Visual Effects Executive Producer
Can You Ever Forgive Me? (2018)
Directed by: Marielle Heller
Cinematography by: Brandon Trost
Edited by: Anne McCabe
Cameras: Panavision Millennium DXL Camera
Lenses: Panavision Primo 70 Lenses
Visual Effects Executive Producer
'Mr. Robot' eps2.8_h1dden-pr0cess.axx (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: John Petaja
Visual Effects Producer: Phosphene
Pride and Prejudice and Zombies (2016)
Directed by: Burr Steers
Cinematography by: Remi Adefarasin
Edited by: Padraic McKinley
Lenses: Cooke S4/i Lenses
Visual Effects Executive Producer
'Mr. Robot' eps2.0_unm4sk-pt1.tc (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Franklin Peterson
Visual Effects Executive Producer
'Mr. Robot' eps2.0_unm4sk-pt2.tc (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Franklin Peterson
Visual Effects Executive Producer
'Mr. Robot' eps2.1_k3rnel-pan1c.ksd (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Philip Harrison
Visual Effects Executive Producer
'Mr. Robot' eps2.2_init_1.asec (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: John Petaja
Visual Effects Executive Producer
'Mr. Robot' eps2.3_logic-b0mb.hc (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Franklin Peterson
Visual Effects Executive Producer
'Mr. Robot' eps2.4_m4ster-s1ave.aes (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Philip Harrison
Visual Effects Executive Producer
'Mr. Robot' eps2.5_h4ndshake.sme (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: John Petaja
Visual Effects Executive Producer
'Mr. Robot' eps2.6_succ3ss0r.p12 (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Franklin Peterson
Visual Effects Executive Producer
'Mr. Robot' eps2.7_init_5.fve (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Philip Harrison
Visual Effects Executive Producer - 10 Episodes, 2016
Mr. Robot (2015)
Directed by: Sam Esmail, Jim McKay, Tricia Brock, Deborah Chow, Nisha Ganatra, Niels Arden Oplev, Christoph Schrewe
Edited by: Franklin Peterson, John Petaja, Justin Krohn, Philip Harrison, Rosanne Tan, Joel T. Pashby, Sam Seig, Sharidan Williams-Sotelo, Joe Bini, Andrew Thompson
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Visual Effects Executive Producer: Phosphene
'True Detective' After You've Gone (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Visual Effects Executive Producer: Phosphene
'True Detective' Haunted Houses (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Visual Effects Exective Producer: Phosphene
'True Detective' The Locked Room (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Visual Effects Executive Producer: Phosphene
'True Detective' Who Goes There (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Affonso Gonçalves
Visual Effects Executive Producer: Phosphene
'True Detective' The Secret Fate of All Life (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Visual Effects Exective Producer: Phosphene
'True Detective' Seeing Things (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Visual Effects Executive Producer: Phosphene
'True Detective' The Long Bright Dark (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Edited by: Alex Hall
Visual Effects Executive Producer: Phosphene
'True Detective' Form and Void (2014)
Directed by: Cary Joji Fukunaga
Cinematography by: Adam Arkapaw
Visual Effects Executive Producer: Phosphene
The Fault in Our Stars (2014)
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Visual Effects Executive Producer: Phosphene / Visual Effects Exective Producer: Phosphene - 8 Episodes, 2014
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Visual Effects Executive Producer: Phosphene
A Most Violent Year (2014)
Directed by: J.C. Chandor
Cinematography by: Bradford Young
Edited by: Ron Patane
Editing System: Final Cut Pro Editing System
Visual Effects Producer
'30 Rock' Florida (2013)
Directed by: Claire Cowperthwaite
