Oliver Hohn

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"Westworld" Passed Pawn | ShotOnWhat?

Digital Compositor: RISE Visual Effects Studios

'Westworld' Passed Pawn (2020)

Television Episode

Directed by: Helen Shaver

Cinematography by: Matt Flannery

Edited by: Anna Hauger

"Westworld" Decoherence | ShotOnWhat?

Digital Compositor: RISE Visual Effects Studios

'Westworld' Decoherence (2020)

Television Episode

Directed by: Jennifer Getzinger

Cinematography by: John Grillo

Edited by: Ali Comperchio

Doctor Sleep | ShotOnWhat?

Compositing Supervisor: RISE Visual Effects Studios

Doctor Sleep (2019)

Directed by: Mike Flanagan

Cinematography by: Michael Fimognari

Edited by: Mike Flanagan

Cameras: ARRI ALEXA 65 Camera

Lenses: Hasselblad Lenses

Shazam! | ShotOnWhat?

Digital Compositor: RISE Visual Effects Studios

Shazam! (2019)

Directed by: David F. Sandberg

Cinematography by: Maxime Alexandre

Edited by: Michel Aller

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Zeiss Master Prime Lenses

"Stranger Things" Chapter Eight: The Battle of Starcourt | ShotOnWhat?

Visual Effects Supervisor: RISE Visual Effects Studios

'Stranger Things' Chapter Eight: The Battle of Starcourt (2019)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Lachlan Milne

"Stranger Things" Chapter Seven: The Bite | ShotOnWhat?

Visual Effects Supervisor: RISE Visual Effects Studios

'Stranger Things' Chapter Seven: The Bite (2019)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Lachlan Milne

"Stranger Things" Chapter Six: The Birthday | ShotOnWhat?

Visual Effects Supervisor: RISE Visual Effects Studios

'Stranger Things' Chapter Six: The Birthday (2019)

Television Episode

Directed by: Uta Briesewitz

"Stranger Things" Chapter Five: The Source | ShotOnWhat?

Visual Effects Supervisor: RISE Visual Effects Studios

'Stranger Things' Chapter Five: The Source (2019)

Television Episode

Directed by: Uta Briesewitz

Black Panther | ShotOnWhat?

Lead Compositor: RISE Visual Effects Studios

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Avengers: Infinity War | ShotOnWhat?

Compositing Supervisor: RISE Visual Effects Studios

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Doctor Strange | ShotOnWhat?

Compositing Supervisor: RISE Visual Effects Studios

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Westworld | ShotOnWhat?

Digital Compositor: RISE Visual Effects Studios - 2 Episodes, 2020

Westworld (2016)

Television Series

Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery

Edited by: Andrew Seklir, Anna Hauger, Ali Comperchio, Tanya M. Swerling, Mark Yoshikawa, David Eisenberg, Stephen Semel, Ron Rosen, Amelia Allwarden, Sarah C. Reeves, Marc Jozefowicz, Mako Kamitsuna, Yoni Reiss

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Sony CineAlta VENICE Camera

Stranger Things | ShotOnWhat?

Visual Effects Supervisor - 4 Episodes, 2019, Visual Effects Supervisor: RISE Visual Effects Studios - 1 Episode, 2019, Visual Effects Supervisor: RISE Visual Effects Studios - 4 Episodes, 2019

Stranger Things (2016)

Television Series

Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg

Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco

Edited by: Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Captain America: Civil War | ShotOnWhat?

Digital Compositor: RISE Visual Effects Studios

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

The Man from U.N.C.L.E. | ShotOnWhat?

Digital Compositor: RISE Visual Effects Studios

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Compositing Supervisor: RISE Visual Effects Studios

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

The Book Thief | ShotOnWhat?

Lead Compositing Artist: RISE Visual Effects Studios

The Book Thief (2013)

Directed by: Brian Percival

Cinematography by: Florian Ballhaus

Edited by: John Wilson

Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Iron Man Three | ShotOnWhat?

Cloud Atlas | ShotOnWhat?

Digital Compositor: RISE Visual Effects Studios

Cloud Atlas (2012)

Directed by: Tom Tykwer, Lana Wachowski, Lilly Wachowski

Cinematography by: Frank Griebe, John Toll

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Captain America: The First Avenger | ShotOnWhat?

Digital Compositor: RISE Visual Effects Studios

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Nova Zembla | ShotOnWhat?

Digital Compositors: RISE Visual Effects Studios

Nova Zembla (2011)

Directed by: Reinout Oerlemans

Cinematography by: Lennert Hillege

Edited by: Michiel Reichwein

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Ultra Prime Lenses

X: First Class | ShotOnWhat?

Compositor: RISE Visual Effects Studios

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

Digital Compositor: RISE Visual Effects Berlin

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

Chaque jour est une fête | ShotOnWhat?

Digital Compositor: RISE Visual Effects Berlin

Chaque jour est une fête (2009)

Directed by: Dima El-Horr

Cinematography by: Dominique Gentil

Edited by: Jacques Comets

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens

Ninja Assassin | ShotOnWhat?

Digital Compositor: RISE Visual Effects Berlin

Ninja Assassin (2009)

Directed by: James McTeigue

Cinematography by: Karl Walter Lindenlaub

Edited by: Giancarlo Ganziano, Joseph Jett Sally

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Zeiss Master Prime Lenses

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