Director Of Photography: Second Unit / Underwater Camera Operator, Second Unit Director
The Count of Monte Cristo (2002)
Directed by: Kevin Reynolds
Cinematography by: Andrew Dunn
Additional Unit Director, Additional Unit Photographer
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Second Unit Director
Enigma (2001)
Directed by: Michael Apted
Cinematography by: Seamus McGarvey
Edited by: Rick Shaine
Cameras: Panavision Panaflex Camera
Additional Unit Director, Additional Unit Photographer
The World Is Not Enough (1999)
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Second Unit Director
Ravenous (1999)
Directed by: Antonia Bird
Cinematography by: Anthony B. Richmond
Edited by: Neil Farrell
Second Unit Director
The Avengers (1998)
Directed by: Jeremiah S. Chechik
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Second Unit Director
Shakespeare in Love (1998)
Directed by: John Madden
Cinematography by: Richard Greatrex
Edited by: David Gamble
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Variable Prime Lenses
Camera Operator: Second Unit, Second Unit Director
The Brylcreem Boys (1998)
Directed by: Terence Ryan
Cinematography by: Gerry Lively
Edited by: Emma E. Hickox
Second Unit Director
Les Misérables (1998)
Directed by: Bille August
Cinematography by: Jörgen Persson
Edited by: Janus Billeskov Jansen
Director Of Photography: Opening Sequence, Director: Opening Sequence
Snow White: A Tale of Terror (1997)
Directed by: Michael Cohn
Cinematography by: Mike Southon
Edited by: Ian Crafford
Second Unit Director
In Love and War (1996)
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Additional Unit Director, Additional Unit Photographer
GoldenEye (1995)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Second Unit Director
First Knight (1995)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Second Unit Director
Highlander II: The Quickening (1991)
Directed by: Russell Mulcahy
Cinematography by: Phil Meheux
Director Of Photography
Return from the River Kwai (1989)
Directed by: Andrew V. McLaglen
Cinematography by: Arthur Wooster
Edited by: Alan Strachan
Cameras: Panavision Cameras
Underwater Photographer
We're No Angels (1989)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Cameras
Photographer: Second Unit, Second Unit Director
Licence to Kill (1989)
Directed by: John Glen
Cinematography by: Alec Mills
Edited by: John Grover
Photographer: Second Unit, Second Unit Director
The Living Daylights (1987)
Directed by: John Glen
Cinematography by: Alec Mills
Second Unit Director, Second Unit Photographer
A View to a Kill (1985)
Directed by: John Glen
Cinematography by: Alan Hume
Edited by: Peter Davies
Director Of Photography: Second Unit, Second Unit Director
Champions (1984)
Directed by: John Irvin
Cinematography by: Ronnie Taylor
Edited by: Peter Honess
Cameras: Panavision Cameras
Photographer: Second Unit, Second Unit Director
Octopussy (1983)
Directed by: John Glen
Cinematography by: Alan Hume
Mountain Photographer: Second Unit
Five Days One Summer (1982)
Directed by: Fred Zinnemann
Cinematography by: Giuseppe Rotunno
Edited by: Stuart Baird
Cameras: Panavision Cameras
Consultant
Honky Tonk Freeway (1981)
Directed by: John Schlesinger
Cinematography by: John Bailey
Edited by: Jim Clark
Second Unit Director, Second Unit Photography
For Your Eyes Only (1981)
Directed by: John Glen
Cinematography by: Alan Hume
Edited by: John Grover
