Casting Associate
La La Land (2016)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Casting Associate
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Casting Associate
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Casting Associate
RED 2 (2013)
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
Casting Associate
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Casting Associate
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Casting Associate
Stand Up Guys (2012)
Directed by: Fisher Stevens
Cinematography by: Michael Grady
Edited by: Mark Livolsi
Cameras: Red Epic Camera
Casting Associate
One for the Money (2012)
Directed by: Julie Anne Robinson
Cinematography by: Jim Whitaker
Edited by: Lisa Zeno Churgin
Casting Associate
Gone (2012)
Directed by: Heitor Dhalia
Cinematography by: Michael Grady
Edited by: John Axelrad
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Casting Associate
Monte Carlo (2011)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Casting Associate
I Am Number Four (2011)
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Casting Associate
The Rite (2011)
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Casting Associate: US
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Casting Associate
Red State (2011)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Cameras: Canon EOS-7D Camera, Red One MX Camera
Casting Associate: U.S.
The A-Team (2010)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Casting Assistant: Los Angeles
Skateland (2010)
Directed by: Anthony Burns
Cinematography by: Peter Simonite
Edited by: Robert Hoffman
Casting Assistant
The Nutcracker in 3D (2010)
Directed by: Andrey Konchalovskiy
Cinematography by: Mike Southon
Casting Associate
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Casting Assistant
Valentine's Day (2010)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Bruce Green
Casting Associate
RED (2010)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Casting Assistant
The Time Traveler's Wife (2009)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Additional Casting
Knowing (2009)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Casting Assistant
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Casting Assistant
Traitor (2008)
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Casting Associate
Twilight (2008)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Casting Associate
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
