Samson Haveland

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"Unsolved Mysteries" Death in a Vegas Motel | ShotOnWhat?

Associate Director

'Unsolved Mysteries' Death in a Vegas Motel (2022)

Television Episode

Directed by: Skye Borgman

Cinematography by: Wes Dorman

Edited by: Scott Reynolds

Jason Bourne | ShotOnWhat?

Set Production Assistant: Las Vegas Unit

Jason Bourne (2016)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Maleficent | ShotOnWhat?

Assistant Unit Manager

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Snow White and the Huntsman | ShotOnWhat?

Assistant Unit Manager

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Late Bloomers | ShotOnWhat?

Third Assistant Director

Late Bloomers (2011)

Directed by: Julie Gavras

Cinematography by: Nathalie Durand

Edited by: Pierre Haberer

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Key Production Assistant

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Tamara Drewe | ShotOnWhat?

Third Assistant Director: Additional Photography

Tamara Drewe (2010)

Directed by: Stephen Frears

Cinematography by: Ben Davis

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Cemetery Junction | ShotOnWhat?

Third Assistant Director

Cemetery Junction (2010)

Directed by: Ricky Gervais, Stephen Merchant

Cinematography by: Remi Adefarasin

Edited by: Valerio Bonelli

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Brighton Rock | ShotOnWhat?

Third Assistant Director: Second Unit

Brighton Rock (2010)

Directed by: Rowan Joffe

Cinematography by: John Mathieson

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Optica Elite 35 Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision Lenses

Pirate Radio | ShotOnWhat?

Third Assistant Director: Second Unit

Pirate Radio (2009)

Directed by: Richard Curtis

Cinematography by: Danny Cohen

Edited by: Emma E. Hickox

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

In Bruges | ShotOnWhat?

Floor Runner

In Bruges (2008)

Directed by: Martin McDonagh

Cinematography by: Eigil Bryld

Edited by: Jon Gregory

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Last Chance Harvey | ShotOnWhat?

Third Assistant Director

Last Chance Harvey (2008)

Directed by: Joel Hopkins

Cinematography by: John de Borman

Edited by: Robin Sales

Miss Pettigrew Lives for a Day | ShotOnWhat?

Floor Runner

Miss Pettigrew Lives for a Day (2008)

Directed by: Bharat Nalluri

Cinematography by: John de Borman

Edited by: Barney Pilling

Cameras: Panavision Cameras

Mr. Bean's Holiday | ShotOnWhat?

Set Runner: UK

Mr. Bean's Holiday (2007)

Directed by: Steve Bendelack

Cinematography by: Baz Irvine

Edited by: Tony Cranstoun

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Death Defying Acts | ShotOnWhat?

Stand-in: Mr. Pearce

Death Defying Acts (2007)

Directed by: Gillian Armstrong

Cinematography by: Haris Zambarloukos

Edited by: Nicholas Beauman

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Hylén System Lens

Harry Potter and the Order of the Phoenix | ShotOnWhat?

Key Set Production Assistant: Second Unit

Harry Potter and the Order of the Phoenix (2007)

Directed by: David Yates

Cinematography by: Slawomir Idziak

Edited by: Mark Day

Cameras: ARRI Cameras

United 93 | ShotOnWhat?

Additional Floor Runner

United 93 (2006)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Clare Douglas, Richard Pearson, Christopher Rouse

Cameras: Aaton A-Minima Camera, ARRICAM Lite (LT) Camera

Lenses: Cooke S4 Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

Alex Rider: Operation Stormbreaker | ShotOnWhat?

Office Runner

Alex Rider: Operation Stormbreaker (2006)

Directed by: Geoffrey Sax

Cinematography by: Chris Seager

Edited by: Andrew MacRitchie

Cameras: ARRIFLEX 435 Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses

Nanny McPhee | ShotOnWhat?

Production Runner

Nanny McPhee (2005)

Directed by: Kirk Jones

Cinematography by: Henry Braham

Edited by: Justin Krish, Nick Moore

Alexander | ShotOnWhat?

Set Runner: Second Unit

Alexander (2004)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: Yann Hervé, Gladys Joujou, Alex Marquez, Thomas J. Nordberg

The Krays | ShotOnWhat?

Reg Aged 8

The Krays (1990)

Directed by: Peter Medak

Cinematography by: Alex Thomson

Edited by: Martin Walsh

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