Vincent Goodsell

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Terminator Genisys | ShotOnWhat?

Lead Compositor

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Exodus: Gods and Kings | ShotOnWhat?

Visual Effects Artist

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Guardians of the Galaxy | ShotOnWhat?

Visual Effects Artist

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

300: Rise of an Empire | ShotOnWhat?

Compositing Artist

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Maleficent | ShotOnWhat?

Visual Effects Artist

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

The Invisible Woman | ShotOnWhat?

Compositor: One Of Us

The Invisible Woman (2013)

Directed by: Ralph Fiennes

Cinematography by: Rob Hardy

Edited by: Nicolas Gaster

Cameras: ARRIFLEX 35 IIIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Cloud Atlas | ShotOnWhat?

Digital Compositor

Cloud Atlas (2012)

Directed by: Tom Tykwer, Lana Wachowski, Lilly Wachowski

Cinematography by: Frank Griebe, John Toll

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Total Recall | ShotOnWhat?

Compositor

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Les Misérables | ShotOnWhat?

Compositor: The Mill

Les Misérables (2012)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Chris Dickens, Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

"The Color of Magic" Part 1: The Colour of Magic | ShotOnWhat?

Compositor: Fluid Pictures

'The Color of Magic' Part 1: The Colour of Magic (2008)

Television Episode

Directed by: Vadim Jean

Cinematography by: Gavin Finney

Edited by: Joe McNally, Liz Webber

"The Color of Magic" Part 2: The Light Fantastic | ShotOnWhat?

Compositor: Fluid Pictures

'The Color of Magic' Part 2: The Light Fantastic (2008)

Television Episode

Directed by: Vadim Jean

Cinematography by: Gavin Finney

Edited by: Joe McNally, Liz Webber

The Color of Magic | ShotOnWhat?

Compositor: Fluid Pictures - 2 Episodes, 2008

The Color of Magic (2008)

Directed by: Vadim Jean

Cinematography by: Gavin Finney

Edited by: Joe McNally, Liz Webber

Cameras: ARRIFLEX D-21 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Stardust | ShotOnWhat?

Digital Artist: The Senate Visual Effects

Stardust (2007)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Jon Harris

The Good Night | ShotOnWhat?

Compositor

The Good Night (2007)

Directed by: Jake Paltrow

Cinematography by: Giles Nuttgens

Edited by: Rick Lawley

The Golden Compass | ShotOnWhat?

Digital Compositor: Cinesite

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Doom | ShotOnWhat?

Junior Digital Compositor: Framestore CFC

Doom (2005)

Directed by: Andrzej Bartkowiak

Cinematography by: Tony Pierce-Roberts

Edited by: Derek Brechin

Kingdom of Heaven | ShotOnWhat?

Digital Compositor

Kingdom of Heaven (2005)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Corpse Bride | ShotOnWhat?

Compositing Team: MPC

Corpse Bride (2005)

Directed by: Tim Burton, Mike Johnson

Cinematography by: Pete Kozachik

Edited by: Chris Lebenzon, Jonathan Lucas

Cameras: ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Final Cut Pro Editing System

Are We There Yet? | ShotOnWhat?

Compositor: Jim Henson's Creature Shop

Are We There Yet? (2005)

Directed by: Brian Levant

Cinematography by: Thomas E. Ackerman

Edited by: Lawrence Jordan

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