Cinematography by: William Klayer
Edited by: Ken Eluto
Visual Effects Producer
'30 Rock' Hogcock!/Last Lunch (2013)
Directed by: Beth McCarthy-Miller
Cinematography by: Peter Reniers
Visual Effects Producer: Phosphene
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Executive Producer: Phosphene
The Fifth Estate (2013)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Visual Effects Producer
'30 Rock' Aunt Phatso vs. Jack Donaghy (2012)
Directed by: Don Scardino
Cinematography by: Peter Reniers
Edited by: Craig Cobb
Visual Effects Producer: Phosphene
Hope Springs (2012)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Visual Effects Producer: Phosphene
The We and the I (2012)
Directed by: Michel Gondry
Cinematography by: Alex Disenhof
Edited by: Jeff Buchanan
Visual Effects Executive Producer
'Boardwalk Empire' Bone for Tuna (2012)
Directed by: Jeremy Podeswa
Cinematography by: David Franco
Edited by: Kate Sanford
Visual Effects Executive Producer
'Boardwalk Empire' Blue Bell Boy (2012)
Directed by: Kari Skogland
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Executive Producer
'Boardwalk Empire' Ging Gang Goolie (2012)
Directed by: Ed Bianchi
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Executive Producer
'Boardwalk Empire' Sunday Best (2012)
Directed by: Allen Coulter
Cinematography by: David Franco
Edited by: Kate Sanford
Visual Effects Executive Producer
'Boardwalk Empire' The Milkmaid's Lot (2012)
Directed by: Ed Bianchi
Cinematography by: David Franco
Edited by: Kate Sanford
Visual Effects Executive Producer
'Boardwalk Empire' A Man, a Plan... (2012)
Directed by: Jeremy Podeswa
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Executive Producer
'Boardwalk Empire' Two Imposters (2012)
Directed by: Allen Coulter
Cinematography by: David Franco
Edited by: Kate Sanford
Visual Effects Executive Producer
'Boardwalk Empire' Margate Sands (2012)
Directed by: Timothy Van Patten
Cinematography by: William Coleman
Edited by: Tim Streeto
Visual Effects Producer
'30 Rock' Unwindulax (2012)
Directed by: Jamie Sheridan
Cinematography by: Peter Reniers
Edited by: Ken Eluto
Visual Effects Producer
'30 Rock' There's No I in America (2012)
Directed by: John Riggi
Cinematography by: Peter Reniers
Edited by: Meg Reticker
Visual Effects Producer
The Beaver (2011)
Directed by: Jodie Foster
Cinematography by: Hagen Bogdanski
Edited by: Lynzee Klingman
Visual Effects Executive Producer: Phosphene
Tower Heist (2011)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Visual Effects: Phosphene
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Executive Producer: Phosphene
'Treme' Everything I Do Gonh Be Funky (2011)
Directed by: Tim Robbins
Edited by: Malcolm Jamieson
Visual Effects Producer: Phosphene
Young Adult (2011)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Executive Producer: Phosphene
'Treme' Do Watcha Wanna (2011)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Executive Producer: Phosphene
'Treme' Can I Change My Mind? (2011)
Directed by: Ernest R. Dickerson
Edited by: Alex Hall
Executive Producer: Phosphene
'Treme' What is New Orleans? (2011)
Directed by: Adam Davidson
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Executive Producer: Phosphene
'Treme' Accentuate the Positive (2011)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Executive Producer: Phosphene
'Treme' Slip Away (2011)
Directed by: Rob Bailey
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Executive Producer: Phosphene
'Treme' Feels Like Rain (2011)
Directed by: Roxann Dawson
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Visual Effects Producer
'Treme' Treme: Beyond Bourbon Street (2010)
Visual Effects Producer
'Treme' Meet De Boys on the Battlefront (2010)
Directed by: Jim McKay
Cinematography by: Ivan Strasburg
Edited by: Naomi Geraghty
Visual Effects Producer / Executive Producer: Phosphene - 19 Episodes, 2010-2011
