Richard Ziegler

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Flamin' Hot | ShotOnWhat?

Music Editor

Flamin' Hot (2023)

Movie

Directed by: Eva Longoria

Cinematography by: Federico Cantini

Edited by: Kayla Emter, Liza D. Espinas

Cameras: Sony CineAlta VENICE Camera

Lenses: Canon K35 Prime Lenses, Cooke Xtal Express Lenses, Laowa Lenses, Panavision Panaspeed Series Lenses, Panavision Primo Anamorphic Lenses

Good Boys | ShotOnWhat?

Music Editor

Good Boys (2019)

Movie

Directed by: Gene Stupnitsky

Cinematography by: Jonathan Furmanski

Edited by: Daniel Gabbe

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 180 mm T2.8 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Ad Astra | ShotOnWhat?

Music Editor

Ad Astra (2019)

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses: CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

12 Strong | ShotOnWhat?

Music Editor

12 Strong (2018)

Directed by: Nicolai Fuglsig

Cinematography by: Rasmus Videbæk

Edited by: Lisa Lassek

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Geostorm | ShotOnWhat?

Music Editor

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Sleepless | ShotOnWhat?

Music Editor

Sleepless (2017)

Directed by: Baran bo Odar

Cinematography by: Mihai Malaimare Jr.

Edited by: Robert Rzesacz

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Red Epic Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses

Southside with You | ShotOnWhat?

Music Editor

Southside with You (2016)

Directed by: Richard Tanne

Cinematography by: Patrick Scola

Edited by: Evan Schiff

Olympus Has Fallen | ShotOnWhat?

Music Editor

Olympus Has Fallen (2013)

Directed by: Antoine Fuqua

Cinematography by: Conrad W. Hall

Edited by: John Refoua

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

21 & Over | ShotOnWhat?

Music Editor

21 & Over (2013)

Directed by: Jon Lucas, Scott Moore

Cinematography by: Terry Stacey

Edited by: John Refoua

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4 Lenses

Green Lantern | ShotOnWhat?

Music Editor

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Life as We Know It | ShotOnWhat?

Music Editor

Life as We Know It (2010)

Directed by: Greg Berlanti

Cinematography by: Andrew Dunn

Edited by: Jim Page

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

All About Steve | ShotOnWhat?

Music Editor

All About Steve (2009)

Directed by: Phil Traill

Cinematography by: Tim Suhrstedt

Edited by: Rod Dean, Virginia Katz

Cameras: Panavision Cameras

Observe and Report | ShotOnWhat?

Music Editor

Observe and Report (2009)

Directed by: Jody Hill

Cinematography by: Tim Orr

Edited by: Zene Baker

The Men Who Stare at Goats | ShotOnWhat?

Temp Music Editor

The Men Who Stare at Goats (2009)

Directed by: Grant Heslov

Cinematography by: Robert Elswit

Edited by: Tatiana S. Riegel

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

I Love You, Man | ShotOnWhat?

Music Editor

I Love You, Man (2009)

Directed by: John Hamburg

Cinematography by: Lawrence Sher

Edited by: William Kerr

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Never Back Down | ShotOnWhat?

Temp Music Editor

Never Back Down (2008)

Directed by: Jeff Wadlow

Cinematography by: Lukas Ettlin

Edited by: Victor Du Bois, Debra Beth Weinfeld

Leatherheads | ShotOnWhat?

Music Editor

Leatherheads (2008)

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

Big Momma's House 2 | ShotOnWhat?

Music Editor

Big Momma's House 2 (2006)

Directed by: John Whitesell

Cinematography by: Mark Irwin

Edited by: Priscilla Nedd-Friendly

We Are Marshall | ShotOnWhat?

Music Editor

We Are Marshall (2006)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Gregg London, Priscilla Nedd-Friendly

Comeback Season | ShotOnWhat?

Music Editor

Comeback Season (2006)

Directed by: Bruce McCulloch

Cinematography by: Jamie Anderson

Edited by: Mike Munn

Be Cool | ShotOnWhat?

Music Editor

Be Cool (2005)

Directed by: F. Gary Gray

Cinematography by: Jeffrey L. Kimball

Edited by: Sheldon Kahn

A Lot Like Love | ShotOnWhat?

Music Editor

A Lot Like Love (2005)

Directed by: Nigel Cole

Cinematography by: John de Borman

Edited by: Susan Littenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Italian Job | ShotOnWhat?

Music Editor

The Italian Job (2003)

Directed by: F. Gary Gray

Cinematography by: Wally Pfister

Edited by: Richard Francis-Bruce, Christopher Rouse

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII 35 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Below | ShotOnWhat?

Additional Music Editor

Below (2002)

Directed by: David Twohy

Cinematography by: Ian Wilson

Edited by: Martin Hunter

Two Weeks Notice | ShotOnWhat?

Music Editor

Two Weeks Notice (2002)

Directed by: Marc Lawrence

Cinematography by: László Kovács

Edited by: Susan E. Morse

The Bourne Identity | ShotOnWhat?

Music Editor: Temp

The Bourne Identity (2002)

Directed by: Doug Liman

Cinematography by: Oliver Wood

Edited by: Saar Klein

Cameras: Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Life as a House | ShotOnWhat?

Additional Music Editor

Life as a House (2001)

Directed by: Irwin Winkler

Cinematography by: Vilmos Zsigmond

Edited by: Julie Monroe

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Go | ShotOnWhat?

Music Editor

Go (1999)

Directed by: Doug Liman

Cinematography by: Doug Liman

Edited by: Stephen Mirrione

Black Circle Boys | ShotOnWhat?

Composer, Music Editor

Black Circle Boys (1997)

Directed by: Matthew Carnahan

Cinematography by: Geary McLeod

Edited by: Axel Hubert

Romeo + Juliet | ShotOnWhat?

Music Coordinator

Romeo + Juliet (1996)

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Set It Off | ShotOnWhat?

Additional Music Editor / Music Editor

Set It Off (1996)

Directed by: F. Gary Gray

Cinematography by: Marc Reshovsky

Edited by: John Carter

Dolores Claiborne | ShotOnWhat?

Assistant Music Editor

Dolores Claiborne (1995)

Directed by: Taylor Hackford

Cinematography by: Gabriel Beristain

Edited by: Mark Warner

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