Re-recording Mixer
The Wind that Shakes the Barley (2006)
Directed by: Ken Loach
Cinematography by: Barry Ackroyd
Edited by: Jonathan Morris
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
Tickets (2005)
Re-recording Mixer
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Re-recording Mixer
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Re-recording Mixer
Agent Cody Banks 2: Destination London (2004)
Directed by: Kevin Allen
Cinematography by: Denis Crossan
Edited by: Andrew MacRitchie
Cameras: Panavision Cameras
Sound Effects Pre-mixer
The Phantom of the Opera (2004)
Directed by: Joel Schumacher
Cinematography by: John Mathieson
Edited by: Terry Rawlings
Re-recording Mixer
Johnny English (2003)
Directed by: Peter Howitt
Cinematography by: Remi Adefarasin
Edited by: Robin Sales
Lenses: Angenieux Lenses, Zeiss Lenses
Editing System: Lightworks Editing System
Sound Re-recording Mixer: Pre-mix
28 Days Later... (2002)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Cameras: ARRI Cameras, Canon XL1 Camera
Editing System: Lightworks Editing System
Re-recording Mixer
The Gathering Storm (2002)
Directed by: Richard Loncraine
Cinematography by: Peter Hannan
Edited by: Jim Clark
Re-recording Mixer
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Re-recording Mixer
The Shaft (2001)
Directed by: Dick Maas
Cinematography by: Marc Felperlaan
Edited by: Bert Rijkelijkhuizen
Re-recording Mixer
Bridget Jones's Diary (2001)
Directed by: Sharon Maguire
Cinematography by: Stuart Dryburgh
Edited by: Martin Walsh
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Enigma (2001)
Directed by: Michael Apted
Cinematography by: Seamus McGarvey
Edited by: Rick Shaine
Cameras: Panavision Panaflex Camera
Re-recording Mixer
Love's Labour's Lost (2000)
Directed by: Kenneth Branagh
Cinematography by: Alex Thomson
Re-recording Mixer
A Shot at Glory (2000)
Directed by: Michael Corrente
Cinematography by: Alex Thomson
Edited by: David Ray
Re-recording Mixer
Entrapment (1999)
Directed by: Jon Amiel
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Re-recording Mixer
Mickey Blue Eyes (1999)
Directed by: Kelly Makin
Cinematography by: Donald E. Thorin
Edited by: David Freeman
Re-recording Mixer
Wing Commander (1999)
Directed by: Chris Roberts
Cinematography by: Thierry Arbogast
Edited by: Peter Davies
Re-recording Mixer
The World Is Not Enough (1999)
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Dubbing Mixer
The Land Girls (1998)
Directed by: David Leland
Cinematography by: Henry Braham
Edited by: Nick Moore
Re-recording Mixer
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
Re-recording Mixer
Roseanna's Grave (1997)
Directed by: Paul Weiland
Cinematography by: Henry Braham
Edited by: Martin Walsh
Re-recording Mixer
The Proprietor (1996)
Directed by: Ismail Merchant
Cinematography by: Larry Pizer
Edited by: William Webb
Cameras: Panavision Cameras
Re-recording Mixer
Restoration (1995)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Re-recording Mixer
Beyond Rangoon (1995)
Directed by: John Boorman
Cinematography by: John Seale
Edited by: Ron Davis
Re-recording Mixer
GoldenEye (1995)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Sound Mixer Engineer
Numbered Days (1994)
Directed by: Imanol Uribe
Cinematography by: Javier Aguirresarobe
Edited by: Teresa Font
Sound Re-recordist
1492: Conquest of Paradise (1992)
Directed by: Ridley Scott
Cinematography by: Adrian Biddle
Dubbing Mixer
Jekyll & Hyde (1990)
Directed by: David Wickes
Cinematography by: Norman Langley
Edited by: John Shirley
Re-recording Mixer
Return from the River Kwai (1989)
Directed by: Andrew V. McLaglen
Cinematography by: Arthur Wooster
