Gavin J. Behrman

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Blade Runner 2049 | ShotOnWhat?

Production Supervisor

Blade Runner 2049 (2017)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joe Walker

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera

Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Terminator Genisys | ShotOnWhat?

Production Supervisor

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Rosewater | ShotOnWhat?

Production Supervisor

Rosewater (2014)

Directed by: Jon Stewart

Cinematography by: Bobby Bukowski

Edited by: Jay Rabinowitz

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

RoboCop | ShotOnWhat?

Production Supervisor

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Tower Heist | ShotOnWhat?

Production Accountant

Tower Heist (2011)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

Something Borrowed | ShotOnWhat?

Production Accountant

Something Borrowed (2011)

Directed by: Luke Greenfield

Cinematography by: Charles Minsky

Edited by: John Axelrad

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Adjustment Bureau | ShotOnWhat?

Production Controller

The Adjustment Bureau (2011)

Directed by: George Nolfi

Cinematography by: John Toll

Edited by: Jay Rabinowitz

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

The Book of Eli | ShotOnWhat?

Production Accountant

The Book of Eli (2010)

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Don Burgess

Edited by: Cindy Mollo

Cameras: Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Valkyrie | ShotOnWhat?

Production Controller

Valkyrie (2008)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Lions for Lambs | ShotOnWhat?

Production Auditor

Lions for Lambs (2007)

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Unaccompanied Minors | ShotOnWhat?

Production Accountant

Unaccompanied Minors (2006)

Directed by: Paul Feig

Cinematography by: Christopher Baffa

Edited by: George Folsey Jr., Brad Wilhite

Crossover | ShotOnWhat?

Director, Production Auditor

Crossover (2006)

Directed by: Preston A. Whitmore II

Cinematography by: Christian Sebaldt

Edited by: Stuart Acher, Anthony Adler

Thank You for Smoking | ShotOnWhat?

Production Accountant

Thank You for Smoking (2005)

Directed by: Jason Reitman

Cinematography by: Jim Whitaker

Edited by: Dana E. Glauberman

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony Betacam (Unknown) Camera, Sony DSC-T1 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E40 40 mm T2.0 Lens, Panavision Primo Anamorphic Lenses

Band Camp | ShotOnWhat?

Production Accountant

American Pie Presents: Band Camp (2005)

Direct to Video

Directed by: Steve Rash

Cinematography by: Victor J. Kemper

Edited by: Danny Saphire

The Big Bounce | ShotOnWhat?

Assistant Production Accountant

The Big Bounce (2004)

Directed by: George Armitage

Cinematography by: Jeffrey L. Kimball

Edited by: Brian Berdan, Barry Malkin

Shade | ShotOnWhat?

First Assistant Accountant

Shade (2003)

Directed by: Damian Nieman

Cinematography by: Anthony B. Richmond

Edited by: Scott Conrad, Glenn Garland

Spider-Man | ShotOnWhat?

First Assistant Accountant

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Windtalkers | ShotOnWhat?

First Assistant Accountant

Windtalkers (2002)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Jeff Gullo, Steven Kemper, Tom Rolf

Erin Brockovich | ShotOnWhat?

Assistant Accountant

Erin Brockovich (2000)

Directed by: Steven Soderbergh

Cinematography by: Edward Lachman

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Deep Blue Sea | ShotOnWhat?

Assistant Accountant

Deep Blue Sea (1999)

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

The Horse Whisperer | ShotOnWhat?

Assistant Accountant

The Horse Whisperer (1998)

Directed by: Robert Redford

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Freeman A. Davies, Tom Rolf

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Conspiracy Theory | ShotOnWhat?

Assistant Accountant: New York

Conspiracy Theory (1997)

Directed by: Richard Donner

Cinematography by: John Schwartzman

Edited by: Kevin Stitt, Frank J. Urioste

The Associate | ShotOnWhat?

Second Assistant Accountant

The Associate (1996)

Directed by: Donald Petrie

Cinematography by: Alex Nepomniaschy

Edited by: Bonnie Koehler

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