Treme (2010)
Directed by: Anthony Hemingway, Ernest R. Dickerson, Agnieszka Holland, Jim McKay, Brad Anderson, Simon Cellan Jones, Adam Davidson, Roxann Dawson, Tim Robbins, Alex Hall, Daniel Attias, Christine Moore, Rob Bailey, Alex Zakrzewski
Edited by: Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow
Visual Effects Executive Producer - 8 Episodes, 2012
Boardwalk Empire (2010)
Directed by: Timothy Van Patten, Allen Coulter, Jeremy Podeswa, Ed Bianchi, Brad Anderson, Alik Sakharov, Jake Paltrow, Simon Cellan Jones, Brian Kirk, Martin Scorsese, Alan Taylor, David Petrarca, Susanna White, Kari Skogland
Cinematography by: William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier
Visual Effects Producer
You Don't Know Jack (2010)
Directed by: Barry Levinson
Cinematography by: Eigil Bryld
Edited by: Aaron Yanes
Visual Effects Producer: Guerilla FX
Shanghai (2010)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Visual Effects Executive Producer: Phosphene
Vanishing on 7th Street (2010)
Directed by: Brad Anderson
Cinematography by: Uta Briesewitz
Edited by: Jeffrey Wolf
Visual Effects Producer: Phosphene
The Extra Man (2010)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Visual Effects Producer
'Treme' I'll Fly Away (2010)
Directed by: Agnieszka Holland
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Visual Effects Producer
'Treme' Wish Someone Would Care (2010)
Directed by: Daniel Attias
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Visual Effects Producer
'Treme' All on a Mardi Gras Day (2010)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Visual Effects Producer
'Treme' Smoke My Peace Pipe (2010)
Directed by: Simon Cellan Jones
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Visual Effects Producer
'Treme' Shallow Water, Oh Mama (2010)
Directed by: Brad Anderson
Cinematography by: Ivan Strasburg
Edited by: Brian A. Kates
Visual Effects Producer
'Treme' Shame, Shame, Shame (2010)
Directed by: Christine Moore
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Visual Effects Producer
'Treme' At the Foot of Canal Street (2010)
Directed by: Anthony Hemingway
Cinematography by: Ivan Strasburg
Edited by: Malcolm Jamieson
Visual Effects Producer
'Treme' Right Place, Wrong Time (2010)
Directed by: Ernest R. Dickerson
Cinematography by: Ivan Strasburg
Edited by: Alex Hall
Visual Effects Producer: Guerilla FX
The Messenger (2009)
Directed by: Oren Moverman
Cinematography by: Bobby Bukowski
Edited by: Alex Hall
Cameras: ARRICAM Lite (LT) Camera
Visual Effects Producer
The Rebound (2009)
Directed by: Bart Freundlich
Cinematography by: Jonathan Freeman
Edited by: Christopher Tellefsen
Visual Effects Producer: Guerilla Effects
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Producer: Guerilla FX
New York, I Love You (2008)
Directed by: Fatih Akin, Yvan Attal, Randall Balsmeyer, Allen Hughes, Shunji Iwai, Wen Jiang, Shekhar Kapur, Joshua Marston, Mira Nair, Natalie Portman, Brett Ratner
Cinematography by: Jean-Louis Bompoint, Benoît Debie, Pawel Edelman, Ping Bin Lee, Michael McDonough, Andrij Parekh, Declan Quinn, Mauricio Rubinstein
Visual Effects Producer - 5 Episodes, 2012-2013
30 Rock (2006)
Directed by: Don Scardino, Beth McCarthy-Miller, John Riggi, Michael Engler, Gail Mancuso, Adam Bernstein, Ken Whittingham, Jeff Richmond, Stephen Lee Davis, Scott Ellis, Steve Buscemi, Tricia Brock, Todd Holland, Millicent Shelton, Claire Cowperthwaite, Linda Mendoza, Juan José Campanella, Paul Feig, Dennie Gordon, Richard Shepard, Kevin Rodney Sullivan, Constantine Makris, Robert Carlock, Jamie Sheridan, Michael Slovis
Cinematography by: Matthew Clark, Vanja Cernjul, Peter Reniers, Michael Slovis, Tom Houghton, Michael Trim, Calen Lang, Peter Agliata, William Klayer
Associate Producer
A Decade Under the Influence (2003)
Edited by: Meg Reticker
Cameras: Sony HDW-F900 Camera
