Siddharthan Raman

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Avengers: Infinity War | ShotOnWhat?

Lead Compositor

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Star Trek Beyond | ShotOnWhat?

Digital Compositor

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Star Wars: The Force Awakens | ShotOnWhat?

Digital Compositor

Star Wars: Episode VII - The Force Awakens (2015)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

Tammy | ShotOnWhat?

Digital Compositor

Tammy (2014)

Directed by: Ben Falcone

Cinematography by: Russ T. Alsobrook

Edited by: Michael L. Sale

Cameras: Panavision Panaflex Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Guardians of the Galaxy | ShotOnWhat?

Visual Effects Artist

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Life of Pi | ShotOnWhat?

Stereo QC Technical Director: Rhythm & Hues Studios

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Hop | ShotOnWhat?

Digital Compositor

Hop (2011)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Alvin and the Chipmunks: Chipwrecked | ShotOnWhat?

Roto/prep Artist

Alvin and the Chipmunks: Chipwrecked (2011)

Directed by: Mike Mitchell

Cinematography by: Thomas E. Ackerman

Edited by: Peter Amundson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Moneyball | ShotOnWhat?

Roto/prep Artist

Moneyball (2011)

Directed by: Bennett Miller

Cinematography by: Wally Pfister

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mr. Popper's Penguins | ShotOnWhat?

Digital Compositor

Mr. Popper's Penguins (2011)

Directed by: Mark Waters

Cinematography by: Florian Ballhaus

Edited by: Bruce Green

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Little Fockers | ShotOnWhat?

Roto/prep Artist

Little Fockers (2010)

Directed by: Paul Weitz

Cinematography by: Remi Adefarasin

Edited by: Greg Hayden, Leslie Jones, Myron Kerstein

Cameras: ARRI Cameras

The Wolfman | ShotOnWhat?

Rotoscope/background Prep Artist: Rhythm & Hues

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Marmaduke | ShotOnWhat?

Background Prep Artist

Marmaduke (2010)

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

Yogi Bear | ShotOnWhat?

Prep Artist

Yogi Bear (2010)

Directed by: Eric Brevig

Cinematography by: Peter James

Edited by: Kent Beyda

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

Roto/prep Technical Director

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

Underworld: Rise of the Lycans | ShotOnWhat?

Roto/prep Artist

Underworld: Rise of the Lycans (2009)

Directed by: Patrick Tatopoulos

Cinematography by: Ross Emery

Edited by: Peter Amundson, Eric Potter

Cameras: Panavision Genesis Camera, Red One Camera

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Roto/prep Artist

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Alvin and the Chipmunks: The Squeakquel | ShotOnWhat?

Roto/prep Artist

Alvin and the Chipmunks: The Squeakquel (2009)

Directed by: Betty Thomas

Cinematography by: Anthony B. Richmond

Edited by: Matt Friedman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4 Lenses

Land of the Lost | ShotOnWhat?

Roto/prep Artist

Land of the Lost (2009)

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

12 Rounds | ShotOnWhat?

Roto/prep Artist

12 Rounds (2009)

Directed by: Renny Harlin

Cinematography by: David Boyd

Edited by: Brian Berdan

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mesrine Part 1: Killer Instinct | ShotOnWhat?

Roto/prep Artist

Mesrine Part 1: Killer Instinct (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Hervé Schneid

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Anamorphic Lenses

Astérix aux jeux olympiques | ShotOnWhat?

Roto/compositor

Astérix aux jeux olympiques (2008)

Directed by: Frédéric Forestier, Thomas Langmann

Cinematography by: Thierry Arbogast

Edited by: Yannick Kergoat, Julien Rey, Vincent Tabaillon

Mesrine Part 2: Public Enemy #1 | ShotOnWhat?

Roto/prep Artist

Mesrine Part 2: Public Enemy #1 (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Bill Pankow, Hervé Schneid

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Seuls Two | ShotOnWhat?

Digital Compositor

Seuls Two (2008)

Directed by: Ramzy Bedia, Eric Judor

Cinematography by: Philippe Piffeteau

Edited by: Sébastien de Sainte Croix, Jean-Christophe Hym

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

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