Keith McNamara

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First Assistant Camera

'Sherlock' The Final Problem  (2017)

Directed by: Benjamin Caron
Cinematography by: David Luther
Edited by: Yan Miles

First Assistant Camera

'Sherlock' The Lying Detective  (2017)

Directed by: Nick Hurran
Cinematography by: Neville Kidd
Edited by: Yan Miles

First Assistant Camera

'Sherlock' The Six Thatchers  (2017)

Directed by: Rachel Talalay
Cinematography by: Stuart Biddlecombe
Edited by: William Oswald

First Assistant Camera

King Arthur: Legend of the Sword  (2017)

Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert

First Assistant Camera

47 Ronin  (2013)

Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Editing System:

Focus Puller: "a" Camera

Boogie Woogie  (2009)

Directed by: Duncan Ward
Cinematography by: John Mathieson
Edited by: Kant Pan

Additional Focus Puller

Son of Rambow  (2007)

Directed by: Garth Jennings
Cinematography by: Jess Hall
Edited by: Dominic Leung

Camera Operator: "b" Camera / Focus Puller

Sixty Six  (2006)

Directed by: Paul Weiland
Cinematography by: Daniel Landin
Edited by: Paul Tothill

Focus Puller: Second Unit

Kingdom of Heaven  (2005)

Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn

Additional Crew

Beautiful Creatures  (2000)

Directed by: Bill Eagles
Cinematography by: James Welland

Focus Puller: "a" Camera

Lost in Space  (1998)

Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy

Focus Puller: Second Unit

The Portrait of a Lady  (1996)

Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet

Steadicam Focus Puller

Restoration  (1995)

Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven

Second Focus Puller

Much Ado About Nothing  (1993)

Directed by: Kenneth Branagh
Cinematography by: Roger Lanser
Edited by: Andrew Marcus

Focus Puller

Twenty-One  (1991)

Directed by: Don Boyd
Cinematography by: Keith Goddard
Edited by: David Spiers