Digital Artist: ILM, Lead Compositor: Industrial Light & Magic
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Digital Compositor
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Lead Compositor
Bird Box (2018)
Directed by: Susanne Bier
Cinematography by: Salvatore Totino
Edited by: Ben Lester
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Prime Lenses
Digital Compositor
Ready Player One (2018)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Senior Compositor: ILM
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Digital Artist: ILM
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Digital Compositor
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Compositing Sequence Supervisor
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Digital Compositor
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Digital Artist: Double Negative
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Digital Compositor: Weta Digital
The Hobbit: The Battle of the Five Armies (2014)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Compositor/lead Artist: Double Negative
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Compositor/cg Lighting/effects Artist/animator: Double Negative
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Compositor: Mpc
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Digital Compositor: MPC
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Compositor: Cinesite
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Digital Compositor
Les aventures extraordinaires d'Adèle Blanc-Sec (2010)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Julien Rey
Digital Compositor
Miral (2010)
Directed by: Julian Schnabel
Cinematography by: Eric Gautier
Edited by: Juliette Welfling
Compositor: MPC
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Digital Compositor
District 13: Ultimatum (2009)
Directed by: Patrick Alessandrin
Cinematography by: Jean-François Hensgens
Digital Compositor
Ultimate Heist (2009)
Directed by: Laurent Tuel
Cinematography by: Laurent Machuel
Edited by: Marion Monestier
Additional Digital Compositor: DUBOI
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Digital Compositor
Micmacs à tire-larigot (2009)
Directed by: Jean-Pierre Jeunet
Cinematography by: Tetsuo Nagata
Edited by: Hervé Schneid
Digital Compositor
Le code a changé (2009)
Directed by: Danièle Thompson
Cinematography by: Jean-Marc Fabre
Edited by: Sylvie Landra
Cameras: Moviecam Compact MK2 Camera
Digital Compositor
Mesrine Part 1: Killer Instinct (2008)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Additional Compositor
Babylon A.D. (2008)
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Benjamin Weill
Digital Artist
Afterwards (2008)
Directed by: Gilles Bourdos
Cinematography by: Ping Bin Lee
Edited by: Valérie Deseine
Digital Compositor
Mesrine Part 2: Public Enemy #1 (2008)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Additional Roto Artist
Le deuxième souffle (2007)
Directed by: Alain Corneau
Cinematography by: Yves Angelo
Edited by: Marie-Josèphe Yoyotte
Additional Compositing
Goodbye Bafana (2007)
Directed by: Bille August
Cinematography by: Robert Fraisse
Edited by: Hervé Schneid
