Adam Arnot

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No Time to Die | ShotOnWhat?

Digital Artist: Framestore , Lead Compositor: Framestore

No Time to Die (2021)

Directed by: Cary Joji Fukunaga

Cinematography by: Linus Sandgren

Edited by: Tom Cross, Elliot Graham

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Wonder Woman 1984 | ShotOnWhat?

Compositor: Framestore

Wonder Woman 1984 (2020)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Richard Pearson

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Avengers: Endgame | ShotOnWhat?

Compositor: Framestore

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Annihilation | ShotOnWhat?

Compositor: Double Negative

Annihilation (2018)

Directed by: Alex Garland

Cinematography by: Rob Hardy

Edited by: Barney Pilling

Cameras: Red Weapon Dragon Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Panatar Anamorphic Lenses

Ready Player One | ShotOnWhat?

Compositor: ILM

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Avengers: Infinity War | ShotOnWhat?

Compositor: ILM

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Transformers: The Last Knight | ShotOnWhat?

Star Wars: Episode VIII - The Last Jedi | ShotOnWhat?

Wonder Woman | ShotOnWhat?

Compositor: Double Negative

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

Assassin's Creed | ShotOnWhat?

Compositor: Double Negative

Assassin's Creed (2016)

Directed by: Justin Kurzel

Cinematography by: Adam Arkapaw

Edited by: Christopher Tellefsen

Cameras: ARRI ALEXA 65 Camera

Passengers | ShotOnWhat?

Compositor: MPC

Passengers (2016)

Directed by: Morten Tyldum

Cinematography by: Rodrigo Prieto

Edited by: Maryann Brandon

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Primo 70 Lenses

The Jungle Book | ShotOnWhat?

Compositor: MPC

The Jungle Book (2016)

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

Spectre | ShotOnWhat?

Compositor: MPC

Spectre (2015)

Directed by: Sam Mendes

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Exodus: Gods and Kings | ShotOnWhat?

Compositor: MPC

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Monuments Men | ShotOnWhat?

Prep Artist

The Monuments Men (2014)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

Editing System: Avid Editing System

Guardians of the Galaxy | ShotOnWhat?

Compositor: MPC

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Seventh Son | ShotOnWhat?

Digital Artist

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Maleficent | ShotOnWhat?

Prep Artist

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

300: Rise of an Empire | ShotOnWhat?

Roto Artist

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

World War Z | ShotOnWhat?

Roto Artist

World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

RED 2 | ShotOnWhat?

Roto Artist

RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

The Lone Ranger | ShotOnWhat?

Roto Artist

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

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