Visual Effects Producer
The Unforgivable (2021)
Directed by: Nora Fingscheidt
Cinematography by: Guillermo Navarro
Cameras: Red Helium 8K Camera
Lenses: Angenieux Lenses, ARRI Lenses
Visual Effects Executive: Method Studios
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Visual Effects Executive Producer: Umedia VFX
Skyscraper (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Visual Effects Executive Producer: Double Negative
The Huntsman: Winter's War (2016)
Directed by: Cedric Nicolas-Troyan
Cinematography by: Phedon Papamichael
Edited by: Conrad Buff IV
Visual Effects Executive Producer: Image Engine
Child 44 (2015)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk Anamorphic Lenses
Visual Effects Executive Producer
Bloody Knuckles (2014)
Directed by: Matt O'Mahoney
Cinematography by: Scooter Corkle
Visual Effects Executive Producer: Image Engine
Non-Stop (2014)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Jim May
Visual Effects Executive Producer: Image Engine
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Visual Effects Executive Producer: Image Engine
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Visual Effects Executive Producer: Image Engine
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Executive Producer: Image Engine
Zero Dark Thirty (2012)
Directed by: Kathryn Bigelow
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Editing System: Avid Editing System
Visual Effects Executive Producer: Image Engine
Safe House (2012)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Edited by: Richard Pearson
Visual Effects Executive Producer: Image Engine
The Apparition (2012)
Directed by: Todd Lincoln
Cinematography by: Daniel Pearl
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Producer: Image Engine
Orphan (2009)
Directed by: Jaume Collet-Serra
Cinematography by: Jeff Cutter
Edited by: Timothy Alverson
Visual Effects Associate Producer: Image Engine
Law Abiding Citizen (2009)
Directed by: F. Gary Gray
Cinematography by: Jonathan Sela
Edited by: Tariq Anwar
Lenses: Cooke S4 Lenses
Visual Effects Producer: Double Negative
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Producer: Double Negative
Hot Fuzz (2007)
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
Visual Effects Producer: Double Negative
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Visual Effects Producer: Double Negative
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Visual Effects Producer: Double Negative
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Visual Effects Producer: Clear
Millions (2004)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Digital Effects Producer
28 Days Later... (2002)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Cameras: ARRI Cameras, Canon XL1 Camera
Editing System: Lightworks Editing System
Digital Effects Producer
24 Hour Party People (2002)
Directed by: Michael Winterbottom
Cinematography by: Robby Müller
Cameras: Sony DSR-PD150 Camera
Digital Effects Producer: Cinesite Europe
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Digital Effects Coordinator: Cinesite Europe
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Digital Effects Producer
The Last of the Blonde Bombshells (2000)
Directed by: Gillies MacKinnon
Cinematography by: Richard Greatrex
Edited by: Pia Di Ciaula
Digital Effects Coordinator
Animal Farm (1999)
Directed by: John Stephenson
Cinematography by: Mike Brewster
Edited by: Colin Green
Digital Scanning And Recording: Cinesite
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Scanning And Recording: Cinesite
Event Horizon (1997)
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
