso
Cinematography by: Julie Kirkwood
Edited by: Tom McArdle
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Music Supervisor
Django Unchained (2012)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Music Supervisor
Win Win (2011)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Music Supervisor
Father of Invention (2010)
Directed by: Trent Cooper
Cinematography by: Steve Yedlin
Edited by: Heather Persons
Music Supervisor
Inglourious Basterds (2009)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Music Supervisor
Grindhouse (2007)
Music Supervisor
Death Proof (2007)
Directed by: Quentin Tarantino
Cinematography by: Quentin Tarantino
Edited by: Sally Menke
Music Supervisor
The Visitor (2007)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Cameras: ARRICAM Lite (LT) Camera
Music Consultant
Then She Found Me (2007)
Directed by: Helen Hunt
Cinematography by: Peter Donahue
Edited by: Pam Wise
Music Supervisor
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Music Supervisor
The Big White (2005)
Directed by: Mark Mylod
Cinematography by: James Glennon
Edited by: Julie Monroe
Music Supervisor
Kill Bill: Vol. 2 (2004)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Music Supervisor
Kill Bill: Vol. 1 (2003)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Music Supervisor
The Station Agent (2003)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Music Supervisor
National Security (2003)
Directed by: Dennis Dugan
Cinematography by: Oliver Wood
Edited by: Debra Neil-Fisher
Music Supervisor
Bang Bang You're Dead (2002)
Directed by: Guy Ferland
Cinematography by: Robert Aschmann
Edited by: Jill Savitt
Music Supervisor
Boat Trip (2002)
Directed by: Mort Nathan
Cinematography by: Shawn Maurer
Edited by: John Axness
Music Supervisor
The Wedding Planner (2001)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Lisa Zeno Churgin
Music Supervisor
Just Visiting (2001)
Directed by: Jean-Marie Poiré
Cinematography by: Ueli Steiger
Edited by: Michael A. Stevenson
Cameras: Panavision Cameras
Music Supervisor
Chain of Fools (2000)
Cinematography by: Frederick Elmes
Edited by: Harvey Rosenstock
Music Supervisor
The Skulls (2000)
Directed by: Rob Cohen
Cinematography by: Shane Hurlbut
Edited by: Peter Amundson
Music Supervisor
Never Been Kissed (1999)
Directed by: Raja Gosnell
Cinematography by: Alex Nepomniaschy
Music Supervisor
Teaching Mrs. Tingle (1999)
Directed by: Kevin Williamson
Cinematography by: Jerzy Zielinski
Edited by: Debra Neil-Fisher
Music Supervisor
Forces of Nature (1999)
Directed by: Bronwen Hughes
Edited by: Craig Wood
Cameras: Panavision Cameras
Music Supervisor
Clay Pigeons (1998)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Edited by: Stan Salfas
Soundtrack Music Supervisor
'South Park' Chef Aid (1998)
Directed by: Trey Parker
Edited by: Thomas M. Vogt
Soundtrack Music Supervisor - 1 Episode, 1998
South Park (1997)
Music Supervisor
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Music Supervisor
Home Alone 3 (1997)
Directed by: Raja Gosnell
Cinematography by: Julio Macat
Cameras: Panavision Panaflex Gold Camera
Music Supervisor
An Alan Smithee Film: Burn Hollywood Burn (1997)
Cinematography by: Reynaldo Villalobos
Edited by: L. James Langlois
Music Consultant
Jackie Brown (1997)
Directed by: Quentin Tarantino
Cinematography by: Guillermo Navarro
Edited by: Sally Menke
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Music Supervision
Johns (1996)
Directed by: Scott Silver
Cinematography by: Tom Richmond
Edited by: Dorian Harris
Music Coordinator
Four Rooms (1995)
Music Coordinator: Mind Your Music
The Last Seduction (1994)
Directed by: John Dahl
Cinematography by: Jeffrey Jur
Edited by: Eric L. Beason
Music Supervisor
Reform School Girl (1994)
Directed by: Jonathan Kaplan
Cinematography by: James Chressanthis
Edited by: Michael D. Ornstein
Music Supervisor
Girls in Prison (1994)
Directed by: John McNaughton
Cinematography by: Jean de Segonzac
Edited by: Larry Bock
Music Coordinator: Mind Your Music
Pulp Fiction (1994)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Editing System: Lightworks Editing System
Assistant Music Supervisor
Gunmen (1993)
Directed by: Deran Sarafian
Cinematography by: Hiro Narita
Edited by: Bonnie Koehler
Music Coordinator
Judgment Night (1993)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tim Wellburn
