Re-recording Mixer
The Wind that Shakes the Barley (2006)
Directed by: Ken Loach
Cinematography by: Barry Ackroyd
Edited by: Jonathan Morris
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Re-recording Mixer
Tickets (2005)
Re-recording Mixer
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Re-recording Mixer
Agent Cody Banks 2: Destination London (2004)
Directed by: Kevin Allen
Cinematography by: Denis Crossan
Edited by: Andrew MacRitchie
Cameras: Panavision Cameras
Sound Effects Pre-mixer
The Phantom of the Opera (2004)
Directed by: Joel Schumacher
Cinematography by: John Mathieson
Edited by: Terry Rawlings
Re-recording Mixer
Johnny English (2003)
Directed by: Peter Howitt
Cinematography by: Remi Adefarasin
Edited by: Robin Sales
Lenses: Angenieux Lenses, Zeiss Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
The Gathering Storm (2002)
Directed by: Richard Loncraine
Cinematography by: Peter Hannan
Edited by: Jim Clark
Re-recording Mixer
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Sound Re-recording Mixer: Pre-mix
28 Days Later... (2002)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Cameras: ARRI Cameras, Canon XL1 Camera
Editing System: Lightworks Editing System
Re-recording Mixer
Bridget Jones's Diary (2001)
Directed by: Sharon Maguire
Cinematography by: Stuart Dryburgh
Edited by: Martin Walsh
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Enigma (2001)
Directed by: Michael Apted
Cinematography by: Seamus McGarvey
Edited by: Rick Shaine
Cameras: Panavision Panaflex Camera
Re-recording Mixer
The Shaft (2001)
Directed by: Dick Maas
Cinematography by: Marc Felperlaan
Edited by: Bert Rijkelijkhuizen
Re-recording Mixer
A Shot at Glory (2000)
Directed by: Michael Corrente
Cinematography by: Alex Thomson
Edited by: David Ray
Re-recording Mixer
Love's Labour's Lost (2000)
Directed by: Kenneth Branagh
Cinematography by: Alex Thomson
Re-recording Mixer
The World Is Not Enough (1999)
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Re-recording Mixer
Wing Commander (1999)
Directed by: Chris Roberts
Cinematography by: Thierry Arbogast
Edited by: Peter Davies
Re-recording Mixer
Mickey Blue Eyes (1999)
Directed by: Kelly Makin
Cinematography by: Donald E. Thorin
Edited by: David Freeman
Re-recording Mixer
Entrapment (1999)
Directed by: Jon Amiel
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Dubbing Mixer
The Land Girls (1998)
Directed by: David Leland
Cinematography by: Henry Braham
Edited by: Nick Moore
Re-recording Mixer
Roseanna's Grave (1997)
Directed by: Paul Weiland
Cinematography by: Henry Braham
Edited by: Martin Walsh
Re-recording Mixer
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The Proprietor (1996)
Directed by: Ismail Merchant
Cinematography by: Larry Pizer
Edited by: William Webb
Cameras: Panavision Cameras
Re-recording Mixer
GoldenEye (1995)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Re-recording Mixer
Beyond Rangoon (1995)
Directed by: John Boorman
Cinematography by: John Seale
Edited by: Ron Davis
Re-recording Mixer
Restoration (1995)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Garth Craven
Sound Mixer Engineer
Numbered Days (1994)
Directed by: Imanol Uribe
Cinematography by: Javier Aguirresarobe
Edited by: Teresa Font
Sound Re-recordist
1492: Conquest of Paradise (1992)
Directed by: Ridley Scott
Cinematography by: Adrian Biddle
Dubbing Mixer
Jekyll & Hyde (1990)
Directed by: David Wickes
