Visual Effects Producer
Darkest Hour (2017)
Directed by: Joe Wright
Cinematography by: Bruno Delbonnel
Edited by: Valerio Bonelli
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Visual Effects Producer
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Visual Effects
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Visual Effects
Paddington (2014)
Directed by: Paul King
Cinematography by: Erik Wilson
Edited by: Mark Everson
Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses: Cooke S4 Lenses
Supervision And Production: Framestore
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Visual Effects Line Producer: Framestore
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Visual Effects Production Manager: Framestore
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Line Producer: Framestore
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Visual Effects Line Producer: Rushes Film & TV
Wuthering Heights (2011)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Visual Effects Line Producer: Method
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Titles Producer: Rushes
The Eagle (2011)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
Titles Producer: Rushes
Kick-Ass (2010)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Titles Coordinator: Rushes
Dorian Gray (2009)
Directed by: Oliver Parker
Cinematography by: Roger Pratt
Edited by: Guy Bensley
Lenses: Angenieux Lenses, Cooke S4 Lenses
Titles Coordinator: Rushes
Boogie Woogie (2009)
Directed by: Duncan Ward
Cinematography by: John Mathieson
Edited by: Kant Pan
Cameras: Panavision Cameras
Titles Producer: Rushes
St Trinian's 2: The Legend of Fritton's Gold (2009)
Cinematography by: David Higgs
Edited by: Emma E. Hickox
Visual Effects Coordinator: Rushes
The Disappearance of Alice Creed (2009)
Directed by: J Blakeson
Cinematography by: Philipp Blaubach
Edited by: Mark Eckersley
Stand-by Props: Visual Effects Second Unit
Vampire Killers (2009)
Directed by: Phil Claydon
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: Red One Camera
Visual Effects Coordinator: Rushes Post Production
RocknRolla (2008)
Directed by: Guy Ritchie
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: ARRIFLEX D-20 Camera
Titles Coordinator
Made of Honor (2008)
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Richard Marks
Cameras: Panavision Cameras
Assistant Vfx Producer: Rushes
Slumdog Millionaire (2008)
Cinematography by: Anthony Dod Mantle
Edited by: Chris Dickens
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Visual Effects Coordinator: Titles, Rushes
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Coordinator: Rushes
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Visual Effects Coordinator: Rushes
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
