Negative Cutter
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Negative Cutter
Dangerous Minds (1995)
Directed by: John N. Smith
Cinematography by: Pierre Letarte
Edited by: Tom Rolf
Negative Cutter
To Die For (1995)
Directed by: Gus Van Sant
Cinematography by: Eric Alan Edwards
Edited by: Curtiss Clayton
Negative Cutter
Legends of the Fall (1994)
Directed by: Edward Zwick
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Lenses: Canon Lenses, Panavision Lenses
Negative Cutter
The Air Up There (1994)
Directed by: Paul Michael Glaser
Cinematography by: Dick Pope
Cameras: Panavision Cameras
Negative Cutter
Made in America (1993)
Directed by: Richard Benjamin
Cinematography by: Ralf D. Bode
Edited by: Jacqueline Cambas
Negative Cutter
My Life (1993)
Directed by: Bruce Joel Rubin
Cinematography by: Peter James
Edited by: Richard Chew
Negative Cutter
Falling Down (1993)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Platinum Camera
Negative Cutter
Point of No Return (1993)
Directed by: John Badham
Cinematography by: Michael W. Watkins
Edited by: Frank Morriss
Negative Cutter
Another Stakeout (1993)
Directed by: John Badham
Cinematography by: Roy H. Wagner
Edited by: Frank Morriss
Negative Cutter
This Boy's Life (1993)
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Negative Cutter
Look Who's Talking Now (1993)
Directed by: Tom Ropelewski
Cinematography by: Oliver Stapleton
Negative Cutter
Wrestling Ernest Hemingway (1993)
Directed by: Randa Haines
Cinematography by: Lajos Koltai
Edited by: Paul Hirsch
Negative Cutter
Body Snatchers (1993)
Directed by: Abel Ferrara
Cinematography by: Bojan Bazelli
Edited by: Anthony Redman
Negative Cutter
The Secret Garden (1993)
Directed by: Agnieszka Holland
Cinematography by: Roger Deakins
Edited by: Isabelle Lorente
Cameras: Panavision Cameras
Negative Cutter
Sommersby (1993)
Directed by: Jon Amiel
Cinematography by: Philippe Rousselot
Edited by: Peter Boyle
Negative Cutter
Batman Returns (1992)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Gold II Camera
Negative Cutter
Kuffs (1992)
Directed by: Bruce A. Evans
Cinematography by: Thomas Del Ruth
Edited by: Stephen Semel
Negative Cutter
A Few Good Men (1992)
Directed by: Rob Reiner
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Negative Cutter
Unforgiven (1992)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Negative Cutter
A River Runs Through It (1992)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Negative Cutter
A League of Their Own (1992)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Negative Cutter
Pure Country (1992)
Directed by: Christopher Cain
Cinematography by: Richard Bowen
Edited by: Jack Hofstra
Negative Cutter: D. Bassett And Associates
Dracula (1992)
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Negative Cutter
Return to the Blue Lagoon (1991)
Directed by: William A. Graham
Cinematography by: Robert Steadman
Edited by: Ronald J. Fagan
Negative Cutter
The Addams Family (1991)
Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Negative Cutter
Oscar (1991)
Directed by: John Landis
Cinematography by: Mac Ahlberg
Edited by: Dale Beldin
Negative Cutter
Run (1991)
Directed by: Geoff Burrowes
Cinematography by: Bruce Surtees
Edited by: Jack Hofstra
Negative Cutter
Another You (1991)
Directed by: Maurice Phillips
Cinematography by: Victor J. Kemper
Edited by: Dennis M. Hill
Negative Cutter
If Looks Could Kill (1991)
Directed by: William Dear
Cinematography by: Douglas Milsome
Edited by: John F. Link
Cameras: Panavision Cameras
Negative Cutter
Curly Sue (1991)
Directed by: John Hughes
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Negative Cutter
Regarding Henry (1991)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Cameras: Panavision Cameras
Negative Cutter
JFK (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Lenses: Panavision E35 35 mm T2.0 Lens
Editing System: K.E.M. Editing System
Negative Cutter
The Bonfire of the Vanities (1990)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Negative Cutter
Narrow Margin (1990)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Negative Cutter
Welcome Home, Roxy Carmichael (1990)
Directed by: Jim Abrahams
Cinematography by: Paul Elliott
Edited by: Bruce Green
Negative Cutter
The Rookie (1990)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
Lenses: Panavision Super Speed Lenses
Negative Cutter
Men at Work (1990)
Directed by: Emilio Estevez
Cinematography by: Tim Suhrstedt
Edited by: Craig Bassett
Negative Cutter
White Hunter Black Heart (1990)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Negative Cutter
Presumed Innocent (1990)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: Evan A. Lottman
Negative Cutter
Miami Blues (1990)
Directed by: George Armitage
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: ARRI Cameras
Negative Cutter
Always (1989)
Directed by: Steven Spielberg
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Negative Cutter
Police Academy 6: City Under Siege (1989)
Directed by: Peter Bonerz
Cinematography by: Charles Rosher Jr.
