Head Scenic Paint Coordinator
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Head Scenic Paint Coordinator
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Head Scenic Paint Coordinator: Reshoots
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Key Paint Coordinator
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Head Paint Coordinator
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Paint Coordinator: Canada
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Head Scenic Painter
Red Riding Hood (2011)
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Head Paint Coordinator
Alvin and the Chipmunks: Chipwrecked (2011)
Directed by: Mike Mitchell
Cinematography by: Thomas E. Ackerman
Edited by: Peter Amundson
Paint Coordinator
Marmaduke (2010)
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Lead Painter
Gunless (2010)
Directed by: William Phillips
Cinematography by: Gregory Middleton
Edited by: Susan Maggi
Lead Painter
Case 39 (2009)
Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
Head Paint Coordinator
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Head Paint Coordinator
Aliens in the Attic (2009)
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Labor Foreman
I Love You, Beth Cooper (2009)
Directed by: Chris Columbus
Cinematography by: Phil Abraham
Edited by: Peter Honess
Scenic Artist
Scary Movie 4 (2006)
Directed by: David Zucker
Cinematography by: Thomas E. Ackerman
Cameras: Panavision Genesis Camera
Head Paint Foreman
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Head Paint Foreman
She's the Man (2006)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Head Paint Foreman
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Paint Foreman
Miracle (2004)
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Cameras: Panavision Cameras
Paint Foreman
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Paint Foreman
Antitrust (2001)
Directed by: Peter Howitt
Cinematography by: John Bailey
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Scenic Artist
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz