Executive Visual Effects Producer
Paddington (2014)
Directed by: Paul King
Cinematography by: Erik Wilson
Edited by: Mark Everson
Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses: Cooke S4 Lenses
Visual Effects Producer: Framestore
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Producer: Framestore
Your Highness (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Visual Effects Producer: Framestore
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Visual Effects Producer: Framestore CFC
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Visual Effects Co-producer: Framestore CFC
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Visual Effects Producer
Goal II: Living the Dream (2007)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Niven Howie
Visual Effects Producer: Framestore CFC
Mr. Bean's Holiday (2007)
Directed by: Steve Bendelack
Cinematography by: Baz Irvine
Edited by: Tony Cranstoun
Visual Effects Line Producer: Framestore CFC
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Visual Effects Producer: Framestore CFC
Breaking and Entering (2006)
Directed by: Anthony Minghella
Cinematography by: Benoît Delhomme
Edited by: Lisa Gunning
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Producer: Framestore CFC
The Queen (2006)
Directed by: Stephen Frears
Cinematography by: Affonso Beato
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Producer
Basic Instinct 2 (2006)
Directed by: Michael Caton-Jones
Cinematography by: Gyula Pados
Visual Effects Coordinator: Framestore CFC
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Visual Effects Coordinator: Framestore CFC
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Visual Effects Producer: Framestore CFC
The Constant Gardener (2005)
Directed by: Fernando Meirelles
Cinematography by: César Charlone
Edited by: Claire Simpson
Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Angenieux HR Zoom Lenses
Visual Effects Coordinator: Framestore CFC
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Visual Effects Coordinator
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Visual Effects Coordinator
Underworld (2003)
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter
Visual Effects Coordinator
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Visual Effects Coordinator - 2 Episodes, 2002
Shackleton (2002)
Directed by: Charles Sturridge
Cinematography by: Henry Braham
Edited by: Peter Coulson
Visual Effects Coordinator
'Shackleton' Episode #1.1 (2002)
Directed by: Charles Sturridge
Cinematography by: Henry Braham
Edited by: Peter Coulson
Visual Effects Coordinator
'Shackleton' Episode #1.2 (2002)
Directed by: Charles Sturridge
Cinematography by: Henry Braham
Edited by: Peter Coulson
