Scenic
Admission (2013)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Cameras: ARRI ALEXA Studio Camera
Scenic Artist
Arthur (2011)
Directed by: Jason Winer
Cinematography by: Uta Briesewitz
Edited by: Brent White
Scenic Artist
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Painter / Scenic Artist
We Need to Talk About Kevin (2011)
Directed by: Lynne Ramsay
Cinematography by: Seamus McGarvey
Edited by: Joe Bini
Scenic Artist
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Scenic Artist
Sex and the City 2 (2010)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Cameras: Panavision Panaflex Platinum Camera
Scenic Artist
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Scenic Artist
The Lovely Bones (2009)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Scenic Artist
The Taking of Pelham 123 (2009)
Directed by: Tony Scott
Cinematography by: Tobias A. Schliessler
Edited by: Chris Lebenzon
Scenic Artist
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Scenic Artist
The Life Before Her Eyes (2007)
Directed by: Vadim Perelman
Cinematography by: Pawel Edelman
Scenic Artist
All the King's Men (2006)
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Camera Scenic: New York
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Camera Scenic
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Camera Scenic Artist: Philadelphia
In Her Shoes (2005)
Directed by: Curtis Hanson
Cinematography by: Terry Stacey
On-set Scenic Artist
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Scenic Artist
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Scenic Artist
Changing Lanes (2002)
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Scenic Artist
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Stand-by Scenic
Animal Factory (2000)
Directed by: Steve Buscemi
Cinematography by: Phil Parmet
Edited by: Kate Williams
Scenic Artist
Meet the Parents (2000)
Directed by: Jay Roach
Cinematography by: Peter James
Cameras: Panavision Panaflex Platinum Camera
Camera Scenic Artist
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Scenic Artist
Girl, Interrupted (1999)
Directed by: James Mangold
Cinematography by: Jack N. Green
Edited by: Kevin Tent
Scenic Artist
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
