Special Effects Coordinator
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Special Effects Supervisor: Illinois
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Special Effects Coordinator
Zookeeper (2011)
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Special Effects Supervisor
The Town (2010)
Directed by: Ben Affleck
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Special Effects Coordinator: Los Angeles
Jonah Hex (2010)
Directed by: Jimmy Hayward
Cinematography by: Mitchell Amundsen
Special Effects Supervisor: Los Angeles & Insert Units
A Nightmare on Elm Street (2010)
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
Special Effects Supervisor
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Special Effects Supervisor
Valkyrie (2008)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Special Effects Supervisor
I Now Pronounce You Chuck & Larry (2007)
Directed by: Dennis Dugan
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Special Effects Coordinator: Bahamas
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Special Effects Supervisor
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Special Effects Coordinator
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Special Effects Coordinator
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Supervising Special Effects Coordinator
Christmas with the Kranks (2004)
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Special Effects Coordinator
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Coordinator
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
'Giant' Oil Derrick Rigger, Special Effects Coordinator
James Dean (2001)
Directed by: Mark Rydell
Cinematography by: Robbie Greenberg
Edited by: Antony Gibbs
Special Effects Coordinator
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Special Effects Coordinator
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Special Effects On Set Supervisor
Babe: Pig in the City (1998)
Directed by: George Miller
Cinematography by: Andrew Lesnie
Special Effects Supervisor
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Special Effects Coordinator
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Special Effects Chief
Cutthroat Island (1995)
Directed by: Renny Harlin
Cinematography by: Peter Levy
Special Effects Supervisor
Forrest Gump (1994)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects
Striking Distance (1993)
Directed by: Rowdy Herrington
Cinematography by: Mac Ahlberg
Special Effects Coordinator
Treacherous (1993)
Directed by: Kevin Brodie
Cinematography by: Leo J. Napolitano
Edited by: Duncan Burns
Special Effects Coordinator
For the Boys (1991)
Directed by: Mark Rydell
Cinematography by: Stephen Goldblatt
Special Effects And Pyrotechnics Creator
Backdraft (1991)
Directed by: Ron Howard
Cinematography by: Mikael Salomon
Special Effects
National Lampoon's Christmas Vacation (1989)
Directed by: Jeremiah S. Chechik
Cinematography by: Thomas E. Ackerman
Special Effects Coordinator
Dead Poets Society (1989)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: William M. Anderson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Coordinator
Scrooged (1988)
Directed by: Richard Donner
Cinematography by: Michael Chapman
Cameras: Panavision Panaflex Gold Camera
Special Effects Coordinator
Vibes (1988)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Carol Littleton
Assistant Special Effects
Mortuary Academy (1988)
Directed by: Michael Schroeder
Edited by: Ellen Keneshea
Special Effects Coordinator
The Untouchables (1987)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold Camera
Special Effects
Black Widow (1987)
Directed by: Bob Rafelson
Cinematography by: Conrad L. Hall
Edited by: John Bloom
Special Effects
The Mosquito Coast (1986)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: Thom Noble
Special Effects Coordinator
Top Gun (1986)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Special Effects Coordinator
Out of Bounds (1986)
Directed by: Richard Tuggle
Cinematography by: Bruce Surtees
Edited by: Kent Beyda
Special Effects
Secret Admirer (1985)
Directed by: David Greenwalt
Cinematography by: Victor J. Kemper
Edited by: Dennis Virkler
Special Effects
The Man with Two Brains (1983)
Directed by: Carl Reiner
Cinematography by: Michael Chapman
Edited by: Bud Molin
Mechanical Special Effects
Something Wicked This Way Comes (1983)
Directed by: Jack Clayton
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Special Effects Supervisor
D.C. Cab (1983)
Directed by: Joel Schumacher
Cinematography by: Dean Cundey
Edited by: David E. Blewitt
Special Effects
Night Shift (1982)
Directed by: Ron Howard
Cinematography by: James Crabe
Cameras: Panavision Cameras
Animated Artifacts Creator
Cat People (1982)
Directed by: Paul Schrader
Cinematography by: John Bailey
Special Effects
Zorro: The Gay Blade (1981)
Directed by: Peter Medak
Cinematography by: John A. Alonzo
Edited by: Lori Jane Coleman
