Show Pipeline Td: Cinesite
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Show Pipleline Td: Cinesite
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Pipeline Technical Director: Cinesite VFX
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Software Developer: MPC
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Pipeline Technical Director: Prime Focus London
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Pipeline Technical Director: Prime Focus London
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Pipeline Technical Director: Prime Focus Film London
The Two Faces of January (2014)
Directed by: Hossein Amini
Cinematography by: Marcel Zyskind
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Hawk C-Series Lenses
Pipeline Technical Director: Prime Focus London
Vampire Academy (2014)
Directed by: Mark Waters
Cinematography by: Tony Pierce-Roberts
Edited by: Chris Gill
Cameras: ARRI ALEXA Camera
Pipeline Technical Director: Prime Focus London
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Pipeline Technical Director: Prime Focus
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Pipeline Research And Development: Prime Focus Film London
Mirror Mirror (2012)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Cameras: Sony CineAlta F35 Camera
Pipeline Technical Director: Prime Focus Film London
Dredd (2012)
Directed by: Pete Travis
Cinematography by: Anthony Dod Mantle
Edited by: Mark Eckersley
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Pipeline: Prime Focus
Byzantium (2012)
Directed by: Neil Jordan
Cinematography by: Sean Bobbitt
Edited by: Tony Lawson
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
Pipeline Technical Director: Prime Focus Film London
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Visual Effects Artist: The Senate
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Camera Tracker: Fuel VFX
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Lighting Technical Director: Rising Sun Pictures Sydney
The Ruins (2008)
Directed by: Carter Smith
Cinematography by: Darius Khondji
Edited by: Jeff Betancourt
Junior Lighting Technical Director
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Junior Technical Director
Goal II: Living the Dream (2007)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Niven Howie
Technical Director: Framestore CFC
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Motion Tracker: Framestore CFC
Nanny McPhee (2005)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Matchmover: Framestore-CFC
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