Edited by: Hubert de La Bouillerie
Negative Cutter
Say Anything... (1989)
Directed by: Cameron Crowe
Cinematography by: László Kovács
Edited by: Richard Marks
Cameras: Panavision Cameras
Negative Cutter
Born on the Fourth of July (1989)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras, Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Moviola Editing System
Negative Cutter
Collision Course (1989)
Directed by: Lewis Teague
Cinematography by: Donald E. Thorin
Cameras: Panavision Cameras
Negative Cutter
Major League (1989)
Directed by: David S. Ward
Cinematography by: Reynaldo Villalobos
Edited by: Dennis M. Hill
Cameras: Panavision Cameras
Negative Cutter
Kansas (1988)
Directed by: David Stevens
Cinematography by: David Eggby
Edited by: Robert Barrere
Negative Cutter
Bright Lights, Big City (1988)
Directed by: James Bridges
Cinematography by: Gordon Willis
Negative Cutter
The Unbearable Lightness of Being (1988)
Directed by: Philip Kaufman
Cinematography by: Sven Nykvist
Negative Cutter
Beetlejuice (1988)
Directed by: Tim Burton
Cinematography by: Thomas E. Ackerman
Edited by: Jane Kurson
Negative Cutter
The Milagro Beanfield War (1988)
Directed by: Robert Redford
Cinematography by: Robbie Greenberg
Negative Cutter
Vibes (1988)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Carol Littleton
Negative Cutter
Police Academy 5: Assignment: Miami Beach (1988)
Directed by: Alan Myerson
Cinematography by: James Pergola
Edited by: Hubert de La Bouillerie
Negative Cutter
The Dead Pool (1988)
Directed by: Buddy Van Horn
Cinematography by: Jack N. Green
Edited by: Ron Spang
Negative Cutter
Dominick and Eugene (1988)
Directed by: Robert M. Young
Cinematography by: Curtis Clark
Edited by: Arthur Coburn
Negative Cutter
Johnny Be Good (1988)
Directed by: Bud S. Smith
Cinematography by: Robert D. Yeoman
Edited by: M. Scott Smith
Negative Cutter
Dracula's Widow (1988)
Directed by: Christopher Coppola
Cinematography by: Giuseppe Maccari
Cameras: ARRI Cameras
Negative Cutter: Sunrise Films
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Negative Cutter
Sister, Sister (1987)
Directed by: Bill Condon
Cinematography by: Stephen M. Katz
Edited by: Virginia Katz
Negative Cutter
Extreme Prejudice (1987)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Negative Cutter
Throw Momma from the Train (1987)
Directed by: Danny DeVito
Cinematography by: Barry Sonnenfeld
Edited by: Michael Jablow
Negative Cutter
Nuts (1987)
Directed by: Martin Ritt
Cinematography by: Andrzej Bartkowiak
Edited by: Sidney Levin
Negative Cutter
Empire of the Sun (1987)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
Negative Cutter
The Running Man (1987)
Directed by: Paul Michael Glaser
Cinematography by: Thomas Del Ruth
Negative Cutter
White Water Summer (1987)
Directed by: Jeff Bleckner
Cinematography by: John Alcott
Edited by: David Ray
Negative Cutter
Rampage (1987)
Directed by: William Friedkin
Cinematography by: Robert D. Yeoman
Edited by: Jere Huggins
Cameras: Panavision Cameras
Negative Cutter
Police Academy 3: Back in Training (1986)
Directed by: Jerry Paris
Cinematography by: Robert Saad
Edited by: Bud Molin
Negative Cutter
Little Shop of Horrors (1986)
Directed by: Frank Oz
Cinematography by: Robert Paynter
Negative Cutter
Crimes of the Heart (1986)
Directed by: Bruce Beresford
Cinematography by: Dante Spinotti
Edited by: Anne Goursaud
Negative Cutter
Blue Velvet (1986)
Directed by: David Lynch
Cinematography by: Frederick Elmes
Edited by: Duwayne Dunham
Negative Cutter
Club Paradise (1986)
Directed by: Harold Ramis
Cinematography by: Peter Hannan
Edited by: Marion Rothman
Negative Cutter
