Special Effects Technician
Universal Soldier: Day of Reckoning (2012)
Directed by: John Hyams
Cinematography by: Yaron Levy
Special Effects Foreman
Spy Kids 4: All the Time in the World (2011)
Directed by: Robert Rodriguez
Edited by: Dan Zimmerman
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Special Effects
Twixt (2011)
Directed by: Francis Ford Coppola
Cinematography by: Mihai Malaimare Jr.
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Special Effects Foreman
'Hawthorne' No Excuses (2010)
Directed by: Jeff Bleckner
Cinematography by: Frank Byers
Edited by: Elizabeth Kling
Special Effects Supervisor
Predators (2010)
Directed by: Nimród Antal
Cinematography by: Gyula Pados
Edited by: Dan Zimmerman
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Special Effects Foreman - 1 Episode, 2010
Hawthorne (2009)
Directed by: Jeff Bleckner, Ed Bianchi, Mike Robe, Rosemary Rodriguez, Andy Wolk, Tricia Brock, Arvin Brown, Roxann Dawson, Mikael Salomon, Tony Goldwyn, Stephen Gyllenhaal, Adam Kane, Seith Mann, Michael Schultz, Peter Werner
Edited by: Robert Bramwell, Debra Beth Weinfeld, Elizabeth Kling, Kaja Fehr, Monty DeGraff, Alan Baumgarten, Rocky Burnswork
Cameras: ARRIFLEX D-21 Camera, Sony CineAlta F35 Camera
Lenses: ARRI Lenses, Panavision Lenses
Special Effects Coordinator
I Love You, Man (2009)
Directed by: John Hamburg
Cinematography by: Lawrence Sher
Edited by: William Kerr
Special Effects Foreman
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Special Effects Technician
'True Blood' Escape from Dragon House (2008)
Directed by: Michael Lehmann
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Special Effects Technician - 4 Episodes, 2008
True Blood (2008)
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Special Effects Technician
'True Blood' Sparks Fly Out (2008)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Michael Ruscio
Special Effects Technician
'True Blood' Plaisir d'amour (2008)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Edited by: Peter B. Ellis
Special Effects Technician
'True Blood' Cold Ground (2008)
Directed by: Nick Gomez
Cinematography by: Amy Vincent
Edited by: Peter B. Ellis
Special Effects Shop Foreman
Death Proof (2007)
Directed by: Quentin Tarantino
Cinematography by: Quentin Tarantino
Edited by: Sally Menke
Special Effects Shop Foreman
Grindhouse (2007)
Special Effects Shop Foreman
Planet Terror (2007)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Special Effects Technician
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Special Effects Foreman: Los Angeles
Rent (2005)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Richard Pearson
Special Effects Fabrication Coordinator
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Special Effects Supervisor
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Special Effects Foreman
K-PAX (2001)
Directed by: Iain Softley
Cinematography by: John Mathieson
Edited by: Craig McKay
Second Unit Special Effects Supervisor
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Special Effects Foreman
Charlie's Angels (2000)
Directed by: McG
Cinematography by: Russell Carpenter
Special Effects Coordinator
Rules of Engagement (2000)
Directed by: William Friedkin
Edited by: Augie Hess
Special Effects Coordinator
8MM (1999)
Directed by: Joel Schumacher
Cinematography by: Robert Elswit
Edited by: Mark Stevens
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Special Effects Foreman
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Special Effects Key Foreman
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Foreman
Courage Under Fire (1996)
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Special Effects Foreman
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Special Effects: Second Unit
Village of the Damned (1995)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Special Effects Technician
Clear and Present Danger (1994)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Special Effects
Cliffhanger (1993)
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Special Effects Coordinator
Jack the Bear (1993)
Directed by: Marshall Herskovitz
Cinematography by: Fred Murphy
Edited by: Steven Rosenblum
Special Effects Assistant
The Fugitive (1993)
Directed by: Andrew Davis
Cinematography by: Michael Chapman
Special Effects Coordinator
Rapid Fire (1992)
Directed by: Dwight H. Little
Cinematography by: Ric Waite
Edited by: Gib Jaffe
Special Effects
Loose Cannons (1990)
Directed by: Bob Clark
Cinematography by: Reginald H. Morris
Edited by: Stan Cole
Special Effects
The Running Man (1987)
Directed by: Paul Michael Glaser
Cinematography by: Thomas Del Ruth
Special Effects
Lethal Weapon (1987)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Key Optical Effects Crew
SpaceCamp (1986)
Directed by: Harry Winer
Cinematography by: William A. Fraker
Special Effects
Silverado (1985)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Special Effects
Starman (1984)
Directed by: John Carpenter
Cinematography by: Donald M. Morgan
Edited by: Marion Rothman
