First Assistant Editor
Tracers (2015)
Directed by: Daniel Benmayor
Cinematography by: Nelson Cragg
Edited by: Peter Amundson
Cameras: Red Epic Camera
Assistant Editor
Oldboy (2013)
Directed by: Spike Lee
Cinematography by: Sean Bobbitt
Edited by: Barry Alexander Brown
Lenses: ARRI / Fujinon Lenses, Cooke 5/i Lenses
Editing System: Avid Editing System
Additional Editor
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Additional Editor
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
First Assistant Editor
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
First Assistant Editor
American Dreamz (2006)
Directed by: Paul Weitz
Cinematography by: Robert Elswit
Edited by: Myron Kerstein
Assistant Editor
The Legend of Zorro (2005)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
First Assistant Editor
In Good Company (2004)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Edited by: Myron Kerstein
Assistant Editor
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
First Assistant Editor
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Assistant Editor
Riding in Cars with Boys (2001)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
First Assistant Editor
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Additional Assistant Editor
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Assistant Editor
U.S. Marshals (1998)
Directed by: Stuart Baird
Cinematography by: Andrzej Bartkowiak
Edited by: Terry Rawlings
Assistant Editor
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Assistant Editor
Senseless (1998)
Directed by: Penelope Spheeris
Cinematography by: Daryn Okada
Edited by: Ross Albert
Assistant Sound Editor
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Apprentice Editor: Los Angeles
Bed of Roses (1996)
Directed by: Michael Goldenberg
Cinematography by: Adam Kimmel
Edited by: Jane Kurson
Cameras: Panavision Cameras
Assistant Sound Editor
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Assistant Sound Editor
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Assistant Sound Editor
Crimson Tide (1995)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Assistant Sound Editor
The Bridges of Madison County (1995)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Second Assistant Editor
Bad Girls (1994)
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Assistant Sound Editor
Star Trek VI: The Undiscovered Country (1991)
Directed by: Nicholas Meyer
Cinematography by: Hiro Narita
Assistant Sound Editor
The Naked Gun 2½: The Smell of Fear (1991)
Directed by: David Zucker
Cinematography by: Robert M. Stevens