Sweet Liberty (1986)
Directed by: Alan Alda
Cinematography by: Frank Tidy
Edited by: Michael Economou
Negative Cutter
Heartbreak Ridge (1986)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Negative Cutter
The Money Pit (1986)
Directed by: Richard Benjamin
Cinematography by: Gordon Willis
Edited by: Jacqueline Cambas
Cameras: Panavision Cameras
Negative Cutter
8 Million Ways to Die (1986)
Directed by: Hal Ashby
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Negative Cutter
Cobra (1986)
Directed by: George P. Cosmatos
Cinematography by: Ric Waite
Cameras: Panavision Cameras
Negative Cutter
Crossroads (1986)
Directed by: Walter Hill
Cinematography by: John Bailey
Edited by: Freeman A. Davies
Cameras: Panavision Cameras
Negative Cutter
Creator (1985)
Directed by: Ivan Passer
Cinematography by: Robbie Greenberg
Edited by: Richard Chew
Negative Cutter
Silverado (1985)
Directed by: Lawrence Kasdan
Cinematography by: John Bailey
Edited by: Carol Littleton
Negative Cutter
Back to the Future (1985)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Negative Cutter
Vision Quest (1985)
Directed by: Harold Becker
Cinematography by: Owen Roizman
Edited by: Maury Winetrobe
Negative Cutter
Secret Admirer (1985)
Directed by: David Greenwalt
Cinematography by: Victor J. Kemper
Edited by: Dennis Virkler
Negative Cutter
Pee-wee's Big Adventure (1985)
Directed by: Tim Burton
Cinematography by: Victor J. Kemper
Edited by: Billy Weber
Negative Cutter
Perfect (1985)
Directed by: James Bridges
Cinematography by: Gordon Willis
Edited by: Jeff Gourson
Negative Cutter
The Breakfast Club (1985)
Directed by: John Hughes
Cinematography by: Thomas Del Ruth
Edited by: Dede Allen
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Negative Cutter
Rambo: First Blood Part II (1985)
Directed by: George P. Cosmatos
Cinematography by: Jack Cardiff
Negative Cutter
Mask (1985)
Directed by: Peter Bogdanovich
Cinematography by: László Kovács
Edited by: Barbara Ford
Negative Cutter
Out of Africa (1985)
Directed by: Sydney Pollack
Cinematography by: David Watkin
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Negative Cutting
Police Academy 2: Their First Assignment (1985)
Cinematography by: James Crabe
Edited by: Bob Wyman
Cameras: Panavision Cameras
Negative Cutter
The Goonies (1985)
Directed by: Richard Donner
Cinematography by: Nick McLean
Cameras: ARRIFLEX 35 III Camera
Editing System: Steenbeck Editing System
Negative Cutter
The River (1984)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Negative Cutter
Mike's Murder (1984)
Directed by: James Bridges
Cinematography by: Reynaldo Villalobos
Negative Cutter
Gremlins (1984)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Tina Hirsch
Negative Cutter
Tightrope (1984)
Directed by: Richard Tuggle
Cinematography by: Bruce Surtees
Edited by: Joel Cox
Negative Cutter
Police Academy (1984)
Directed by: Hugh Wilson
Cinematography by: Michael D. Margulies
Negative Cutter
Amadeus (1984)
Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Negative Cutter
The Wild Life (1984)
Directed by: Art Linson
Cinematography by: James Glennon
Edited by: Michael Jablow
Negative Cutter
The River Rat (1984)
Directed by: Thomas Rickman
Cinematography by: Jan Kiesser
Edited by: Steve Mirkovich
Negative Cutter
All of Me (1984)
Directed by: Carl Reiner
Cinematography by: Richard H. Kline
Edited by: Bud Molin
Negative Cutter
The Natural (1984)
Directed by: Barry Levinson
Cinematography by: Caleb Deschanel
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Negative Cutter
Dune (1984)
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Antony Gibbs
Negative Cutter