Edited by: Alan Strachan
Cameras: Panavision Cameras
Re-recording Mixer
Licence to Kill (1989)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: John Grover
Re-recording Mixer
The Living Daylights (1987)
Directed by: John Glen
Cinematography by: Alec Mills
Re-recording Mixer
White of the Eye (1987)
Directed by: Donald Cammell
Cinematography by: Larry McConkey
Edited by: Terry Rawlings
Sound Mixer
Hope and Glory (1987)
Directed by: John Boorman
Cinematography by: Philippe Rousselot
Edited by: Ian Crafford
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera
Re-recording Mixer
A View to a Kill (1985)
Directed by: John Glen
Cinematography by: Alan Hume
Edited by: Peter Davies
Post-production Re-recording Mixer: Pinewood Studios
Runaway Train (1985)
Directed by: Andrey Konchalovskiy
Cinematography by: Alan Hume
Edited by: Henry Richardson
Re-recording Mixer
King David (1985)
Directed by: Bruce Beresford
Cinematography by: Donald McAlpine
Edited by: William M. Anderson
Re-recording Mixer
The Bounty (1984)
Directed by: Roger Donaldson
Cinematography by: Arthur Ibbetson
Edited by: Tony Lawson
Cameras: J-D-C Camera, Joe Dunton Cameras
Dubbing Mixer
The Dresser (1983)
Directed by: Peter Yates
Cinematography by: Kelvin Pike
Edited by: Ray Lovejoy
Re-recording Mixer
The Hound of the Baskervilles (1983)
Directed by: Douglas Hickox
Cinematography by: Ronnie Taylor
Edited by: Malcolm Cooke
Cameras: Panavision Cameras
Re-recording Mixer
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
Re-recording Mixer
Bustin' Loose (1981)
Cinematography by: Dennis Dalzell
Cameras: Panavision Cameras
Re-recording Mixer
For Your Eyes Only (1981)
Directed by: John Glen
Cinematography by: Alan Hume
Edited by: John Grover
Re-recording Mixer
Honky Tonk Freeway (1981)
Directed by: John Schlesinger
Cinematography by: John Bailey
Edited by: Jim Clark
Re-recording Mixer
Bad Timing (1980)
Directed by: Nicolas Roeg
Cinematography by: Anthony B. Richmond
Edited by: Tony Lawson
Cameras: Technovision Cameras
Lenses: Technovision Lenses
Re-recording Mixer
ffolkes (1980)
Directed by: Andrew V. McLaglen
Cinematography by: Tony Imi
Edited by: Alan Strachan
Cameras: Panavision Cameras
Re-recording Mixer
Moonraker (1979)
Directed by: Lewis Gilbert
Cinematography by: Jean Tournier
Edited by: John Glen
Re-recording Mixer
Absolution (1978)
Directed by: Anthony Page
Cinematography by: John Coquillon
Edited by: John Victor Smith
Re-recording Mixer
The Squeeze (1977)
Directed by: Michael Apted
Cinematography by: Dennis C. Lewiston
Edited by: John Shirley
Re-recording Mixer
Rollerball (1975)
Directed by: Norman Jewison
Cinematography by: Douglas Slocombe
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Re-recording Mixer
Don Quixote (1973)
Cinematography by: Geoffrey Unsworth
Edited by: Anthony Buckley
Cameras: Mitchell BNC Camera
Re-recording Mixer
Lady Caroline Lamb (1972)
Directed by: Robert Bolt
Cinematography by: Oswald Morris
Edited by: Norman Savage
Re-recording Mixer
Diamonds Are Forever (1971)
Directed by: Guy Hamilton
Cinematography by: Ted Moore
Re-recording Mixer
Fiddler on the Roof (1971)
Directed by: Norman Jewison
Cinematography by: Oswald Morris
Cameras: Panavision Silent Reflex PSR Camera
Re-recording Mixer
Ryan's Daughter (1970)
Directed by: David Lean
Cinematography by: Freddie Young
Edited by: Norman Savage
Cameras: Super Panavision-70 Camera
Lenses: Panavision Lenses
Re-recording Mixer
The Private Life of Sherlock Holmes (1970)
Directed by: Billy Wilder
Cinematography by: Christopher Challis
Edited by: Ernest Walter
Music Dubbing Mixer - 1988 Recording Of Chaplin's Score
City Lights (1931)
Directed by: Charles Chaplin