Cinematography by: Norman Langley
Edited by: John Shirley
Re-recording Mixer
Return from the River Kwai (1989)
Directed by: Andrew V. McLaglen
Cinematography by: Arthur Wooster
Edited by: Alan Strachan
Cameras: Panavision Cameras
Re-recording Mixer
The Living Daylights (1987)
Directed by: John Glen
Cinematography by: Alec Mills
Cameras: ARRI Cameras
Re-recording Mixer
White of the Eye (1987)
Directed by: Donald Cammell
Cinematography by: Larry McConkey
Edited by: Terry Rawlings
Sound Mixer
Hope and Glory (1987)
Directed by: John Boorman
Cinematography by: Philippe Rousselot
Edited by: Ian Crafford
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera
Post-production Re-recording Mixer: Pinewood Studios
Runaway Train (1985)
Directed by: Andrey Konchalovskiy
Cinematography by: Alan Hume
Edited by: Henry Richardson
Re-recording Mixer
King David (1985)
Directed by: Bruce Beresford
Cinematography by: Donald McAlpine
Edited by: William M. Anderson
Re-recording Mixer
The Bounty (1984)
Directed by: Roger Donaldson
Cinematography by: Arthur Ibbetson
Edited by: Tony Lawson
Cameras: J-D-C Camera, Joe Dunton Cameras
Re-recording Mixer
The Hound of the Baskervilles (1983)
Directed by: Douglas Hickox
Cinematography by: Ronnie Taylor
Edited by: Malcolm Cooke
Cameras: Panavision Cameras
Dubbing Mixer
The Dresser (1983)
Directed by: Peter Yates
Cinematography by: Kelvin Pike
Edited by: Ray Lovejoy
Re-recording Mixer
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
Cameras: Panavision Panaflex Gold Camera
Re-recording Mixer
Bustin' Loose (1981)
Cinematography by: Dennis Dalzell
Cameras: Panavision Cameras
Re-recording Mixer
Honky Tonk Freeway (1981)
Directed by: John Schlesinger
Cinematography by: John Bailey
Edited by: Jim Clark
Re-recording Mixer
ffolkes (1980)
Directed by: Andrew V. McLaglen
Cinematography by: Tony Imi
Edited by: Alan Strachan
Cameras: Panavision Cameras
Re-recording Mixer
Bad Timing (1980)
Directed by: Nicolas Roeg
Cinematography by: Anthony B. Richmond
Edited by: Tony Lawson
Cameras: Technovision Cameras
Lenses: Technovision Lenses
Re-recording Mixer
Absolution (1978)
Directed by: Anthony Page
Cinematography by: John Coquillon
Edited by: John Victor Smith
Re-recording Mixer
The Squeeze (1977)
Directed by: Michael Apted
Cinematography by: Dennis C. Lewiston
Edited by: John Shirley
Re-recording Mixer
Rollerball (1975)
Directed by: Norman Jewison
Cinematography by: Douglas Slocombe
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Re-recording Mixer
Don Quixote (1973)
Cinematography by: Geoffrey Unsworth
Edited by: Anthony Buckley
Cameras: Mitchell BNC Camera
Lenses: Angenieux 24-240 f2.6 Zoom Lens
Re-recording Mixer
Lady Caroline Lamb (1972)
Directed by: Robert Bolt
Cinematography by: Oswald Morris
Edited by: Norman Savage
Re-recording Mixer
Fiddler on the Roof (1971)
Directed by: Norman Jewison
Cinematography by: Oswald Morris
Re-recording Mixer
Diamonds Are Forever (1971)
Directed by: Guy Hamilton
Cinematography by: Ted Moore
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
The Private Life of Sherlock Holmes (1970)
Directed by: Billy Wilder
Cinematography by: Christopher Challis
Edited by: Ernest Walter
Re-recording Mixer
Ryan's Daughter (1970)
Directed by: David Lean
Cinematography by: Freddie Young
Edited by: Norman Savage
Cameras: Super Panavision-70 Camera
Music Dubbing Mixer - 1988 Recording Of Chaplin's Score
City Lights (1931)
Directed by: Charles Chaplin