Twilight Zone: The Movie (1983)
Negative Cutter
Scarface (1983)
Directed by: Brian De Palma
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Negative Cutter
National Lampoon's Vacation (1983)
Directed by: Harold Ramis
Cinematography by: Victor J. Kemper
Edited by: Pembroke J. Herring
Negative Cutter
The Man with Two Brains (1983)
Directed by: Carl Reiner
Cinematography by: Michael Chapman
Edited by: Bud Molin
Negative Cutter
The Right Stuff (1983)
Directed by: Philip Kaufman
Cinematography by: Caleb Deschanel
Negative Cutter
Frances (1982)
Directed by: Graeme Clifford
Cinematography by: László Kovács
Edited by: John Wright
Negative Cutter
Sophie's Choice (1982)
Directed by: Alan J. Pakula
Cinematography by: Néstor Almendros
Edited by: Evan A. Lottman
Negative Cutter
Fast Times at Ridgemont High (1982)
Directed by: Amy Heckerling
Cinematography by: Matthew F. Leonetti
Edited by: Eric Jenkins
Cameras: Ultracam 35 Camera
Negative Cutter
Conan the Barbarian (1982)
Directed by: John Milius
Cinematography by: Duke Callaghan
Edited by: Carroll Timothy O'Meara
Cameras: ARRIFLEX 35 BL Camera
Lenses: Todd-AO Lenses
Negative Cutter
E.T. the Extra-Terrestrial (1982)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Negative Cutter
The Border (1982)
Directed by: Tony Richardson
Cinematography by: Ric Waite
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Negative Cutter
Dead Men Don't Wear Plaid (1982)
Directed by: Carl Reiner
Cinematography by: Michael Chapman
Edited by: Bud Molin
Cameras: Panavision Cameras
Negative Cutter
The King of Comedy (1982)
Directed by: Martin Scorsese
Cinematography by: Fred Schuler
Edited by: Thelma Schoonmaker
Cameras: ARRI ARRIFLEX Series Cameras
Negative Cutter
Blow Out (1981)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Paul Hirsch
Negative Cutter
Reds (1981)
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Cameras: Technovision Cameras
Lenses: Technovision Lenses
Negative Editor
Wolfen (1981)
Directed by: Michael Wadleigh
Cinematography by: Gerry Fisher
Cameras: Panavision Cameras
Negative Cutter
Thief (1981)
Directed by: Michael Mann
Cinematography by: Donald E. Thorin
Edited by: Dov Hoenig
Cameras: Panavision Cameras
Negative Cutting
When Time Ran Out... (1980)
Directed by: James Goldstone
Cinematography by: Fred J. Koenekamp
Negative Cutter
The Final Countdown (1980)
Directed by: Don Taylor
Cinematography by: Victor J. Kemper
Edited by: Robert K. Lambert
Negative Cutter
The Blues Brothers (1980)
Directed by: John Landis
Cinematography by: Stephen M. Katz
Edited by: George Folsey Jr.
Negative Cutter
Inside Moves (1980)
Directed by: Richard Donner
Cinematography by: László Kovács
Edited by: Frank Morriss
Cameras: Panavision Cameras
Negative Cutter
The Long Riders (1980)
Directed by: Walter Hill
Cinematography by: Ric Waite
Cameras: Panavision Cameras
Negative Cutter
Cruising (1980)
Directed by: William Friedkin
Cinematography by: James A. Contner
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Negative Cutter
Raging Bull (1980)
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 35 BL Camera
Negative Cutter
Rocky II (1979)
Directed by: Sylvester Stallone
Cinematography by: Bill Butler
Edited by: Stanford C. Allen
Negative Cutting
The Brink's Job (1978)
Directed by: William Friedkin
Cinematography by: Norman Leigh
Negative Cutting
The Swarm (1978)
Directed by: Irwin Allen
Cinematography by: Fred J. Koenekamp
Edited by: Harold F. Kress
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Negative Cutter
Close Encounters of the Third Kind (1977)
Directed by: Steven Spielberg
Cinematography by: Vilmos Zsigmond
Edited by: Michael Kahn
