Set Dec Coordinator
Terminator: Dark Fate (2019)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera
Asset Coordinator
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Set Dec/props Coordinator
'Marco Polo' The Fellowship (2016)
Directed by: Alik Sakharov
Cinematography by: Gavin Struthers
Edited by: William Henry
Set Dec/props Coordinator
'Marco Polo' Measure Against the Linchpin (2016)
Directed by: Daniel Minahan
Cinematography by: Romain Lacourbas
Edited by: Michael Berenbaum
Set Dec/props Coordinator
'Marco Polo' Hug (2016)
Directed by: David Petrarca
Cinematography by: Vanja Cernjul
Edited by: Andy Keir
Set Dec/props Coordinator
'Marco Polo' Let God's Work Begin (2016)
Directed by: David Petrarca
Cinematography by: Vanja Cernjul
Edited by: Andy Keir
Set Dec/props Coordinator
'Marco Polo' Lost Crane (2016)
Directed by: Alik Sakharov
Cinematography by: Gavin Struthers
Edited by: William Henry
Set Dec/props Coordinator
'Marco Polo' Heirs (2016)
Directed by: James McTeigue
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Set Dec/props Coordinator
'Marco Polo' Hunter and the Sable Weaver (2016)
Directed by: Daniel Minahan
Cinematography by: Romain Lacourbas
Edited by: Michael Berenbaum
Set Dec/props Coordinator
'Marco Polo' Lullaby (2016)
Directed by: Jon Amiel
Cinematography by: Vanja Cernjul
Edited by: Erica Freed Marker
Set Dec/props Coordinator
'Marco Polo' Serpent's Terms (2016)
Directed by: Jon Amiel
Cinematography by: Vanja Cernjul
Edited by: Erica Freed Marker
Set Dec/props Coordinator
'Marco Polo' Whitehorse (2016)
Directed by: James McTeigue
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Art Department Coordinator
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Set Dec/props Coordinator - 10 Episodes, 2016
Marco Polo (2014)
Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue
Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras: Sony PMW-F55 Camera
Art Department Coordinator
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Prop Department Coordinator
A Good Day to Die Hard (2013)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Asset Coordinator: Hungary
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Stunt Department Coordinator: Splinter Unit
Season of the Witch (2011)
Directed by: Dominic Sena
Cinematography by: Amir Mokri
Travel Coordinator
Monte Carlo (2011)
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Travel And Accommodation Coordinator
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Assistant Production Coordinator
A Christmas Carol: The Musical (2004)
Directed by: Arthur Allan Seidelman
Cinematography by: Hanania Baer
Edited by: Bert Glatstein
Assistant Production Coordinator
Being Julia (2004)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Susan Shipton
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Varotal Lenses
Interpreter: Key Grip, Second Unit, Budapest
I Spy (2002)
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
